WDIA

Last updated

WDIA
Broadcast area Memphis metropolitan area
Frequency 1070 kHz
BrandingAM 1070 WDIA
Programming
Format Urban oldies/classic soul
Ownership
Owner
History
First air date
June 7, 1947
(76 years ago)
 (1947-06-07)
Call sign meaning
Technical information [1]
Licensing authority
FCC
Facility ID 69569
Class B
Power
  • 50,000 watts (day)
  • 5,000 watts (night)
Transmitter coordinates
35°16′5″N90°01′3″W / 35.26806°N 90.01750°W / 35.26806; -90.01750
Links
Public license information
Webcast Listen live (via iHeartRadio)
Website mywdia.iheart.com

WDIA (1070 AM) is a radio station based in Memphis, Tennessee. Active since 1947, it soon became the first radio station in the United States that was programmed entirely for African Americans. [2] It featured black radio personalities; its success in building an audience attracted radio advertisers suddenly aware of a "new" market among black listeners. The station had a strong influence on music, hiring musicians early in their careers, and playing their music to an audience that reached through the Mississippi Delta to the Gulf Coast.

Contents

The station started the WDIA Goodwill Fund to help and empower black communities. Owned by iHeartMedia, the station's studios are located in Southeast Memphis, and the transmitter site is in North Memphis.

History

WDIA went on the air June 7, 1947, [3] from studios on Union Avenue. The owners, John Pepper and Bert Ferguson, were both white, and the format was a mix of country and western and light pop, [4] as well as "homemaker shows", network shows and block programming that included soap operas and classical music. The original frequency was 730 kHz. The station did not do well until Ferguson learned about "targeted programming" and realized there was one audience in Memphis no other radio station served. Half of the listeners who could hear WDIA's signal were African-American, and WDIA hired the first black disk jockey in the South. [5]

Nat D. Williams, a syndicated columnist and high-school teacher, started Tan Town Jubilee on October 25, 1948. [6] This was one of the first radio programs in the United States to appeal to black listeners. [7] WDIA soon became the number-2 station in Memphis. After a switch to all-black programming, WDIA became the city's top station. [7] In June 1954, WDIA was licensed to increase its power from 250 to 50,000 watts, which meant moving to 1070 kHz. [8] Its powerful signal reached the Mississippi Delta’s dense African-American population and was heard from the Missouri Bootheel to the Gulf Coast. WDIA reached 10% of the African-American population in United States. [4] [9]

Future WJLB strong jock, Martha Jean "The Queen" Steinberg became known as "Princess Premium Stuff". Ernest Brazzell gave crop advice, and Robert Thomas became a DJ named “Honeyboy” after he won a citywide amateur competition. Among other notable personalities were Maurice "Hot Rod" Hulbert, Theo "Bless My Bones" Wade, and Ford Nelson, who continued as of 2013 as an active gospel DJ on WDIA. [4]

WDIA is known for its community efforts throughout the years. A.C. Williams, a former disc jockey for the station, helped create the Goodwill Fund in 1954, and the station's identification announcement became, “You’re Listening to 50,000 Watts of Goodwill, W-D-I-A Memphis.”. [10] Originally, the fund provided transportation to school for disabled black children. Later the fund expanded to include college scholarships, establish boy clubs, provide 125 Little League Teams to Memphis and neighboring communities, and help provide low cost supplemental housing (Wilson). "We have raised over $900,000 over the years," A.C. Williams says. [11]

Many music legends got their start by working at WDIA, including B.B. King and Rufus Thomas. [12] Elvis Presley was greatly influenced by the station. B.B. King joined WDIA in early 1949. He had a daily 15-minute show, promoting first a patent medicine called Pep-Ti-Kon, and later Lucky Strike cigarettes, the first major advertiser for the station. The next year, he took a DJ position on an afternoon show previously hosted by Maurice "Hot Rod" Hulbert. [13] King credits his days on the station for building his audience and launching his career, describing the station as providing a sense of freedom. [12]

Williams ended his show in 1972 following a stroke. Thomas continued to work at WDIA until he died in 2001. Bobby O'Jay became a popular host and was a mainstay until his death on May 3, 2022. The station's management had been mostly white. In 1972, Chuck Scruggs became its first black general manager and vice president, serving for 12 years. Scruggs played a major role in organizing the foundation and raising money to preserve the Lorraine Motel and found the National Civil Rights Museum in Memphis. [14] In addition, he contributed to the redevelopment of Beale Street and Soulsville, USA.[ citation needed ]

In the 1970s and 1980s, the owners of WDIA also owned KDIA, a similarly formatted station in the San Francisco Bay Area. This callsign, however, is now assigned to an unrelated Christian-programmed station. In 1996, Clear Channel Communications, since rebranded as iHeartMedia, bought WDIA.

Logo when simulcasting on KJMS-HD2 Wdia-205x100.jpg
Logo when simulcasting on KJMS-HD2

In 2020 the Beale Street Historic District and the WDIA radio station were added from Memphis to the United States Civil Rights Trail. [15]

See also

Radio icon.png  Radioportal

Related Research Articles

<span class="mw-page-title-main">B. B. King</span> American blues guitarist, singer, and songwriter (1925–2015)

Riley B. King, known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato, and staccato picking that influenced many later blues electric guitar players. AllMusic recognized King as "the single most important electric guitarist of the last half of the 20th century".

King Biscuit Time is the longest-running daily American radio broadcast in history. The program is broadcast each weekday from KFFA in Helena, Arkansas, United States, and has won the George Foster Peabody Award for broadcasting excellence. In 2018, certain selections of King Biscuit Time from 1965 were selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant."

<span class="mw-page-title-main">Rufus Thomas</span> American singer (1917–2001)

Rufus C. Thomas, Jr. was an American rhythm-and-blues, funk, soul and blues singer, songwriter, dancer, DJ and comic entertainer from Memphis, Tennessee. He recorded for several labels, including Chess Records and Sun Records in the 1950s, before becoming established in the 1960s and 1970s at Stax Records. His dance records, including "Walking the Dog" (1963), "Do the Funky Chicken" (1969), and "(Do the) Push and Pull" (1970), were some of his most successful songs. According to the Mississippi Blues Commission, "Rufus Thomas embodied the spirit of Memphis music perhaps more than any other artist, and from the early 1940s until his death . . . occupied many important roles in the local scene."

<span class="mw-page-title-main">Beale Street</span> Street in Memphis, Tennessee, United States

Beale Street is a street in Downtown Memphis, Tennessee, which runs from the Mississippi River to East Street, a distance of approximately 1.8 miles (2.9 km). It is a significant location in the city's history, as well as in the history of blues music. Today, the blues clubs and restaurants that line Beale Street are major tourist attractions in Memphis. Festivals and outdoor concerts frequently bring large crowds to the street and its surrounding areas.

Duke Records was an American record label, started in Memphis, Tennessee, in 1952 by David James Mattis and Bill Fitzgerald, owners of Tri-State Recording Company. Their first release was Roscoe Gordon singing "Hey Fat Girl", issued on Duke R-1, later amended to R-101.

<span class="mw-page-title-main">WLAC</span> Radio station in Nashville, Tennessee

WLAC is a commercial radio station in Nashville, Tennessee. Owned by iHeartMedia, it broadcasts a talk radio format. The studios are in Nashville's Music Row district. It identifies itself as "TalkRadio 98.3 and 1510 WLAC" using the dial position of its FM translator at 98.3 MHz, as well as its AM frequency.

WERD was the first radio station owned and programmed by African Americans. The station was established in Atlanta, Georgia on October 3, 1949, broadcasting on 860 AM. The National Black Radio Hall of Fame Atlanta Chapter is reopening WERD which still exists at its birth location and will also include a historical museum with it after renovations of the facility are completed.

WHRK is a commercial radio station licensed to Memphis, Tennessee. The station is owned by iHeartMedia and it airs an urban contemporary radio format. The station carries the nationally syndicated weekday morning show, The Breakfast Club, from co-owned Premiere Networks and based at WWPR-FM in New York City. The rest of the schedule is hosted by local DJs.

<span class="mw-page-title-main">Rosco Gordon</span> American singer-songwriter

Rosco N. Gordon III, sometimes billed as Roscoe Gordon, was an American blues singer, pianist, and songwriter. He is best known for his hit songs "Booted," (1952), "No More Doggin'" (1952), and "Just a Little Bit" (1960). Gordon was a pioneer of the Memphis blues style. He played piano in a style known as the "Rosco rhythm," with the emphasis on the off-beat. This rhythm was an influence on later musical styles such as Jamaican ska and reggae.

<span class="mw-page-title-main">History of Memphis, Tennessee</span> Aspect of history

The history of Memphis, Tennessee and its area began many thousands of years ago with succeeding cultures of indigenous peoples. In the first millennium, it was settled by the Mississippian culture. The Chickasaw Indian tribe emerged about the 17th century, or migrated into the area. The earliest European exploration may have encountered remnants of the Mississippian culture by Spanish explorer Hernando de Soto. Later French explorers led by René-Robert Cavelier, Sieur de La Salle likely encountered the Chickasaw. The city of Memphis was not founded until 1819. The city was named after the ancient capital of Egypt on the Nile River in North Africa.

KWAM is a commercial radio station in Memphis, Tennessee, featuring a conservative talk radio format known as "The Mighty 990". Owned by Todd Starnes via Starnes Media Group, LLC, the stations serves the Memphis metropolitan area. KWAM's studios are located in Memphis, while the transmitter is in Marion, Arkansas. KWAM was founded in 1947 in West Memphis, Arkansas, as KWEM, helping "break" artists such as Elvis Presley, B.B. King, Johnny Cash, Ike Turner and Howlin' Wolf in the late 1940s and 1950s.

WBBP is a commercial radio station licensed to Memphis, Tennessee, featuring a gospel format. Owned by Bountiful Blessings, an extension of the Temple of Deliverance Church of God in Christ, the station serves the Memphis metropolitan area. WBBP's studios are located at the Temple of Deliverance's headquarters in Memphis, while the transmitter is located in the city's southeastern side. In addition to a standard analog transmission, WBBP is available online.

Gene "Bowlegs" Miller was an American trumpeter and band leader.

Before the development of the radio format called "Top 40" was born, "Black Appeal Stations" reinvigorated radio. By playing a specific group of songs aimed specifically at the young African American demographic, "Black Appeal Stations" helped keep radio alive. Many other radio stations soon began to employ the "Top 40" radio format, in which the vast majority found their stations to rise from the bottom to top of ratings in their markets.

WRAP was an historic black-oriented radio station in Norfolk, Virginia, on the air from 1952 to 1989. It served the Tidewater region, including Portsmouth, Newport News, Hampton and Virginia Beach. It began as one of only a handful of American radio stations broadcasting full-time to the African American community, featuring R&B, soul music and black gospel, along with news and talk programs.

Nathaniel Dowd Williams, known as Nat D. Williams or simply Nat D., was an American high school teacher, disc jockey on Black Appeal radio, journalist and editor. He was born on Beale Street in Memphis, Tennessee. Known for his jive patter on the air, Williams had 10% of African-Americans in the U.S. listening to his program and heralded the changing radio style which helped to create "Black appeal radio", which it turn led to the urban contemporary listening format of Black radio in the 1960s and '70s.

Earl Forest was an American musician and a member of the Memphis-based R&B coalition called the Beale Streeters, which included Johnny Ace, Bobby Bland, Junior Parker, B.B. King, and Roscoe Gordon. Forest had a hit record in 1953 with "Whoopin' And Hollerin'" on Duke Records. He also recorded for Meteor Records and Flair Records.

Onzie O. Horne was an American arranger, businessman, conductor, disc jockey, and musician. He worked with Count Basie, Duke Ellington, Lionel Hampton, Sammy Davis Jr, Rufus Thomas and BB King and was the first African American to conduct the Chicago Symphony Orchestra.

The All-Negro Hour was an American broadcast show that was the first radio program to feature an exclusively African American cast of performers. This sixty-minute variety show was created and hosted by Jack L. Cooper who was known as the first African American radio broadcaster. The All-Negro Hour first premiered on November 3, 1929, on World Stage Battery Company (WSBC), a white-owned radio station in Chicago, and ran until 1935. The program aired on WSBC’s “ethnic appeal” station every Sunday night at 5 p.m. The “ethnic appeal” station was owned by Joseph Silverman, a battery manufacturer, who sold time on WSBC to individuals who were looking to appeal to a specific ethnic group. With the success starting from the program, The All-Negro Hour, Cooper is considered to be the creator of "black appeal", otherwise known as black radio.

References

  1. "Facility Technical Data for WDIA". Licensing and Management System. Federal Communications Commission.
  2. "WDIA". Africana: the encyclopedia of the African and African American experience . Vol. 5 (2nd ed.). Oxford; New York: Oxford University Press. 2005. ISBN   9780195170559.
  3. "WDIA, Sixth Memphis Station, Is Launched" (PDF). Broadcasting. June 16, 1947. Retrieved September 28, 2014.
  4. 1 2 3 "Celebrating 65 Years of Goodwill & Good Times. The History of WDIA". Mywdia.com. Retrieved March 13, 2013.
  5. Guralnick, Peter (2016). Sam Phillips: The Man Who Invented Rock 'n' Roll. Little, Brown. ISBN   9780316211307 . Retrieved October 17, 2019.
  6. Dora Stacker. "Memphis Down in Dixie." Pittsburgh Courier, Nov 5, 1949, p. 20.
  7. 1 2 Radio Center: A Landmark of American Music. 2008. Radiocenterflats.com, Retrieved on 2009-03-12
  8. "706 Union Avenue Sessions". Tennessee Radio Hall of Fame. Retrieved October 17, 2019.
  9. Cantor, Louis. Wheelin' on Beale: How WDIA-Memphis Became the Nation's First All-Black Radio Station and Created the Sound that Changed America, Pharos Books, 1992, 264 pages, ISBN   0-88687-633-8, ISBN   978-0-88687-633-3.
  10. The UnConsultant Blog. 50,000 Watts Of Goodwill
  11. "Celebrating 65 Years of Goodwill & Good Times." 1070 WDIA, N.p., n.d. Web. 29 Apr. 2013
  12. 1 2 Fisher, Marc (2007). Something in the Air. Random House. p.  44. ISBN   978-0-375-50907-0.
  13. Kostelanetz, Richard, ed. (2005). The B.B. King Reader: 6 Decades of Commentary. Hal Leonard Corporation. pp.  5–6. ISBN   9780634099274.
  14. "TV host 'Mr Chuck' Scruggs Passes Away". Memphis: WHBQ-TV/Fox 13. February 4, 2013. Retrieved December 13, 2013.
  15. "Sites in Tennessee, Kentucky added to Civil Rights Trail". February 14, 2020.

Further reading

Articles

Books