Trinidad Orisha

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Trinidad Orisha , also known as Orisha religion and Shango, [1] is a syncretic religion in Trinidad and Tobago and the Caribbean, originally from West Africa (Yoruba religion). Trinidad Orisha incorporates elements of Spiritual Baptism, and the closeness between Orisha and Spiritual Baptism has led to use of the term "Shango Baptist" to refer to members of either or both religions. Anthropologist James Houk described Trinidad Orisha as an "Afro-American religious complex", [2] incorporating elements mainly of traditional African religion and Yoruba and incorporates some elements of Christianity (Catholicism and Protestantism), Hinduism, Islam (especially Sufism), Buddhism, Judaism (especially Kabbalah), Baháʼí, and Amerindian mythologies.

Contents

"The religious practice involves a music-centered worship service, in which collective singing and drumming accompany spirit possession and animal sacrifice (typically goats, sheep, and fowl)." [3]

History

Trinidad Orisha's beginnings and development in the Caribbean "can be traced back to the late eighteenth and early nineteenth centuries when Africans were brought to the island to work on colonial sugar plantations." [4]

Over time, as local religions were suppressed under colonial rule, Orisha practitioners disguised places of worship using Christian paraphernalia, which eventually began to be used in some ceremonies. Some Catholic elements were adopted, and as globalization continued and cross-cultural engagement intensified, the religion adopted increasingly diverse practices and beliefs from around the world, entangling into the syncretic religion it is today. [5]

Ritual music

Trinidad Orisha practice involves call-and-response singing accompanied by a trio of drums. Orisha drums are double-headed bi-tensorial cylinders derived from Yoruba bembe drums (similar to the Cuban Iyesá drums). The drum that is lowest in pitch is called the bo or congo. The lead drum is called "center drum," "big drum," or bembe. The smallest drum, highest in pitch, is called umele. The first two drums are played with a single stick plus hand combination, while the umele is played with a pair of sticks. All of the sticks are curved at the end, and resemble a shepherd's staff or crook. [6] The language of the songs has been referred to as "Trinidad Yoruba" [7] and is derived from the Yoruba language.

Beliefs

The one supreme god in Trinidad Orisha is Oludumare, the Yoruba supreme being who created the aye, the world of the living, visible to us, and the orun, the invisible spiritual world of the gods, spirits, and ancestors. [8]

Orisha spirits, also referred to as gods, are the messengers of Oludumare, communicating through possession during spiritual rituals such as the feast. Yoruba categorizes the orisha into several categories:

While not Christian, many Orisha spirits are equated with Christian saints. Orishas include:

Eshu was seen as the most powerful god who emanated all the other gods in some Orisha traditions. [9] Eshu created, merged with, and exists in the spiritual cosmology where the gods Ogun, Shango, Shakpana, Ọya, Oshun, and Yemọja (and other gods on her level) exist, being as respectively powerful compared to each other in the order of the list. [9] The gods give power to stools used in worship that exist in a similar hierarchy, which in turn give power to a divine "Palais" and perogun shrines. [9] Babalú-Ayé and Ọlọrun ground this cosmology and give it stability, while aṣẹ exists on the bottom of it, while still being extremely powerful and an enabling force behind it that connects to Babalú-Ayé, Ọlọrun, and Eshu. [9]

Events and Practices

The main Orisha event is the feast. Lasting for two to four days during the season of sacrifice and thanksgiving, the large ceremonial gatherings, often involving up to 100 people, are characterized by spirit possession, animal sacrifice, and nearly constant drumming and singing. The ceremony happens throughout the night, ending with a communal meal each morning around dawn. The ritual concludes on Saturday night, and an outdoor pilgrimage usually follows the feast on Sunday. [10] [5]

Flag planting is also an important element of the religion. Shrines and houses usually display long poles with colored fabric on the ends, with different colors representing different orishas. A red flag, for example, represents Ogun, while red and white represents Shango. [10] "It is reminiscent of a ritual sequence described in the Holy Odu OfunAjitena, which calls for the ritual raising of different colored flags at specific times of the year in order to be blessed by Olodumare." Common flags displayed are for Shango and Orun. [11]

Gender Roles

Women in Orisha-Baptist events are required to follow a strict dress code including floor length skirts, long sleeve blouses, and wrapping their hair in head scarves. Men are not held to such standards, though mongwas (Orisha priests) and chantwells (Lead singers in Orisha song performances) typically wear flowing robes in the Spiritual Baptist or Nigerian fashion. Drummers – mostly men – "dress as they choose, typically in jeans and t-shirts, some even wearing baseball caps as they play." While not completely taboo for women to be ceremonial drummers, it is rare and generally frowned upon due to social convention. It is also agreed that women should not enter a shrine or touch a drum during her menstrual period, and in many places should cover their head before entering a shrine. [12]

Related Research Articles

<span class="mw-page-title-main">Ogun</span> Orisha, god of war in the Yoruba mythology

Ogun or Ogoun is a spirit that appears in several African religions. He attempted to seize the throne after the demise of Obatala, who reigned twice, before and after Oduduwa, but was ousted by Obamakin and sent on an exile – an event that serves as the core of the Olojo Festival. Ogun is a warrior and a powerful spirit of metal work, as well as of rum and rum-making. He is also known as the "god of iron" and is present in Yoruba religion, Haitian Vodou, and West African Vodun.

<span class="mw-page-title-main">Shango</span> Orisha, or deity, in the Yoruba religion

Shango is an Orisha in Yoruba religion. Genealogically speaking, Shango is a royal ancestor of the Yoruba as he was the third Alaafin of the Oyo Kingdom prior to his posthumous deification. Shango has numerous manifestations, including Airá, Agodo, Afonja, Lubé, and Obomin. He is known for his powerful double axe (Oṣè). He is considered to be one of the most powerful rulers that Yorubaland has ever produced.

<span class="mw-page-title-main">Oshun</span> Yoruba orisha

Oshun is an orisha, a spirit, a deity, or a goddess that reflects one of the manifestations of the Yorùbá Supreme Being in the Ifá oral tradition and Yoruba-based religions of West Africa. She is one of the most popular and venerated Orishas. Oshun is an important river deity among the Yorùbá people. She is the goddess of divinity, femininity, fertility, beauty, and love. She is connected to destiny and divination.

<span class="mw-page-title-main">Ọlọrun</span> Supreme Being in the Yoruba religion

Olorun is the ruler of the Heavens in the Yoruba religion. The Supreme God or Supreme Being in the Yoruba pantheon, Olorun is also called Olodumare.

Èṣù is a pivotal Òrìṣà/Irúnmọlẹ̀ in the Yoruba spirituality known as ìṣẹ̀ṣe. Èṣù is a prominent primordial Divinity who descended from Ìkọ̀lé Ọ̀run, and the Chief Enforcer of natural and divine laws - he is the Deity in charge of law enforcement and orderliness. As the religion has spread around the world, the name of this Orisha has varied in different locations, but the beliefs remain similar.

<span class="mw-page-title-main">Orisha</span> Spirit that reflects one of the manifestations of Olodumare (God) in the Yoruba religious system

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<span class="mw-page-title-main">Yoruba religion</span> Religion of the Yoruba people of Africa

The Yoruba religion, or Isese, comprises the traditional religious and spiritual concepts and practice of the Yoruba people. Its homeland is in present-day Southwestern Nigeria, which comprises the majority of Oyo, Ogun, Osun, Ondo, Ekiti, Kwara and Lagos States, as well as parts of Kogi state and the adjoining parts of Benin and Togo, commonly known as Yorubaland. It shares some parallels with the Vodun practiced by the neighboring Fon and Ewe peoples to the west and with the religion of the Edo people to the east. Yoruba religion is the basis for a number of religions in the New World, notably Santería, Umbanda, Trinidad Orisha, and Candomblé. Yoruba religious beliefs are part of Itàn (history), the total complex of songs, histories, stories, and other cultural concepts which make up the Yoruba society.

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<span class="mw-page-title-main">Babalú-Ayé</span> Spirit strongly associated with infectious disease and healing in the Yoruba religion

Babalú-Aye, Oluaye, Ṣọpọna, Ayé in Trinidad Orisha, or Obaluaiye, is one of the orishas or manifestations of the supreme creator god Olodumare in the Yoruba religion of West Africa. Babalú-Aye is the spirit of the Earth and strongly associated with infectious disease, and healing.

Aganju is an Orisha. He is syncretized with Saint Christopher in the Cuban religion known as Santería.

Kélé is an Afro-Saint Lucian religion, originated from the Djiné people of the Babonneau region. Its primary deities are Ogun, Shango and Eshu. Kélé ceremonies include the drumming of the tanbou manman and the tanbou ich of the Batá drum family. The religion has its origins in African slaves of the Babonneau region. The religion is strongly connected to the Ogun festival in Nigeria. Repressed by the Roman Catholic church until the early 1960s, it had been practiced in secrecy underground. The ritual includes the display of smooth stones and iron or steel items in honor of Ogun. The faith itself is believed by some scholars to be a Saint Lucian version of Yoruba religion.

Ọbà is the Orisha of the River Oba whose source lies near Igbon where her worship originates. During the wars of the 19th century, her centers of worship moved to the more secure town Ogbomosho. She is traditionally identified as the senior wife of Shango. Oba was tricked by Oya or Oshun into cutting off her ear and trying to feed it to Shango. She is syncretized with Saint Catherine of Siena.

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References

  1. Salamone, Frank A. (2004). Levinson, David (ed.). Encyclopedia of Religious Rites, Rituals, and Festivals. New York: Routledge. p. 22. ISBN   0-415-94180-6.
  2. Houk, James (1995). Spirits, Blood, and Drums: The Orisha Religion in Trinidad. Philadelphia, PA: Temple University Press.
  3. Bazinet, Ryan J (2013). "Two Sides to a Drum: Duality in Trinidad Orisha Music and Culture.". p. 6.
  4. Houk, James Titus III, Ph.D (1992). ""The Orisha religion in Trinidad: A study of culture process and transformation."". 53–06. Dissertation Abstracts International: Tulane University: summary.{{cite journal}}: Cite journal requires |journal= (help)CS1 maint: multiple names: authors list (link)
  5. 1 2 3 Tindall, David (1998). "Orisha Trinidad: Drums and Colours". Caribbean Beat. No. 4. Media & Editorial Projects Ltd (MEP).
  6. Bazinet, Ryan (2012). "Shango Dances Across the Water: Music and the Re-Construction of Trinidadian Orisha in New York City". In Kamille Gentles-Peart and Maurice L. Hall (ed.). Re-Constructing Place and Space. Cambridge Scholars Publishing.
  7. Warner-Lewis, Maureen (1996). Trinidad Yoruba: From Mother Tongue to Memory. Tuscaloosa: University of Alabama Press.
  8. 1 2 ""Gods and Spirits."". Odyssey Online, Africa. Memorial Art Gallery of the University of Rochester and Dallas Museum of Art.: Michael C. Carlos Museum of Emory University.
  9. 1 2 3 4 Salamone, Frank A. (2004). Levinson, David (ed.). Encyclopedia of Religious Rites, Rituals, and Festivals. New York: Routledge. p. 24. ISBN   0-415-94180-6.
  10. 1 2 Bazinet, 2013, p. 17.
  11. "Planting Orisa Flags in Trinidad; an Ifa Perspective". Orisa Lifestyle Academy. 2018.{{cite magazine}}: Cite magazine requires |magazine= (help)
  12. Bazinet, 2013, p. 22-23.