Viewfinder

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Built-in viewfinder of a Nikon D90 Nikon D90 Viewfinder.JPG
Built-in viewfinder of a Nikon D90

In photography, a viewfinder is a small window the photographer looks through to see what a photo will look like before they capture it. [1]

Contents

Some viewfinders see directly through the lens, whereas others are separate and show an approximation of what the photo will look like. The second type is much simpler to design, but creates a parallax effect because the viewing angle is slightly different between the finder and the lens. [2] The first type avoids this parallax effect, and is commonly used in SLRs which use a complex mirror system to direct light from the lens to either the film or the viewfinder.

Viewfinders are used in many cameras of different types: still and movie, film, analog and digital. Some cameras, such as camera phones and mirrorless cameras, do not have viewfinders and display the image preview on a larger screen. Although some mirrorless cameras do have an electronic viewfinder, where a small screen shows a video feed from the image sensor. [1]

History

Before the development of microelectronics and electronic display devices, only optical viewfinders existed.

Direct optical viewfinders

Direct viewfinders are essentially miniature Galilean telescopes; the viewer's eye was placed at the back, and the scene viewed through the viewfinder optics. A declining minority of point and shoot cameras use them. Parallax error results from the viewfinder being offset from the lens axis, to point above and usually to one side of the lens. The error varies with distance, being negligible for distant scenes, and very large for close-ups. Viewfinders often show lines to indicate the edge of the region which would be included in the photograph.

Some sophisticated 20th century cameras with direct viewfinders had coincidence (split-image) rangefinders, initially with separate windows from the viewfinder, later integrated with it; they were called rangefinder cameras. Cameras with interchangeable lenses had to indicate the field of view of each lens in the viewfinder; more usually, interchangeable viewfinders to match the lenses were used.

Waist-level (reflecting) viewfinders

Simple reflecting viewfinders, known also as "brilliant finders", comprised a small forward-looking lens, a small mirror at 45° behind it, and a lens at the top; the user held the camera at waist level and looked down into the lens, where a small image could be seen. Such viewfinders were integrated into box cameras, and fitted to the side of folding cameras. These viewfinders were fitted to inexpensive cameras.

Sportsfinder (sports viewfinder)

For many sports and press applications optical viewfinders gave too small an image and were inconvenient to use for scenes that were changing rapidly. For these purposes a simple arrangement of two wire rectangles, a smaller one nearer the eye and a larger one further away, was used, with no optics; the two rectangles were aligned so the smaller one was centred in the larger, and the larger rectangle would give an indication of what would be included. This was fast and convenient to use, but not particularly accurate; cameras with sportsfinders usually had optical viewfinders too.

A sportsfinder is sometimes known as an Albada finder. It is a "viewfinder used with a camera held at eye level; the field of view is enclosed by a white frame that is made to appear very distant by reflection from the rear surface of the objective lens". [3]

Twin-lens reflex viewfinders

Using a TLR Sally camera rev 2.jpg
Using a TLR

Twin-lens reflex (TLR) cameras had a large lens above the taking lens, and a large mirror at 45°, projecting an image onto a ground glass screen viewable from above, with the camera at waist level. The viewfinder lens was of similar size and focal length to the taking lens, though the optical quality was less critical; the mirror was of similar size to the film. These cameras were relatively expensive; the Rolleiflex and cheaper sister Rolleicord were the pioneers. Both single- and twin-lens reflexes allowed focussing by adjusting the lens until the image was sharp.

Single-lens reflex viewfinders

Mamiya 645 1000s AE finder Mamiya 645 1000s AE finder 001.JPG
Mamiya 645 1000s AE finder

Single-lens reflex (SLR) cameras viewed the scene through the taking lens. Early SLRs were plate cameras, with a mechanism to insert a mirror between the lens and the film which reflected the light upwards, where it could be seen at waist level on a ground glass screen. When ready to take the picture, the mirror was pivoted out of the way (without moving the camera). Later SLRs had a mechanism which flipped the mirror out of the way when the shutter button was pressed, followed immediately by the shutter opening. Instead of a waist-level arrangement, a prism was used to allow the camera to be held to the eye. The big advantage of the SLR was that any lens, or other optical device, could be used; the viewfinder always showed exactly the image that would be projected onto the film. The live preview feature of digital cameras share this advantage of the SLR, as they also show the image exactly as it will be recorded, with no additional optics or parallax error.

Contemporary viewfinders

Viewfinders can be optical or electronic. An optical viewfinder is simply a reversed telescope mounted to see what the camera will see. Its drawbacks are many, but it also has advantages; it consumes no power, it does not wash out in sunlight, and it has "full resolution" (i.e. the resolution of the photographer's eye). An electronic viewfinder (EVF) is a CRT, LCD or OLED based display device. In addition to its primary purpose, an electronic viewfinder can be used to replay previously captured material, and as an on-screen display to browse through menus.

A still camera's optical viewfinder typically has one or more small supplementary LED displays surrounding the view of the scene. On a film camera, these displays show shooting information such as the shutter speed and aperture and, for autofocus cameras, provide an indication that the image is correctly focussed. Digital still cameras will typically also display information such as the current ISO setting and the number of remaining shots which can be taken in a burst. Another display which overlays the view of the scene is often provided. It typically shows the location and state of the camera's provided auto-focus points. This overlay can also provide lines or a grid which assist in picture composition.

Typical film SLR viewfinder information CanonEOS100Viewfinder.JPG
Typical film SLR viewfinder information
View through a Pentax K20D viewfinder (without lens) Viewfinder K20D.jpg
View through a Pentax K20D viewfinder (without lens)

It is not uncommon for a camera to have two viewfinders. For example, a digital still camera may have an optical viewfinder and an electronic one. The latter can be used to replay previously captured material, has an on-screen display, and can be switched off to save power. A camcorder may have two viewfinders, both electronic. The first is viewed through a magnifying eyepiece, and due to a rubber eyepiece it can be viewed perfectly even in bright light. The second viewfinder would be larger, of a higher resolution, and may be mounted on the side of the camera. Because it consumes more power, a method is often provided to turn it off to save energy.

In late 2010, Fujifilm announced hybrid viewfinder of optical viewfinder and electronic viewfinder in one viewfinder for its highend compact cameras. There is a half mirror prism that reflect data from LCD to the optical viewfinder, so we can see both the shooting frame and the shooting data. A button can change the hybrid function to electronical viewfinder by blocking the image through the optical viewfinder with moving a half mirror prism to be a straight up mirror. [4]

Some special purpose cameras do not have viewfinders at all. These are, for example, web cameras and video surveillance cameras. They use external monitors as their viewfinders.

See also

Related Research Articles

<span class="mw-page-title-main">Single-lens reflex camera</span> Camera that typically uses a mirror and prism system

A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured.

<span class="mw-page-title-main">Camera</span> Optical device for recording images

A camera is an optical instrument used to capture and store images and videos, either digitally via an electronic image sensor, or chemically via a light-sensitive material such as photographic film. As a pivotal technology in the fields of photography and videography, cameras have played a significant role in the progression of visual arts, media, entertainment, surveillance, and scientific research. The invention of the camera dates back to the 19th century and has since evolved with advancements in technology, leading to a vast array of types and models in the 21st century.

<span class="mw-page-title-main">Rangefinder camera</span> Camera fitted with a rangefinder

A rangefinder camera is a camera fitted with a rangefinder, typically a split-image rangefinder: a range-finding focusing mechanism allowing the photographer to measure the subject distance and take photographs that are in sharp focus. Most varieties of rangefinder show two images of the same subject, one of which moves when a calibrated wheel is turned; when the two images coincide and fuse into one, the distance can be read off the wheel. Older, non-coupled rangefinder cameras display the focusing distance and require the photographer to transfer the value to the lens focus ring; cameras without built-in rangefinders could have an external rangefinder fitted into the accessory shoe. Earlier cameras of this type had separate viewfinder and rangefinder windows; later the rangefinder was incorporated into the viewfinder. More modern designs have rangefinders coupled to the focusing mechanism so that the lens is focused correctly when the rangefinder images fuse; compare with the focusing screen in non-autofocus SLRs.

<span class="mw-page-title-main">Twin-lens reflex camera</span> Type of camera

A twin-lens reflex camera (TLR) is a type of camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or "taking lens", while the other is used for the viewfinder system, which is usually viewed from above at waist level.

<span class="mw-page-title-main">Pentaprism</span> Five-sided reflecting prism

A pentaprism is a five-sided reflecting prism used to deviate a beam of light by a constant 90°, even if the entry beam is not at 90° to the prism. The beam reflects inside the prism twice, allowing the transmission of an image through a right angle without inverting it as an ordinary right-angle prism or mirror would.

<span class="mw-page-title-main">Electronic viewfinder</span> Viewfinder using a small screen

An electronic viewfinder (EVF) is a camera viewfinder where the image captured by the lens is displayed on a small screen which the photographer can look through when composing their shot. It differs from a live preview screen in being smaller and shaded from ambient light, and may also use less power. The sensor records the view through the lens, the view is processed, and finally projected on a miniature display which is viewable through the eyepiece.

<span class="mw-page-title-main">Point-and-shoot camera</span> Type of simple still camera

A point-and-shoot camera, also known as a compact camera and sometimes abbreviated to P&S, is a still camera designed primarily for simple operation. Most use focus free lenses or autofocus for focusing, automatic systems for setting the exposure options, and have flash units built in. They are popular for vernacular photography by people who do not consider themselves photographers but want easy-to-use cameras for snapshots of vacations, parties, reunions and other events.

<span class="mw-page-title-main">Digital single-lens reflex camera</span> Digital cameras combining the parts of a single-lens reflex camera and a digital camera back

A digital single-lens reflex camera is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a solid-state image sensor and digitally records the images from the sensor.

<span class="mw-page-title-main">Nikon F3</span> Camera model

The Nikon F3 was Nikon's third professional single-lens reflex camera body, preceded by the F and F2. Introduced in March 1980, it had manual and semi-automatic exposure control whereby the camera would select the correct shutter speed. The Nikon F3 series cameras had the most model variations of any Nikon F camera. It was also the first of numerous Nikon F-series cameras to be styled by Italian designer Giorgetto Giugiaro, and to include a red stripe on the handgrip – a feature that would later become a signature feature of many Nikon cameras.

<span class="mw-page-title-main">Canon F-1</span> 35mm single-lens reflex camera model

The Canon F-1 is a 35 mm single-lens reflex camera produced by Canon of Japan from March 1971 until the end of 1981, at which point it had been superseded by the New F-1 launched earlier that year. The Canon FD lens mount was introduced along with the F-1, but the previous Canon FL-mount lenses and older R- series lenses were also compatible with the camera with some limitations. The Canon F-1 was marketed as a competitor to the Nikon F and Nikon F2 single lens reflex cameras by Nikon.

<span class="mw-page-title-main">Canon New F-1</span> FD-mount 35mm single-lens reflex camera

The Canon New F-1 replaced the F-1n as Canon's top-of-the-line 35mm single-lens reflex camera in September 1981. Like the earlier models, the New F-1 takes FD-mount lenses. Although no date has ever been confirmed, it is thought that the last New F-1 was made in 1992. It was officially discontinued in 1994, and factory support ended in 2004.

<span class="mw-page-title-main">Nikon F2</span> Camera model

The Nikon F2 is a professional-level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Japanese optics company Nippon Kogaku K. K. in Japan from September 1971 to 1980. It used a horizontal-travel focal plane shutter with titanium shutter curtains and a speed range of 1 to 1/2000 second plus Bulb and Time, and flash X-sync of 1/80 second. It had dimensions of 98 mm height, 152.5 mm width, 65 mm depth and 730 g weight. It was available in two colors: black with chrome trim and all black. The F2 was adopted by both casual photographers and professional photographers, the latter of those especially photojournalists covering the later half of the Vietnam War.

<span class="mw-page-title-main">History of the single-lens reflex camera</span> Aspect of photography history

The history of the single-lens reflex camera (SLR) begins with the use of a reflex mirror in a camera obscura described in 1676, but it took a long time for the design to succeed for photographic cameras. The first patent was granted in 1861, and the first cameras were produced in 1884, but while elegantly simple in concept, they were very complex in practice. One by one these complexities were overcome as optical and mechanical technology advanced, and in the 1960s the SLR camera became the preferred design for many high-end camera formats.

<span class="mw-page-title-main">Pentax LX</span> 1980 model of camera

The Pentax LX is a 35mm single-lens reflex camera produced by Pentax in Japan. It was introduced in 1980 to commemorate the 60th anniversary of Asahi Optical Co., and was produced until 2001. It is the top-of-the-line professional, or "system", camera in the Pentax manual focus range, with manual and aperture priority automatic exposure modes and an advanced light metering system. The LX uses the K mount, which is the Pentax proprietary bayonet lens mount, and has a large body of accessories. The camera has several unique or uncommon features, and compared with contemporary professional camera bodies from rival manufacturers, like the Canon New F-1 or Nikon F3, the LX body is smaller and lighter, weighing in at 570 grams with its standard FA-1 finder.

A reflex finder is a viewfinder system with a mirror placed behind a lens. The light passing through the lens is reflected by the mirror to a focusing screen, usually ground glass. The image formed on this ground glass can be observed directly, giving a waist-level reflex finder, or through a redressing optical device for eye-level viewing, giving an eye-level reflex finder.

<span class="mw-page-title-main">Live preview</span>

Live preview is a feature that allows a digital camera's display screen to be used as a viewfinder. This provides a means of previewing framing and other exposure before taking the photograph. In most such cameras, the preview is generated by means of continuously and directly projecting the image formed by the lens onto the main image sensor. This in turn feeds the electronic screen with the live preview image. The electronic screen can be either a liquid crystal display (LCD) or an electronic viewfinder (EVF).

<span class="mw-page-title-main">Waist-level finder</span>

The waist-level finder (WLF), also called waist-level viewfinder (WLVF), is a type of viewfinder that can be used on twin lens and single lens reflex cameras. While it is typically found on older medium format cameras, some newer and/or 35 mm cameras have this type of finder.

<span class="mw-page-title-main">Pellicle mirror</span> Light, semi-transparent mirror

A pellicle mirror is an ultra-thin, ultra-lightweight semi-transparent mirror employed in the light path of an optical instrument, splitting the light beam into two separate beams, both of reduced light intensity. Splitting the beam allows its use for multiple purposes simultaneously. The thinness of the mirror practically eliminates beam or image doubling due to a non-coincident weak second reflection from the nominally non-reflecting surface, a problem with mirror-type beam splitters. The name pellicle is a diminutive of pellis, a skin or film.

<span class="mw-page-title-main">Fuji GX680</span>

The Fuji GX680 is a series of single lens reflex system cameras for medium format film produced by Fujifilm with interchangeable camera lenses and interchangeable film holders for the unusual film format 6×8 cm on 120 and 220 roll film. The distinguishing feature of the Fuji GX680 is the articulating front standard, which runs on a rail connecting lens and camera body by a bellows; the interchangeable lens is permanently mounted to a lens board.

<span class="mw-page-title-main">Mamiya 645</span> Series of film and digital cameras and lenses

The Mamiya 645 camera systems are a series of medium format film and digital cameras and lenses manufactured by Mamiya and its successors. They are called "645" because they use the nominal 6 cm x 4.5 cm film size from 120 roll film. They came in three major generations: first-generation manual-focus film cameras, second-generation manual-focus film cameras, and autofocus film/digital cameras.

References

  1. 1 2 "Viewfinder Definition - What is a Viewfinder".
  2. O'Neil, Daniel. "What is a Rangefinder Camera?".
  3. "Answers - The Most Trusted Place for Answering Life's Questions". Answers.com. Retrieved 2018-08-09.
  4. "Fujifilm explains how its X100 hybrid viewfinder works, we nod and pretend to understand". Engadget. Retrieved November 2, 2013.