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Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.
A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, jew's harp, and comb and tissue paper. The term jug band is loosely used in referring to ensembles that also incorporate homemade instruments but that are more accurately called skiffle bands, spasm bands, or juke bands because they do not include a jug player.
The washboard and frottoir are used as a percussion instrument, employing the ribbed metal surface of the cleaning device as a rhythm instrument. As traditionally used in jazz, zydeco, skiffle, jug band, and old-time music, the washboard remained in its wooden frame and is played primarily by tapping, but also scraping the washboard with thimbles. Often the washboard has additional traps, such as a wood block, a cowbell, and even small cymbals.
The 13th Floor Elevators was an American rock band from Austin, Texas, United States, formed by guitarist and vocalist Roky Erickson, electric jug player Tommy Hall, and guitarist Stacy Sutherland. The band was together from 1965 to 1969, and during that period released four albums and seven singles for the International Artists record label.
Easter Everywhere is the second studio album by the American psychedelic rock band the 13th Floor Elevators. It was released on 25 October 1967, through record label International Artists. It is regarded by many critics as one of the finest psychedelic albums ever released.
Roger Kynard "Roky" Erickson was an American musician and singer-songwriter. He was a founding member and the leader of the 13th Floor Elevators and a pioneer of the psychedelic rock genre.
The U.S. state of Texas has long been a center for musical innovation and is the birthplace of many notable musicians. Texans have pioneered developments in Tejano and Conjunto music, Rock 'n Roll, Western swing, jazz, punk rock, country, hip-hop, electronic music, gothic industrial music, religious music, mariachi, psychedelic rock, zydeco and the blues.
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. While the term has sometimes been used interchangeably with "psychedelic rock", acid rock also specifically refers to a more musically intense, rawer, harder, louder, or heavier subgenre or sibling of psychedelic rock. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars and often contains lyrics with drug references and long improvised jams.
Austin's official motto is the "Live Music Capital of the World" due to the high volume of live music venues in the city. Austin is known internationally for the South by Southwest (SXSW) and the Austin City Limits (ACL) Music Festivals which feature eclectic international lineups. The greatest concentrations of music venues in Austin are around 6th Street, Central East Austin, the Red River Cultural District, the Warehouse District, the University of Texas, South Congress, and South Lamar.
Rayward Powell St. John was an American singer and songwriter, active on the mid-1960s Austin, Texas campus folk/bohemian music scene. He was an occasional member of various Austin rock groups, including The Conqueroo, and wrote some songs for The 13th Floor Elevators, including "You Don't Know ", included on the band's 1966 debut, The Psychedelic Sounds of the 13th Floor Elevators.
Bull of the Woods is the third studio album by The 13th Floor Elevators, and the last on which they worked as a group. The album is noted for its moody, dreamy, and fuzzed-out psychedelic sound, and was released by International Artists.
The jug used as a musical instrument is an empty jug played with buzzed lips to produce a trombone-like tone. The characteristic sound of the jug is low and hoarse, below the higher pitch of the fiddle, harmonica, and the other instruments in the band.
The Psychedelic Sounds of the 13th Floor Elevators is the debut studio album by the 13th Floor Elevators. The album's sound, featuring elements of psychedelia, hard rock, garage rock, folk, and blues, is notable for its use of the electric jug, as featured on the band's only hit, "You're Gonna Miss Me", which reached number 55 on the Billboard Hot 100 with "Tried to Hide" as a B-side. Another single from the album, "Reverberation (Doubt)", reached number 129 on the Billboard's Bubbling Under chart.
Jim Franklin is an artist, illustrator, and underground cartoonist best known for his poster art created for the Armadillo World Headquarters, a former Austin, Texas, music hall. He is also known for his detailed, surrealistic illustrations of armadillos, making them an emblem of underground music.
"Slip Inside this House" is a song originally released by psychedelic rock band the 13th Floor Elevators as the first track on their 1967 album Easter Everywhere. At eight minutes, it is the longest track the band released on a studio album. A single version edited to just under four minutes was released by International Artists.
The original Vulcan Gas Company was the first successful psychedelic music venue in Austin, Texas. The Vulcan opened its doors at 316 Congress Avenue in the fall of 1967, and closed in the summer of 1970. Gary Scanlon, Houston White, Don Hyde, and Sandy Lockett started the VGC. By 1969, management was primarily by White and Lockett, along with Jim Franklin. There was a substantial sound system installed by Sandy Lockett. Charlie Sauer was the principal audio engineer for the last year of operation. Bobby Hedderman and Marty McDermott managed the club for the last few months. Underground cartoonist Gilbert Shelton became their art director in 1967 and drew their weekly posters.
"You're Gonna Miss Me" is a song by the American psychedelic rock band the 13th Floor Elevators, written by Roky Erickson, and released as the group's debut single on Contact Records in 1966. It was reissued nationally on International Artists, in May 1966. Musically inspired by traditional jug band and R&B music, combined with the group's own experimentation, "You're Gonna Miss Me" with its Stacy Sutherland and Tommy Hall-penned B-side "Tried to Hide" was influential in developing psychedelic rock and garage rock, and was one of the earlier rock compositions to use the electric jug. Accordingly, critics often cite "You're Gonna Miss Me" as a bona fide garage rock song and a classic of the counterculture era.
Where the Pyramid Meets the Eye is a 1990 tribute album to singer-songwriter Roky Erickson, founder of the 13th Floor Elevators and solo artist, whose career was subject to significant periods of challenge from schizophrenia. The album was released by Sire Records in the United States, and by WEA International in Europe. The album was produced by Bill Bentley, who also produced a 1999 tribute album to Moby Grape co-founder Skip Spence, who, like Erickson, was subject to the challenges of schizophrenia. The album's title is said to be Erickson's definition of psychedelic music.
"Splash 1 (Now I'm Home)" is a 1966 single from the band 13th Floor Elevators from their album The Psychedelic Sounds of the 13th Floor Elevators. It was a minor regional hit in Texas but became a bigger (albeit still relatively minor) regional hit a year later when covered by the Clique. It has also been covered by Bongwater and The Mighty Lemon Drops.
The Evil One is a 1981 debut album by American psychedelic rock singer Roky Erickson with his band the Aliens, after his time with the band 13th Floor Elevators. The songs were recorded in 1979 with producer Stu Cook, former bass player of Creedence Clearwater Revival. Some material, such as the song Sputnik, was not released on the 1980 CBS Records U.K. release, but was included on the 1981 414 Records LP release in California, which was then included on the 1987 combined release by Restless Records in California. Cook played bass on two tracks, "Sputnik" and "Bloody Hammer."
References
- ↑ Trybyszewski, Joe (August 13, 2004). "Where the Pyramid Meets the High". The Austin Chronicle . Retrieved April 24, 2012.
- 1 2 3 Maerz, Jennifer (February 18, 2009). "A Long, Strange Trip". SF Weekly . Retrieved May 9, 2024.
- ↑ Uhelszki, Jaan (June 3, 2019). "The 13th Floor Elevators: "We're raising hell now!"". Uncut . Retrieved September 1, 2020.
- ↑ Trybyszewski, Joe (August 13, 2004). "Where the Pyramid Meets the High". The Austin Chronicle . Retrieved July 30, 2007.
- ↑ "The 10 Most Interesting Musicians of the Last 5 Years: Jandek". Spin . April 1990. Retrieved September 1, 2020.
- ↑ David McGowan (March 19, 2014). Weird Scenes Inside The Canyon: Laurel Canyon, Covert Ops & The Dark Heart Of The Hippie Dream. SCB Distributors. pp. 43–. ISBN 978-1-909394-13-1.
- ↑ Mark Brend (2005). Strange Sounds: Offbeat Instruments and Sonic Experiments in Pop. Backbeat. pp. 113–. ISBN 978-0-87930-855-1.
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