History
WOAK
The station signed on the air on May 16, 1948;75 years ago (1948-05-16). [5] It originally held the call sign WOAK. [5] [6] The studios were in the Guyon Hotel and it operated at 98.3 MHz with an effective radiated power (ERP) of only 770 watts. [5] [7] [6] [8] The station was owned by Gale Broadcasting Company. [5] [6] [7]
By 1950, the station's frequency had been changed to 105.9 MHz, and its ERP was increased to 9,300 watts. [9] WOAK generally aired pop music, but also featured classical music programs and dramas. A number of Chicago radio stations that aired a number of classical music programs was small, but none compared to WFMT. [10] [11] [8] [12]
WFMT
In 1951, the station's call sign was changed to WFMT. [13] Bernard and Rita Jacobs launched WFMT's classical music/fine arts radio format on December 13, 1951. [14] [11] [15] They began with 8-hour-a-day broadcasts, with Bernard serving as the station's engineer, and Rita as the station's announcer. [15] In 1952, WFMT began publishing a biweekly program guide, which later became Chicago magazine. [15] In 1953, programming was expanded to 18 hours per day. [15]
In 1954, WFMT's studios and transmitter were moved to the LaSalle-Wacker Building, increasing its HAAT to 547 feet. [15] [16] The station's ERP was also increased and its frequency was changed to the present-day 98.7 MHz. [15] [16] In 1956, WFMT aired a live recording of a folk concert with Pete Seeger and Big Bill Broonzy at Northwestern University. [15]
WTTW ownership
In 1968, WFMT began around-the-clock broadcasting. [15] That same year, Bernard Jacobs sold WFMT to WGN-TV's Continental Broadcasting Company for $810,000, which in turn donated the station to WTTW two years later. [15] [16] [17]
In 1969, the station's transmitter was moved to the Prudential Building, and in 1971 its transmitter was moved to the John Hancock Center. [16]
Several classical music stations were found on the FM dial in Chicago in the 1950s, 1960s, 1970s and 1980s. They included WEFM 99.5, WXFM 105.9, WFMQ 107.5, WJJD at 104.3 and WNIB 97.1. They all changed formats by the 1990s. While WFMT was a station supported by the sales of commercials, it aired no pre-recorded (by non-station hosts) advertising. [15] A brief attempt at introducing pre-recorded commercial advertising in the early 1990s, the only time in its history, proved unpopular with listeners. [15] [18] All advertising on the station would be read exclusively by WFMT's on-air hosts.
Fine Arts Network
In 1976, WFMT created the Fine Arts Network for broadcast syndication of the Chicago Symphony Orchestra and the Lyric Opera. [15] [19] In 1979, WFMT became America's first radio superstation, delivered by satellite and cable systems across the United States and dozens of countries, including the Soviet Union and China. [15]
In August 1976, the FCC granted WFMT temporary authority to simulcast on AM 1450, using the former facilities of WVON, which had moved its call sign and programming to another frequency the previous year. [20] The simulcast continued until 1979, when Midway Broadcasting and Migala Enterprises were granted licenses to share time on the frequency. [21]
In 1980, WFMT became the first U.S. radio station to join the European Broadcasting Union. [15] A live performance of the Chicago Symphony Orchestra was heard in the US, United Kingdom, France, Belgium, Switzerland, Italy, Sweden, and West Germany simultaneously. Richard Wagner's Der Ring des Nibelungen was broadcast live for the first time as a digital transatlantic performance from the Bayreuth Festspielhaus to the US and Canada in 1983. [22]
Beethoven Network
In 1986, WFMT launched the Beethoven Satellite Network, a satellite delivered classical music programming service. [15] [23] It allows public radio stations to broadcast classical music during some hours of the day or around the clock, even if their budgets don't allow for a local staff or music library.
The WFMT Fine Arts Circle, a member/listener support and funding group, was formed in 1991. [15]
In 1995, the station moved to its current location in the WTTW complex in Chicago's Northwest Side. [15] The new facility included an all-digital path from studios to transmitter. The WFMT Jazz Satellite Network debuted two years later. [15]
In 2001, the station's transmitter was moved to the Sears Tower in downtown Chicago (now the Willis Tower). [15]
WFMT celebrated its 50th anniversary on December 13, 2001, which Chicago Mayor Richard M. Daley declared WFMT Day.
In 2003, the station began syndication of the program " Exploring Music with Bill McGlaughlin", an informational weekday program on various themes in classical music. [24] It was created by Steve Robinson and is now carried by over 50 stations in the U.S. and is heard by over 400,000 people each week. WFMT also launched a Fine Arts Hotline for the Chicago area that same year.
Awards and honors
In 1957, the station received an Alfred I. DuPont Award as the country's best broadcaster in the small-station category. [15] [25] WFMT also aired a discussion between Frank Lloyd Wright and Carl Sandburg, which was simulcast with WTTW, marking the first collaboration between WTTW and WFMT. [15] Another collaboration occurred the following year, as the two stations began a pioneering stereo music project in which WTTW broadcast a left audio channel, and WFMT broadcast the right audio channel simultaneously. [15]
WFMT won another Alfred I. DuPont Award in 1960, this time as the country's best broadcaster in the large-station category. [15] In 1961, the station won its first Peabody Award. [15] Its ERP was increased to 120,000 watts the same year. [15] [16] In 1962, WFMT began broadcasting a majority of its programming in stereo. [26] In 1964, Hi Fi/Stereo Review readers voted WFMT the best station in Chicago in terms of audio quality. [27] The station's first series of Chicago Symphony Orchestra concerts began in 1965. [15]
WFMT has won numerous first place Major Armstrong awards for excellence and originality in radio broadcasting and special awards for engineering and technical achievement. [28] [29] [30] [31] [32] [33]
Past hosts
Several noteworthy individuals have worked at WFMT in its history. Award-winning stage and film director, writer, and producer Mike Nichols, at the time a student at the University of Chicago, joined the station in 1951. [34] Nichols started the folk music program The Midnight Special in 1953. [34] In 1983, Rich Warren became a co-host of The Midnight Special, and later became its sole host in 1996. Rich Warren continued as host of The Midnight Special until 2020.The show still airs weekly on WFMT, with Marilyn Rea Beyer as the host.
Noted author and broadcaster Studs Terkel began a radio show on WFMT in 1952, remaining on the station until 1997. [35] The station replays Terkel's noteworthy interviews on Friday nights.
Carl Grapentine, former weekday breakfast host on WFMT, has served as the voice of the University of Michigan Marching Band since 1972 and has doubled as the public-address announcer at Michigan Stadium since 2006. He retired from full-time presenting in July 2018 but still continues to contribute programming.
Two-time Peabody Award-winning audio dramatist Yuri Rasovsky, creator of the National Radio Theater of Chicago, began a decade-long association with WFMT in 1975. He is still heard periodically on The Midnight Special in his classic "Chicago Language Tape" skit.
WFMT is noted for the longevity of various staff members. Norman Pellegrini joined the station as an announcer in 1952 and became program director in 1953, holding the position until 1996. [36] [37] [15] Ray Nordstrand was hired as an announcer, also in 1953. [38] He later became the assistant of original owner Bernard Jacobs. [38] Nordstrand moved up to the position of president and general manager in 1970. [38] After suffering a heart attack in 1993, Nordstrand worked as a part-time consultant to the station. [38] Don Tait, who had been called a "a seminal figure in the history of WFMT", worked as a host from June 1972 until his retirement in October 2007. His interest in archival recordings of conductors such as Willem Mengelberg, Bruno Walter, and Leopold Stokowski was often reflected in his programming. Among the programs he hosted were Collector's Item and Chicago Symphony Retrospective. [39]
Another key contributor to WFMT's success was Associate Program Director Lois Baum. Arriving at the station from KPFK in California in July 1964, Baum produced and oversaw the production of countless spoken arts programs and features. She produced the Critic's Choice series, regular broadcasts of reviews and commentary by artist Harry Bouras (whose name was the inspiration for the playful Chicago art group, the "Hairy Who"), theater critic Claudia Cassidy, and journalist and author Herman Kogan. Baum selected and programmed plays and readings produced by the BBC and by the National Radio Theater of Chicago, and created The Storytellers, a program devoted to short stories. With co-producer George Drury, she created Word of Mouth, a spoken arts program that presented a mixture of rare archival recordings and new studio recordings of poets, novelists, philosophers, scientists, actors and musicians. In addition to her extensive work with spoken arts programs, from 1972 until 2009 Lois Baum co-hosted with Norman Pellegrini nationally syndicated broadcasts from the Lyric Opera of Chicago.
In August 2000, Steve Robinson was hired as general manager of WFMT. [40] [41] He had worked in classical music radio since 1967, and retired in 2016. [42] [40] [41]
Technological achievements
Since going on the air in 1951, WFMT has garnered a strong reputation for technological innovation and sound quality.
In 1958, WFMT and public television station WTTW collaborated on a pioneering stereo music project in which WTTW broadcast a left audio channel, and WFMT broadcast the right audio channel simultaneously. [15] (FM stereo broadcasting was not yet available.)
WFMT broadcast a live concert in 1971 using Dolby noise reduction, the first station to do so. In 1974 it broadcast for the first time in four-channel (quadrophonic) sound, a live performance of the Chicago Lyric Opera's presentation of Rossini's Semiramide .
In 1978, WFMT participated in the first stereo relay of a live performance via satellite, from the San Francisco Opera.
In 1979, WFMT was one of the first local FM stations to re-broadcast its programming via satellite. [15] This feed was received by cable companies (who transmitted WFMT's programming to their subscribers), as well as by home TVRO users.
In 1982, WFMT moved into the digital era, being chosen by Sony and Philips to be the first station in the world to broadcast music from the compact disc format, thanks to the station's reputation for high audio standards. [43] [15] The station broadcast material from Digital Audio Tape for the first time in 1987, [44] [45] and was once again chosen by Sony to broadcast from a MiniDisc in 1992, [45] to demonstrate the subtle differences between an MD and a CD. WFMT also broadcasts in HD. [46] [47]
