Will You Love Me Tomorrow

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"Will You Love Me Tomorrow"
The Shirelles 45.jpg
Single by the Shirelles
from the album Tonight's the Night
B-side "Boys"
Released
  • November 1960 (US)
  • 1961 (UK)
Recorded1960
Studio Bell Sound (New York City)
Genre
Length2:41
Label Scepter
Songwriter(s)
Producer(s) Luther Dixon
The Shirelles singles chronology
"Tonight's the Night"
(1960)
"Will You Love Me Tomorrow"
(00000006)
"Mama Said"
(1961)

"Will You Love Me Tomorrow", sometimes known as "Will You Still Love Me Tomorrow", [3] is a song with words by Gerry Goffin and music composed by Carole King. It was recorded in 1960 by the Shirelles at Bell Sound Studios in New York City, and hit number one on the Billboard Hot 100 chart. The song was the first by an African-American all-girl group to reach number one in the United States. [4] It has since been recorded by many other artists, including a version by co-writer King released on her 1971 album Tapestry .

Contents

The Shirelles' version

Background

In 1960, the American girl group the Shirelles released the first version of the song as Scepter single 1211, with "Boys" on the B-side. The single's first pressing was labeled simply "Tomorrow", then lengthened later. When first presented with the song, lead singer Shirley Owens (later known as Shirley Alston-Reeves) did not want to record it, because she thought it was "too country". She relented after a string arrangement was added. However, Owens recalled on Jim Parsons's syndicated classic radio program, Shake Rattle Showtime, that some radio stations had banned the record because they had felt the lyrics were too sexually charged. The song is in AABA form. [5]

Reception

In addition to reaching No. 1 in the United States, the song reached No. 2 on the R&B chart and No. 4 in the UK. [6] It reached No. 3 in New Zealand. [7] This version of the song, with session musicians Paul Griffin on piano and Gary Chester on drums, was ranked at No. 126 among Rolling Stone 's list of The 500 Greatest Songs of All Time. Billboard named the song No. 3 on its list of 100 Greatest Girl Group Songs of All Time. [8]

In 1999, the song was inducted into the Grammy Hall of Fame. [9]

Chart history

Answer songs

Bertell Dache recorded an answer song entitled "Not Now Tomorrow, But Always" on United Artists label in 1960, arranged by Carole King giving King and Goffin the proper credit.

The Satintones, an early Motown group, also recorded an answer song called "Tomorrow and Always" (in two different versions), which used the same melody as the original but initially neglected to credit King and Goffin. Following a threat of litigation, later pressings of the record included proper credit. Eventually, it was withdrawn and replaced by the song "Angel" with the same "b" side. [17] The Satintones' versions are included in the box set The Complete Motown Singles, Volume 1: 1959–1961.

Carole King version

Background

In 1971, Carole King, who composed the music of the song, recorded a version of "Will You Love Me Tomorrow" for her second studio album Tapestry , with Joni Mitchell and James Taylor performing background vocals on separate audio channels. [18] King's version of the song was taken at a considerably slower tempo. David Hepworth analyzed it as "less like the pleas for gentleness on the part of a trembling virgin and more like a mature woman requiring parity in a relationship." [18] It gained considerable album-oriented rock airplay due to the large-scale commercial success of the album.

The song became a feature of King's live shows. Taylor recreated his part during their joint arena-based Troubadour Reunion Tour of 2010.

In the 2013 Broadway musical Beautiful: The Carole King Musical , the song is featured in part four times: once during its writing, once during King recording a demo of it, then with the Shirelles performing it, and then King singing and playing it later during an especially bad time in her marriage with Goffin. No other song is featured as frequently in the musical.

Personnel

Notable cover versions

See also

Related Research Articles

<span class="mw-page-title-main">Carole King</span> American singer-songwriter (born 1942)

Carole King Klein is an American singer-songwriter and musician who has been active since 1958. One of the most successful female songwriters of the latter half of the 20th century in the US, she wrote or co-wrote 118 pop hits on the Billboard Hot 100. She also wrote 61 hits that charted in the UK, making her the most successful female songwriter on the UK singles charts between 1962 and 2005.

<span class="mw-page-title-main">The Shirelles</span> African American girl group

The Shirelles were an American girl group formed in Passaic, New Jersey in 1957. They consisted of schoolmates Shirley Owens, Doris Coley, Addie "Micki" Harris, and Beverly Lee.

<span class="mw-page-title-main">The Crystals</span> American vocal group

The Crystals are an American vocal group that originated in New York City. Considered one of the defining acts of the girl group era in the first half of the 1960s, their 1961–1964 chart hits – including "There's No Other ", "Uptown", "He's Sure the Boy I Love", "He's a Rebel", "Da Doo Ron Ron" and "Then He Kissed Me"– featured three different female lead singers and were all produced by Phil Spector. The latter three songs were originally ranked number 263, number 114, and number 493, respectively, on Rolling Stone magazine's list of The 500 Greatest Songs of All Time. However, two songs were omitted from the magazine's 2010 update, leaving only "He's a Rebel" at number 267. In the 2021 update, "Da Doo Ron Ron" was added back to the list at number 366.

<span class="mw-page-title-main">Gerry Goffin</span> American lyricist (1939–2014)

Gerald Goffin was an American lyricist. Collaborating initially with his first wife, Carole King, he co-wrote many international pop hits of the early and mid-1960s, including the US No.1 hits "Will You Love Me Tomorrow", "Take Good Care of My Baby", "The Loco-Motion", and "Go Away Little Girl". It was later said of Goffin that his gift was "to find words that expressed what many young people were feeling but were unable to articulate."

<i>Tapestry</i> (Carole King album) 1971 studio album by Carole King

Tapestry is the second studio album by American singer-songwriter Carole King, released on February 10, 1971 on Ode Records and produced by Lou Adler. The album's lead singles, "It's Too Late" and "I Feel the Earth Move", spent five weeks at number one on both the Billboard Hot 100 and Easy Listening charts.

<span class="mw-page-title-main">I'm Gonna Make You Love Me</span> 1968 single by Diana Ross & the Supremes and the Temptations

"I'm Gonna Make You Love Me" is a soul song most popularly released as a joint single performed by Diana Ross & the Supremes and the Temptations for the Motown label. This version peaked for two weeks at No. 2 on the Hot 100 in the United States, selling 900,000 copies in its first two weeks, and at No. 3 on the UK Singles Chart in January 1969.

<span class="mw-page-title-main">(You Make Me Feel Like) A Natural Woman</span> 1967 song by Aretha Franklin

"(You Make Me Feel Like) A Natural Woman" is a 1967 song by American soul singer Aretha Franklin released as a single by the Atlantic label. The words were written by Gerry Goffin from an idea by Atlantic producer Jerry Wexler, and the music was composed by Carole King. Written for Franklin, the record reached number 8 on the Billboard Hot 100, and became one of her signature songs. It made history on the UK Singles Chart a week after her death, finally becoming a hit almost 51 years after it was first released, entering at No. 79. Franklin also included a live recording on the album Aretha in Paris in 1968.

<span class="mw-page-title-main">The Loco-Motion</span> 1962 song by Gerry Goffin and Carole King

"The Loco-Motion" is a 1962 pop song written by American songwriters Gerry Goffin and Carole King. "The Loco-Motion" was originally written for R&B singer Dee Dee Sharp, but Sharp turned the song down.

<span class="mw-page-title-main">Happy Birthday Sweet Sixteen</span> 1961 single by Neil Sedaka

"Happy Birthday Sweet Sixteen" is a pop song released in 1961 by Neil Sedaka. Sedaka wrote the music and performed the song, while the lyrics were written by Howard Greenfield. The song is noted for being similar in musical structure to Take Good Care of My Baby by Bobby Vee, and additionally for its resemblance to the melody of the Chiffons' subsequent 1963 hit "One Fine Day". Both of these songs exhibiting similarity to "Happy Birthday Sweet Sixteen" were penned by the team of Carole King and Gerry Goffin. The song reached #6 on the Billboard Hot 100 chart and No. 3 on the UK Singles Chart.

<span class="mw-page-title-main">Oh No Not My Baby</span>

"Oh No Not My Baby" is a song written by Gerry Goffin and Carole King. The song's lyrics describe how friends and family repeatedly warn the singer about a partner's infidelities. The song is regarded as an American standard due to its long-time popularity with both music listeners and recording artists.

<span class="mw-page-title-main">I Can't Hear You No More</span>

"I Can't Hear You No More" is a composition written by Gerry Goffin and Carole King. It was originally recorded as "I Can't Hear You" in 1964 by Betty Everett. The most successful version was the 1976 top 40 single by Helen Reddy.

<span class="mw-page-title-main">Go Away Little Girl</span> Popular song written by Gerry Goffin and Carole King

"Go Away Little Girl" is a popular song written by Gerry Goffin and Carole King. It was first recorded by Bobby Vee for Liberty Records on March 28, 1962. The lyrics consist of a young man asking a young attractive woman to stay away from him, so that he will not be tempted to betray his steady girlfriend by kissing her. The song is notable for making the American Top 20 three times: for Steve Lawrence in 1963, for The Happenings in 1966, and for Donny Osmond in 1971. It is also the first song, and one of only nine, to reach US number 1 by two different artists. Also notable in each of the solo versions is the similar double-tracked treatment of the singer's voice.

<span class="mw-page-title-main">One Fine Day (song)</span> 1963 single by The Chiffons

"One Fine Day" is a song written by Gerry Goffin and Carole King. It first became a popular hit in the summer of 1963 for American girl group the Chiffons, who reached the top five on the Billboard Hot 100 chart. In 1980, King covered it herself and charted at No. 12 on the Hot 100 with her version, becoming her last top 40 hit. The song has subsequently been covered by numerous artists over the years.

<span class="mw-page-title-main">To Know Him Is to Love Him</span> 1958 single by The Teddy Bears

"To Know Him Is to Love Him" is a song written by Phil Spector, inspired by words on his father's tombstone, "To Know Him Was to Love Him." It was first recorded by the only vocal group of which he was a member, the Teddy Bears. Their recording spent three weeks at No. 1 on the Billboard Hot 100 chart in 1958, while reaching No. 2 on the UK's New Musical Express chart. Peter & Gordon and Bobby Vinton later had hits with the song, with its title and lyrics changed to "To Know You Is to Love You". In 1987, the song was resurrected by Dolly Parton, Linda Ronstadt, and Emmylou Harris, whose Trio recording topped the U.S. country singles chart.

"Tonight, I Celebrate My Love" is a romantic ballad written by lyricist Gerry Goffin with Michael Masser and recorded by Peabo Bryson and Roberta Flack for their 1983 album of duets, Born to Love, issued as the lead single. The track—produced by Masser—became a million-selling international hit.

<span class="mw-page-title-main">Halfway to Paradise</span> 1961 single by Tony Orlando

"Halfway to Paradise" is a popular song written by Carole King and Gerry Goffin. In the United States, the song was originally recorded in 1961 by Tony Orlando where it peaked at No. 39 on the Hot 100. In Canada, the song reached No. 3 in the CHUM Charts.

<span class="mw-page-title-main">I Know (You Don't Love Me No More)</span> 1961 single by Barbara George

"I Know (You Don't Love Me No More)" is an R&B song written and recorded by American singer Barbara George, released as her debut single in 1961. It became her signature song and her only major hit in United States, reaching No.1 on the Billboard R&B singles chart and No.3 in the Hot 100. It was later covered by various artists, inducing Fats Domino, Cher, Ike & Tina Turner, and Bonnie Raitt. A Spanish version by Marisela topped Billboard's Latin chart in 1988. The Shirelles borrowed the melody of "I Know" for their 1963 cover of "Everybody Loves A Lover".

<i>Emotions</i> (Brenda Lee album) 1961 studio album by Brenda Lee

Emotions is the fourth studio album by American singer Brenda Lee. The album was released on April 3, 1961 on Decca Records and was produced by Owen Bradley. It was one of two studio albums released by Lee in 1961 and its title track became a Top 10 hit on the Billboard Hot 100 the same year.

<span class="mw-page-title-main">I Can't Stay Mad at You</span> 1963 single by Skeeter Davis

"I Can't Stay Mad at You" is a song written by Gerry Goffin and Carole King. It was originally recorded by American country artist Skeeter Davis, becoming her second top-ten hit on the Billboard Hot 100 in 1963. "I Can't Stay Mad at You" followed on the popular success of Davis' earlier 1963 crossover hit "The End of the World". The song was one of the first Goffin-King compositions to be recorded by a country music performer.

<span class="mw-page-title-main">Yours Until Tomorrow</span> 1968 single by Vivian Reed

"Yours Until Tomorrow" is a song written by Gerry Goffin and Carole King, recorded by Dee Dee Warwick in 1968. It was used as the B-side to her recording of "I'm Gonna Make You Love Me." Versions by, respectively, Vivian Reed and Gene Pitney performed on music charts.

References

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