The White Lady (Namibia)

Last updated
The White Lady
Weisse Dame Brandberg.JPG
White Lady, visible in the lower right corner
Namibia relief location map.jpg
Archaeological site icon (red).svg
location in Namibia
Alternative nameWeiße Dame
Location Brandberg Mountain, Damaraland
Region Namibia
Coordinates 21°06′38″S14°39′46″E / 21.11056°S 14.66278°E / -21.11056; 14.66278
Site notes
Excavation dates1929
Archaeologists Reinhard Maack
The path leading to the White Lady Wanderung Brandberg.JPG
The path leading to the White Lady
The White Lady, retouched picture emphasis on color and shape White Maiden of Brandberg.jpg
The White Lady, retouched picture emphasis on color and shape

The White Lady is a rock painting, located on a panel, which also displays other art work. The paintings can be found on a small rock overhang, deep within Brandberg Mountain. The giant granite monolith located in Damaraland and called 'The Brandberg' is Namibia's highest mountain. The painting's German name is Weiße Dame.

Contents

The painting has long been an archaeological dilemma, and several different hypotheses have been put forth on its origins, authorship and dating. It is now usually accepted to be a bushmen painting, [1] dating back to at least 2000 years. [2]

Location and description

The "White Lady" archaeological site is located close to the road from Khorixas to Henties Bay, in the area of Uis, on the Brandberg Massif. The Brandberg itself hosts over 1.000 bushmen paintings, scattered across rock shelters and caves. [3]

The "White Lady Group" is found in a cave known as "Maack Shelter" [lower-roman 1] and portrays several human figures as well as oryxes, on a rock panel measuring about 5.5 m x 1.5 m. The "White Lady" is the most detailed human figure in the group, and measures about 39.5 cm x 29 cm. To reach The White Lady it is necessary to hike for about 45–60 minutes over rough terrain, along the gorge of the normally dry Tsisab river.

It is usually assumed that the painting shows some sort of ritual dance, and that the "White Lady" is a shaman. She has white legs and arms, which may suggest that her body was painted or that she was wearing some sort of decorative attachments on her legs and arms. She holds a bow in one hand and perhaps a goblet in the other. Because of the bow and the oryxes, the painting has also been interpreted as a hunting scene. Apart from the shaman/lady, the other human figures have less detail, and are mostly completely black or completely white. One of the oryxes has human legs. The paint was probably made of ochre, charcoal, manganese, hematite with blood serum, egg white and casein used as binding agents. [3]

The painting has undergone severe damage since it was first discovered in the early 20th century. For a few decades, tourists would pour water onto the painting to make the colors more clearly visible, causing the painting to fade quickly. The site is now a protected heritage site of Namibia and visiting is only permitted with official guides. For protection of the art works, bags and bottles are not allowed at the far end of the trail.

Because of tourist protests, the metal wire netting has been replaced by only two metal bars, to ensure a better view.

Finding and interpretation controversy

The White Lady was first discovered in 1918 by German explorer and topographer Reinhard Maack. As he was surveying the Brandberg. Maack was impressed by the main figure of the painting, which he described as "a warrior". In his notes, he wrote that "the Egyptian-Mediterranean style of all the figures is surprising". He made several hand-drawn copies of the painting, which were later published in Europe. [3]

In 1929, Maack's notes came under the attention of the well-known French anthropologist Henri Breuil while he was visiting Cape Town. Breuil noted analogies between the White Lady and paintings of athletes found in Knossos (Crete), and suggested that the Brandberg might have been visited by a group of travelers coming from the Mediterranean area. It was Breuil who first referred to the painting as "the white lady". In 1945 Breuil could finally visit the White Lady site, and published his theories on the Mediterranean origin of the painting first in South Africa and then in Europe. [4]

Breuil's arguments influenced several later hypotheses concerning the painting, some which suggested that it could be Phoenician in origin.

In the second half of the 20th century, most theories about Mediterranean influences on the ancient history of sub-Saharan Africa (like those about Great Zimbabwe being "non-African" in origin) were gradually dismissed. [5]

Notes

  1. After its modern discoverer, the German explorer Reinhard Maack.
  1. Hall, Martin (1996). Archaeology Africa. James Currey Publishers. pp. 214–215. ISBN   978-0-85255-735-8 . Retrieved 19 February 2020.
  2. Cowley, cap. 9
  3. 1 2 3 Namibia 1 on 1
  4. Breuil (1948) and Breuil (1955)
  5. Davidson (1963)

Related Research Articles

<span class="mw-page-title-main">Cave painting</span> Paintings, often prehistoric, on cave walls and ceilings

In archaeology, cave paintings are a type of parietal art, found on the wall or ceilings of caves. The term usually implies prehistoric origin. These paintings were often created by Homo sapiens, but also Denisovans and Neanderthals; other species in the same Homo genus. Discussion around prehistoric art is important in understanding the history of the Homo sapiens species and how Homo sapiens have come to have unique abstract thoughts. Some point to these prehistoric paintings as possible examples of creativity, spirituality, and sentimental thinking in prehistoric humans.

<span class="mw-page-title-main">San people</span> Members of various indigenous hunter-gatherer people of Southern Africa

The San peoples, or Bushmen, are the members of any of the indigenous hunter-gatherer cultures of southern Africa, and the oldest surviving cultures of the region. Their recent ancestral territories span Botswana, Namibia, Angola, Zambia, Zimbabwe, Lesotho, and South Africa.

<span class="mw-page-title-main">Rock art</span> Human-made markings on natural stone

In archaeology, rock art is human-made markings placed on natural surfaces, typically vertical stone surfaces. A high proportion of surviving historic and prehistoric rock art is found in caves or partly enclosed rock shelters; this type also may be called cave art or parietal art. A global phenomenon, rock art is found in many culturally diverse regions of the world. It has been produced in many contexts throughout human history. In terms of technique, the four main groups are:

<span class="mw-page-title-main">Tassili n'Ajjer</span> National park in the Sahara Desert in Algeria

Tassili n'Ajjer is a national park in the Sahara desert, located on a vast plateau in southeastern Algeria. Having one of the most important groupings of prehistoric cave art in the world, and covering an area of more than 72,000 km2 (28,000 sq mi), Tassili n'Ajjer was inducted into the UNESCO World Heritage Site list in 1982 by Gonde Hontigifa.

Sympathetic magic, also known as imitative magic, is a type of magic based on imitation or correspondence.

<span class="mw-page-title-main">The Sorcerer (cave art)</span> Cave painting at the Cave of the Trois-Frères, Ariège, France

The Sorcerer is one name for an enigmatic cave painting found in the cavern known as 'The Sanctuary' at the Cave of the Trois-Frères, Ariège, France, made around 13,000 BCE. The figure's significance is unknown, but it is usually interpreted as some kind of great spirit or master of animals. The unusual nature of The Sanctuary's decoration may also reflect the practice of magical ceremonies in the chamber. In his sketches of the cave art, Henri Breuil drew a horned humanoid torso and the publication of this drawing in the 1920s influenced many subsequent theories about the figure. However, Breuil's sketch has also come under criticism in recent years. A single prominent human figure is unusual in the cave paintings of the Upper Paleolithic, where the great majority of representations are of animals.

Henri Édouard Prosper Breuil, often referred to as Abbé Breuil, was a French Catholic priest, archaeologist, anthropologist, ethnologist and geologist. He is noted for his studies of cave art in the Somme and Dordogne valleys as well as in Spain, Portugal, Italy, Ireland, China with Teilhard de Chardin, Ethiopia, British Somali Coast Protectorate, and especially Southern Africa.

<span class="mw-page-title-main">Brandberg Mountain</span> Highest mountain in Namibia

The Brandberg is Namibia's highest mountain.

<span class="mw-page-title-main">Reinhard Maack</span> German explorer, geologist and geographer

Reinhard Maack was a German explorer, geologist, and geographer.

<span class="mw-page-title-main">Finger fluting</span>

In prehistoric art, finger flutings are lines that fingers leave on a soft surface. Considered a form of cave painting, they occur in caves throughout southern Australia, New Guinea, and southwestern Europe, and were presumably made over a considerable time span including some or all of the Upper Paleolithic. Most are not obvious figures or symbols but, rather, appear to many observers as enigmatic lines. They are also called tracés digitaux or finger tracings and meanders, macaroni, and serpentines. The term finger fluting was coined by Robert G. Bednarik.

<span class="mw-page-title-main">Twyfelfontein</span> Place in Kunene Region, Namibia

Twyfelfontein, officially known as ǀUi-ǁAis, is a site of ancient rock engravings in the Kunene Region of north-western Namibia. It consists of a spring in a valley flanked by the slopes of a sandstone table mountain that receives very little rainfall and has a wide range of diurnal temperatures.

<span class="mw-page-title-main">David Lewis-Williams</span> South African archaeologist

James David Lewis-Williams is a South African archaeologist. He is best known for his research on southern African San (Bushmen) rock art. He is the founder and previous director of the Rock Art Research Institute and is currently professor emeritus of cognitive archaeology at the University of the Witwatersrand (WITS).

<span class="mw-page-title-main">Henri Lhote</span> French explorer, ethnographer, and discoverer of prehistoric cave art

Henri Lhote was a French explorer, ethnographer, and discoverer of prehistoric cave art. He is credited with the discovery of an assembly of 800 or more works of primitive art in a remote region of Algeria on the edge of the Sahara desert.

The rock art of south Oran, are prehistoric engravings dating from the Neolithic period, which are found in the south of Oran Province, Algeria, in the Saharan Atlas Mountains, in the regions of Figuig, Ain Sefra, El-Bayadh, Aflou and Tiaret. Comparable engravings have been described, even further east, around Djelfa and in the region of Constantine. Although in the past some archaeologists affirmed that these engravings derived from European Upper Paleolithic art, this theory is today definitively rejected.

<span class="mw-page-title-main">Art of the Upper Paleolithic</span> Oldest form of prehistoric art

The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe and Southeast Asia, beginning between about 40,000 to 35,000 years ago. Non-figurative cave paintings, consisting of hand stencils and simple geometric shapes, are somewhat older, at least 40,000 years old, and possibly as old as 64,000 years. This latter estimate is due to a controversial 2018 study based on uranium-thorium dating, which would imply Neanderthal authorship and qualify as art of the Middle Paleolithic.

<span class="mw-page-title-main">Prehistoric Sites and Decorated Caves of the Vézère Valley</span> UNESCO World Heritage Site of prehistoric decorated caves in the Vézère Valley, France

The Prehistoric Sites and Decorated Caves of the Vézère Valley is a UNESCO World Heritage Site in France since 1979. It specifically lists 15 prehistoric sites in the Vézère valley in the Dordogne department, mostly in and around Les Eyzies-de-Tayac-Sireuil, which has been called the "Capital of Prehistory". This valley is exceptionally rich in prehistoric sites, with more than 150 known sites including 25 decorated caves, and has played an essential role in the study of the Paleolithic era and its art. Three of the sites are the namesakes for prehistoric periods; the Micoquien, Mousterian, and Magdalenian. Furthermore, the Cro-Magnon rock shelter gave its name to the Cro-Magnon, the generic name for the European early modern humans. Many of the sites were discovered or first recognised as significant and scientifically explored by the archaeologists Henri Breuil and Denis Peyrony in the early twentieth century, while Lascaux, which has the most exceptional rock art of these, was discovered in 1940.

<span class="mw-page-title-main">San rock art</span>

The San, or Bushmen, are indigenous people in Southern Africa particularly in what is now South Africa and Botswana. Their ancient rock paintings and carvings are found in caves and on rock shelters. The artwork depicts non-human beings, hunters, and half-human half-animal hybrids. The half-human hybrids are believed to be medicine men or healers involved in a healing dance. Gall writes, "The Laurens van der Post panel at Tsodilo is one of the most famous rock paintings." High on this rock face in Botswana is the image of a "magnificent red eland bull" painted, according to Van der Post, "only as a Bushman who had a deep identification with the eland could have painted him." Also on this rock face is a female giraffe that is motionless, as if alarmed by a predator. Several other images of animals are depicted there, along with the flesh blood-red handprints that are the signature of the unknown artist. The Drakensberg and Lesotho are particularly well known for their San rock art. Tsodilo was recognised as a UNESCO World Heritage Site in 2001; not all the art covered by this is by San people or their ancestors.

The San religion is the traditional religion and mythology of the San people. It is poorly attested due to their interactions with Christianity.

The Apollo 11 Cave is an archeological site in the ǀAi-ǀAis/Richtersveld Transfrontier Park of south-western Namibia, approximately 250 km (160 mi) southwest of Keetmanshoop. The name given to the surrounding area and presumably the cave by the Nama people was "Goachanas". However, the cave was given its name by German archaeologist Wolfgang Erich Wendt (1934-2015) in reference to Apollo 11's then recent return to Earth.

<span class="mw-page-title-main">Culture of Namibia</span>

Culture in Namibia is a blend of many different people and its culture and customs have absorbed both African and European elements and fused them into a blend of the two. Although the country is urbanising rapidly, a majority of Namibians still live in rural areas and lead largely impoverished lives. It is among these people, however, that cultural tradition survive most strongly.

References