The Phantom of the Opera (1989 film)

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The Phantom of the Opera
Phantom of the opera poster.jpg
Theatrical release poster
Directed by Dwight H. Little
Screenplay by
Based on The Phantom of the Opera
1910 novel
by Gaston Leroux
Produced by
Starring
Cinematography
Edited byCharles Bornstein
Music by Misha Segal
Production
companies
Distributed by 21st Century Film Corporation
Release date
  • November 3, 1989 (1989-11-03)
Running time
93 minutes [1]
CountryUnited States
LanguageEnglish
Box office$4 million [2]

The Phantom of the Opera is a 1989 American horror film directed by Dwight H. Little and based on Gaston Leroux's 1910 novel of the same name. The film is an updated and gorier version of Leroux's classic tale, and stars Robert Englund as the Phantom. The film was a critical and commercial failure.

Contents

Plot

Christine Day (Jill Schoelen), a young opera singer in modern-day Manhattan, is searching for a unique piece to sing at her next audition. Her friend and manager Meg (Molly Shannon) discovers an old opera piece called Don Juan Triumphant , written by a composer named Erik Destler. Curious, Christine and Meg do a little research on Destler and discover he may have been responsible for many murders and the disappearance of a young female opera singer he was said to have been obsessed with. While Christine is alone, she sings from the tattered parchment, and blood seeps from the notes and covers her hands. Shocked, she discovers this to be an illusion when Meg returns. Christine auditions with the piece, and during her performance, an accident with a falling sandbag renders her unconscious and shatters a mirror.

She awakens in London in 1885, wearing opera clothing. A different version of Meg (Emma Rawson) is also there. Christine turns out to be the understudy to the diva La Carlotta (Stephanie Lawrence), who is both jealous and resentful of Christine's skill. During this whole time, Erik Destler (Robert Englund) attacks the scene-shifter Joseph (Terence Beesley) with a blade high above the rafters for almost killing Christine with the falling sandbag, and blaming the accident on him.

Alone in her dressing room, Christine hears the voice of Erik Destler, revealing he is her teacher and an angel sent by her deceased father. Destler encourages her to practice Carlotta's part of Marguerite in Faust , saying that only she can sing the part. Christine complies. That evening, Carlotta discovers Joseph's skinned (but barely alive) body in her dressing closet. The event causes her to scream and lose her voice. Christine is cast in the role of Marguerite, which causes panic to the opera house owner Martin Barton (Bill Nighy), who favors Carlotta and the prestige she brings to his opera house.

During the scene where Dr. Faust signs his soul to the Devil, Destler reminisces about a time, decades ago, when he sold his own soul to the Devil in exchange for people loving him for his music. The Devil grants his wish, but disfigures Destler's face, telling him that only his music will be what people love him for. Christine gives a stellar performance, receiving a standing ovation, and celebrates that night with her fiancé Richard Dutton (Alex Hyde-White). She tells him of her mysterious "teacher" to whom she accredits her success. A mildly jealous Richard asks to meet this teacher, but Christine insists her teacher is only a figment of her imagination. Meanwhile, Destler seduces a prostitute and pays her gold to call herself "Christine" for the night.

Shockingly, the next morning in the papers, Christine is given a bad review by the famous opera critic E.A. Harrison, secretly done as a favor to Barton. Destler tracks Harrison down and brutally murders him in a Turkish spa after Harrison refuses to recant his review. Christine tearfully goes to the graveyard and prays at her father's grave. Destler appears as a shadowy violinist and offers her a chance at musical immortality if she will only go to him. Christine goes away with the Phantom in his stagecoach. Deep in the sewers below London's opera house, Destler reveals himself as the composer of Don Juan Triumphant, which causes a spark of recollection within Christine. She sings the same lyrics from the beginning of the film. Destler places his ring upon her finger and warns her never to see another man again. Christine, through fear, promises she will not. Destler kisses her hand, declaring her to be his bride.

Richard goes to Inspector Hawkins (Terence Harvey), who reveals that the Phantom is not only the legendary Erik Destler, but has lived for decades, uses the opera house's catacombs as a hideout, and skins his murdered victims for their facial skin to cover his own hideous visage. Richard has heard that the only way to kill the Phantom is to destroy his music.

After hearing of Harrison's murder, Christine meets Richard at a masquerade ball and begs him to take her away. She fears the Phantom and really loves Richard. Erik, disguised as Red Death, witnesses this exchange and becomes enraged. He decapitates Carlotta, causing mayhem, and kidnaps Christine. Hawkins, Richard, and the rat catcher (Yehuda Efroni), whom Destler has been bribing in the past, go quickly in pursuit. Back in the Phantom's lair, an enraged Destler attempts to rape Christine but hears the men approaching. He tells Christine she can never leave and locks her in the lair. Two policemen become lost in the sewers and are killed by Destler, including the rat catcher for betraying him.

He returns to Christine, who asks him if he is going to kill her too. Destler replies, "This is either a wedding march or a funeral mass. You decide which." Richard and Inspector Hawkins burst in. After a brutal fight with the Phantom, Richard is stabbed, set aflame, and killed instantly. Christine sets the lair on fire by pushing over candelabras and attempts to kill Destler, but he grabs her hand and tries to lead her away with him. However, a wounded Hawkins manages to shoot Destler. Christine pushes another candle holder through a mirror, which sends her back to her own time. As she vanishes, she hears Destler's echoing voice screaming her name.

Christine awakens back to the present-day in Manhattan and meets the opera's producer, Mr. Foster, who comforts her and offers her the leading part. They have drinks at his apartment, and Foster goes upstairs to change and finds a blemish on his face, revealing that Foster is really Destler from long ago. He prepares to change his facial skin with synthetic ones he keeps in a special lab. Meanwhile, downstairs, Christine discovers a copy of the Don Juan Triumphant music score. Foster/Destler enters, reveals his true identity to her, and lovingly kisses her lips. Christine pretends to accept him, then rips off his mask, stabs him, and escapes, taking his music. She tears it apart and lets it drop into a drain, whilst Foster/Destler is heard screaming.

Christine passes by a street violin player on her way home, whom she gives some money to. The violinist starts playing the theme from Don Juan Triumphant. Christine looks back and reflects on the music for a while. Then, very resolutely, she turns around and continues on her way, wondering if Destler is really gone for good.

Cast

Production

The script was originally written by Gerry O'Hara for Cannon films, and was set to be directed by John Hough. [3] O'Hara's version of the screenplay did not feature any present-day segments, and was set entirely in 1881 England. However, after Cannon filed for bankruptcy, the film was passed on to the 21st Century Film Corporation. 21st Century planned to follow up the film with a sequel called The Phantom of the Opera 2: Terror in Manhattan, in which the Phantom lives in the sewers of present-day Manhattan. [4] Television writer Duke Sandefur was hired to add bookend segments set in present-day Manhattan to O'Hara's script, so that the film would tie into its proposed sequel. Ultimately, the sequel was not made, but the bookend segments remain in the film.

The original music, written for the film by Misha Segal (also known for the soundtrack to The New Adventures of Pippi Longstocking ), won a 1989 Brit for best soundtrack. Segal also commissioned the Budapest Symphony Orchestra for the theme. Of particular interest to fans of the original novel is Segal's rendition of the Phantom's opera composition 'Don Juan Triumphant', with the Phantom on the organ and Christine singing.

Release

Box office

The Phantom of the Opera opened theatrically on November 3, 1989 in 1,468 venues, ranking sixth at the domestic box office, with $2,050,000 in its first weekend. [5] The film closed three weeks later, having grossed $3,953,745. [2]

Critical reception

The film received negative reviews from critics. Caryn James of The New York Times wrote, "This 'Phantom' is not lively enough to be kitschy, or original enough in its badness to be funny." [6] Variety called the film "competent but flatly directed," adding that "Englund is his usual broad self. Yet gorehounds expecting a 'Freddy of the Opera' are bound to be disappointed, for the stabbings, stranglings and decapitations he executes lack suspense, surprise or innovation." [7] Dave Kehr of the Chicago Tribune called it "a stern, lugubrious affair, almost completely devoid of the humor and invention that have made the 'Nightmare' films consistently watchable." [8] Kim Newman of The Monthly Film Bulletin wrote that it "occasionally has a pleasant Hammer Films/Gothic feel," but that "Englund is buried under thick make-up even when trying to pass for normal and is unable to do much with the role." [9]

The film holds a 33% 'Rotten' rating on review aggregate website Rotten Tomatoes, based on 12 reviews. [10]

Home media

The film was released on VHS in 1990 by RCA/Columbia Pictures Home Video and on DVD in 2004 by MGM Home Entertainment. Scream Factory (a subsidiary of Shout! Factory) released the film on February 17, 2015 for the first time on Blu-ray in the United States. [11] The film was released alongside the documentary film, Behind the Mask: The Making of "The Phantom of the Opera". [12] The documentary film featured interviews with Englund, Nighy, Hyde-White, Shannon, and director Little. [13]

Cancelled sequel

Englund was under contract to appear in a sequel, but it was canceled after the film's poor reception, and has been the subject of numerous rumors. Fangoria Magazine stated in 1991 that the script was re-written into what became 1992's film Dance Macabre , also starring Englund.

Englund confirmed in a 2004 interview that a script had been written, and while he personally felt it was superior to the first film, it had never been filmed in any capacity. In 2012, Englund was asked at a memorabilia sale about the possibility of a sequel happening in the near future; Englund informed everybody in attendance that although it would be overwhelming to see a sequel, the chances of it happening at this stage are "highly unlikely".

Related Research Articles

<i>The Phantom of the Opera</i> (novel) 1909 novel by Gaston Leroux

The Phantom of the Opera is a novel by French author Gaston Leroux. It was first published as a serial in Le Gaulois from 23 September 1909 to 8 January 1910, and was released in volume form in late March 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century, and by an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischütz. It has been successfully adapted into various stage and film adaptations, most notable of which are the 1925 film depiction featuring Lon Chaney, and Andrew Lloyd Webber's 1986 musical.

<i>The Phantom of the Opera</i> (1986 musical) 1986 musical by Andrew Lloyd Webber

The Phantom of the Opera is a musical with music by Andrew Lloyd Webber, lyrics by Charles Hart, additional lyrics by Richard Stilgoe and a libretto by Lloyd Webber and Stilgoe. Based on the 1910 French novel of the same name by Gaston Leroux, it tells the tragic story of a beautiful soprano, Christine Daaé, who becomes the obsession of a mysterious, masked musical genius living in the subterranean labyrinth beneath the Paris Opéra House.

<i>The Phantom of the Opera</i> (2004 film) 2004 film by Joel Schumacher

The Phantom of the Opera is a 2004 musical romantic drama film based on Andrew Lloyd Webber's 1986 musical of the same name, which in turn is based on the 1910 French novel Le Fantôme de l'Opéra by Gaston Leroux. Produced and co-written by Lloyd Webber and directed by Joel Schumacher, it stars Gerard Butler in the title role, with Emmy Rossum, Patrick Wilson, Miranda Richardson, Minnie Driver, Simon Callow, Ciarán Hinds, Victor McGuire, and Jennifer Ellison in supporting roles.

<i>The Phantom of the Opera</i> (1925 film) 1925 American silent horror film

The Phantom of the Opera is a 1925 American silent horror film adaptation of Gaston Leroux's 1910 novel Le Fantôme de l'Opéra, directed by Rupert Julian and starring Lon Chaney in the title role of the deformed Phantom who haunts the Paris Opera House, causing murder and mayhem in an attempt to make the woman he loves a star. The film remains most famous for Chaney's ghastly, self-devised make-up, which was kept a studio secret until the film's premiere. The picture also features Mary Philbin, Norman Kerry, Arthur Edmund Carewe, Gibson Gowland, John St. Polis and Snitz Edwards. The last surviving cast member was Carla Laemmle (1909-2014), niece of producer Carl Laemmle, who played a small role as a "prima ballerina" in the film when she was about 15 years old. The film was released on September 6, 1925, premiering at the Astor Theatre in New York. The film's final budget was $632,357.

<i>Phantom of the Opera</i> (1943 film) 1943 horror film directed by Arthur Lubin

Phantom of the Opera is a 1943 American romantic horror film directed by Arthur Lubin, loosely based on Gaston Leroux's 1910 novel The Phantom of the Opera and its 1925 film adaptation starring Lon Chaney. Produced and distributed by Universal Pictures, the film stars Nelson Eddy, Susanna Foster and Claude Rains, and was composed by Edward Ward.

<span class="mw-page-title-main">Christine Daaé</span> Fictional character

Christine Daaé is a fictional character and the female protagonist of Gaston Leroux's 1910 novel The Phantom of the Opera and of the various adaptations of the work. Erik, the Phantom of the Opera and Viscount Raoul de Chagny both fall in love with her.

Carlotta is a fictional character from Gaston Leroux's 1910 novel The Phantom of the Opera. She is the leading soprano at the Paris Opera House who is criticised by the narrator and the Phantom for the lack of emotion in her performances.

<i>Phantom</i> (musical) Musical by Maury Yeston and Arthur Kopit

Phantom is a musical with music and lyrics by Maury Yeston and a book by Arthur Kopit. Based on Gaston Leroux's 1910 novel The Phantom of the Opera, the musical was first presented in Houston, Texas in 1991.

<i>Phantom</i> (Kay novel)

Phantom is a 1990 novel by Susan Kay, based on the 1910 Gaston Leroux novel The Phantom of the Opera. It is a biography of the title character Erik.

Don Juan Triumphant is the name of a fictional opera written by the title character in the 1910 novel The Phantom of the Opera. In the 1986 musical The Phantom of the Opera by Andrew Lloyd Webber, the concept is expanded as an opera within a musical and the performance of it plays a major role in the storyline. The fictional piece draws major inspiration from Wolfgang Amadeus Mozart's famous 1787 work Don Giovanni, yet the Phantom's opera is depicted as far more bleak and dark.

<i>The Phantom of the Opera</i> (miniseries) 1990 television film directed by Tony Richardson

The Phantom of the Opera is a 1990 American two-part television miniseries directed by Tony Richardson and starring Charles Dance in the title role. It is adapted from Arthur Kopit's book from his stage musical Phantom, which is based loosely on Gaston Leroux's 1910 novel.

<i>The Phantom of Manhattan</i>

The Phantom of Manhattan is a 1999 novel by British writer Frederick Forsyth, written as a sequel to the 1910 novel Le Fantôme de l'Opéra by Gaston Leroux. It is widely known to have been written at the request of Andrew Lloyd Webber as material for a potential sequel to The Phantom of the Opera.

"The Music of the Night" is a major song from the 1986 musical The Phantom of the Opera. The music was written by Andrew Lloyd Webber, with lyrics by Charles Hart and Richard Stilgoe. Initially made famous by Michael Crawford, the actor who originated the role of the Phantom both in the West End and on Broadway, "The Music of the Night" has appeared on many cast recordings of the musical, sold millions of copies worldwide, and has been translated into many languages.

Adaptations of <i>The Phantom of the Opera</i>

There have been many literary and dramatic works based on Gaston Leroux's 1910 novel The Phantom of the Opera, ranging from stage musicals to films to children's books. Some well known stage and screen adaptations of the novel are the 1925 film and the Andrew Lloyd Webber musical ; Susan Kay's 1990 Phantom is one of the best known novels and includes in-depth study of the title character's life and experiences.

<span class="mw-page-title-main">Madame Giry</span> Fictional character

Madame Giry is a fictional character from Gaston Leroux's 1910 novel The Phantom of the Opera. She is a fairly intermediate character in the novel, although her role is much increased in Andrew Lloyd Webber's 1986 musical. Madame Giry is also a character in the 2010 musical Love Never Dies, a sequel to The Phantom of the Opera.

Meg Giry is one of the fictional characters from Gaston Leroux's 1910 novel The Phantom of the Opera. In the story, she is Madame Giry's oldest daughter.

Erik (<i>The Phantom of the Opera</i>) Fictional character

Erik is the title character from Gaston Leroux's 1910 novel Le Fantôme de l'Opéra, best known to English speakers as The Phantom of the Opera. The character has been adapted to alternative media several times, including in the 1925 film adaptation starring Lon Chaney, the 1943 remake starring Claude Rains, the 1962 remake starring Herbert Lom, and Andrew Lloyd Webber's 1986 musical.

<i>The Phantom of the Opera</i> (1998 film) 1998 Italian film

The Phantom of the Opera is a 1998 Italian horror film directed by Dario Argento, adapted from the 1910 novel Le Fantôme de l'Opéra by Gaston Leroux. It is not to be confused with the 1987 film Opera, also directed by Dario Argento.

<i>Love Never Dies</i> (musical) 2010 musical by Andrew Lloyd Webber

Love Never Dies is a romantic musical with music by Andrew Lloyd Webber, lyrics by Glenn Slater, and a book by Lloyd Webber, Ben Elton, Frederick Forsyth, and Slater. It is a sequel to the long-running 1986 musical The Phantom of the Opera and was loosely adapted from Forsyth's 1999 novel The Phantom of Manhattan.

<i>The Phantom of the Opera at the Royal Albert Hall</i> 2011 British film

The Phantom of the Opera at the Royal Albert Hall is a 2011 British concert film adaptation of Andrew Lloyd Webber's 1986 musical The Phantom of the Opera, which in turn was based on the 1910 French novel Le Fantôme de l'Opéra by Gaston Leroux.

References

  1. ↑ "THE PHANTOM OF THE OPERA (18)". British Board of Film Classification . February 14, 1990. Retrieved October 28, 2012.
  2. 1 2 "Phantom of the Opera (1989)". Box Office Mojo . Internet Movie Database. November 24, 1989. Retrieved September 14, 2015.
  3. ↑ The Phantom of the Opera (1989) Trivia. Internet Movie Database.
  4. ↑ The Phantom of the Opera (1989) Trivia. Internet Movie Database.
  5. ↑ "Weekend Box Office Results for November 3-5, 1989". Box Office Mojo . Internet Movie Database. November 6, 1989. Retrieved September 14, 2015.
  6. ↑ James, Caryn (November 4, 1989). "This Phantom Has His Lair In London, but Travels". The New York Times : 12.
  7. ↑ "The Phantom of the Opera". Variety : 36. November 8, 1989.
  8. ↑ Kehr, Dave (November 7, 1989). "'Phantom' appeal is wearing thin". Chicago Tribune . Section 5, p. 4.
  9. ↑ Newman, Kim (June 1990). "Phantom of the Opera". The Monthly Film Bulletin . 57 (677): 173.
  10. ↑ "The Phantom of the Opera (1989)". Rotten Tomatoes . Flixster . Retrieved July 31, 2014.
  11. ↑ The Phantom of the Opera with Robert Englund Sings on Blu-ray
  12. ↑ Robert Englund As ‘The Phantom of the Opera’ Gets Blu-ray Release
  13. ↑ Robert Englund as The Phantom of the Opera
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