Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
The 13th Floor Elevators was an American rock band from Austin, Texas, United States, formed by guitarist and vocalist Roky Erickson, electric jug player Tommy Hall, and guitarist Stacy Sutherland. The band was together from 1965 to 1969, and during that period released four albums and seven singles for the International Artists record label.
Easter Everywhere is the second studio album by the American psychedelic rock band the 13th Floor Elevators. It was released on 25 October 1967, through record label International Artists. It is regarded by many critics as one of the finest psychedelic albums ever released.
Moving Sidewalks were an American rock band formed in 1966 from Houston, Texas. They released several singles and an album, before bassist Don Summers and keyboardist Tom Moore were drafted into the army, bringing the band to an end. Guitarist Billy Gibbons and drummer Dan Mitchell then formed band ZZ Top.
Roger Kynard "Roky" Erickson was an American musician and singer-songwriter. He was a founding member and the leader of the 13th Floor Elevators and a pioneer of the psychedelic rock genre.
Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
Rayward Powell St. John was an American singer and songwriter, active on the mid-1960s Austin, Texas campus folk/bohemian music scene. He was an occasional member of various Austin rock groups, including The Conqueroo, and wrote some songs for The 13th Floor Elevators, including "You Don't Know ", included on the band's 1966 debut, The Psychedelic Sounds of the 13th Floor Elevators.
Bull of the Woods is the third studio album by The 13th Floor Elevators, and the last on which they worked as a group. The album is noted for its moody, dreamy, and fuzzed-out psychedelic sound, and was released by International Artists.
International Artists (IA) was an American independent record label based in Houston, Texas, United States, that originally existed from 1965 to 1970. It is not to be confused with International Artists Records, a classical music record label founded in New York City in 1956.
The Parable of Arable Land is the first studio album by the Red Crayola. The album was considered psychedelic music when it was introduced, but later assessments describe it as a forerunner to avant/noise rock. With this album as introduction, Ritchie Unterberger assessed the band as a precursor to industrial rock. The album features free improvised pieces involving industrial power tools and a revving motorcycle dubbed "Free Form Freak-Out" played by a group of over 50 people known as "the Familiar Ugly" as well as notable instrumental cameos by label mate and 13th Floor Elevators frontman Roky Erickson.
"Slip Inside this House" is a song originally released by psychedelic rock band the 13th Floor Elevators as the first track on their 1967 album Easter Everywhere. At eight minutes, it is the longest track the band released on a studio album. A single version edited to just under four minutes was released by International Artists.
The Psychedelic World of the 13th Floor Elevators is a 3 disc box set. The set collects the band's studio output, with live cuts, alternate versions, and the two original singles as The Spades.
"Everybody Needs Somebody to Love" is a song written by Bert Berns, Solomon Burke, and Jerry Wexler, and originally recorded by Burke under the production of Berns at Atlantic Records in 1964. Burke's version charted in 1964, but missed the US top 40, peaking at number 58.
"You're Gonna Miss Me" is a song by the American psychedelic rock band the 13th Floor Elevators, written by Roky Erickson, and released as the group's debut single on Contact Records in 1966. It was reissued nationally on International Artists, in May 1966. Musically inspired by traditional jug band and R&B music, combined with the group's own experimentation, "You're Gonna Miss Me" with its Stacy Sutherland and Tommy Hall-penned B-side "Tried to Hide" was influential in developing psychedelic rock and garage rock, and was one of the earlier rock compositions to use the electric jug. Accordingly, critics often cite "You're Gonna Miss Me" as a bona fide garage rock song and a classic of the counterculture era.
Too Much Sleep is the second album by the experimental college rock/art rock band Bongwater. It was released in 1989. In 1998, the album was remastered by Alan Douches and Kramer for its inclusion in Box of Bongwater set.
Where the Pyramid Meets the Eye is a 1990 tribute album to singer-songwriter Roky Erickson, founder of the 13th Floor Elevators and solo artist, whose career was subject to significant periods of challenge from schizophrenia. The album was released by Sire Records in the United States, and by WEA International in Europe. The album was produced by Bill Bentley, who also produced a 1999 tribute album to Moby Grape co-founder Skip Spence, who, like Erickson, was subject to the challenges of schizophrenia. The album's title is said to be Erickson's definition of psychedelic music.
"Splash 1 (Now I'm Home)" is a 1966 single from the band 13th Floor Elevators from their album The Psychedelic Sounds of the 13th Floor Elevators. It was a minor regional hit in Texas but became a bigger (albeit still relatively minor) regional hit a year later when covered by the Clique. It has also been covered by Bongwater and The Mighty Lemon Drops.
The Evil One is a 1981 debut album by American psychedelic rock singer Roky Erickson with his band the Aliens, after his time with the band 13th Floor Elevators. The songs were recorded in 1979 with producer Stu Cook, former bass player of Creedence Clearwater Revival. Some material from those sessions was also released on the 1980 CBS UK album Roky Erickson and the Aliens. Cook played bass on two tracks, "Sputnik" and "Bloody Hammer."
Don't Slander Me is a solo album by 13th Floor Elevators singer Roky Erickson recorded in 1982 and released in 1986. It features former Jefferson Airplane bassist Jack Casady as part of Erickson's backing band.
May the Circle Remain Unbroken: A Tribute to Roky Erickson is an album by various artists, released July 17, 2021, on indie record label Light in the Attic. It is the first posthumous tribute album for Erickson and is produced by Bill Bentley, who also assembled the 1990 Erickson tribute album Where the Pyramid Meets the Eye for Sire Records.
