In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events. At this point ancient art begins, for the older literate cultures. The end-date for what is covered by the term thus varies greatly between different parts of the world.
The Bhimbetka rock shelters are an archaeological site in central India that spans the Paleolithic and Mesolithic periods, as well as the historic period. It exhibits the earliest traces of human life in India and evidence of the Stone Age starting at the site in Acheulian times. It is located in the Raisen District in the Indian state of Madhya Pradesh, about 45 kilometres (28 mi) south-east of Bhopal. It is a UNESCO World Heritage Site that consists of seven hills and over 750 rock shelters distributed over 10 km (6.2 mi). At least some of the shelters were inhabited more than 100,000 years ago.
The Kondoa Rock-Art Sites or Kondoa Irangi Rock Paintings are a series of ancient paintings on rockshelter walls in central Tanzania. The Kondoa region was declared a UNESCO World Heritage Site in 2006 because of its impressive collection of rock art. These sites were named national monuments in 1937 by the Tanzania Antiquities Department. The paintings are located approximately nine kilometres east of the main highway (T5) from Dodoma to Babati, about 20 km north of Kondoa town, in Kondoa District of Dodoma Region, Tanzania. The boundaries of the site are marked by concrete posts. The site is a registered National Historic Sites of Tanzania.
The Later Stone Age (LSA) is a period in African prehistory that follows the Middle Stone Age.
The Chongoni Rock Art Area is a region containing 127 rock art and painting sites depicting the farmer community of the Late Stone Age and Iron Age, located in the forested hills of the Malawi plateau in the Central Region of Malawi.
The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe and Southeast Asia, beginning between about 40,000 to 35,000 years ago. Non-figurative cave paintings, consisting of hand stencils and simple geometric shapes, are somewhat older, at least 40,000 years old, and possibly as old as 64,000 years. This latter estimate is due to a controversial 2018 study based on uranium-thorium dating, which would imply Neanderthal authorship and qualify as art of the Middle Paleolithic.
The history of cave paintings in India or rock art range from drawings and paintings from prehistoric times, beginning in the caves of Central India, typified by those at the Bhimbetka rock shelters from around 10,000 BP, to elaborate frescoes at sites such as the rock-cut artificial caves at Ajanta and Ellora, extending as late as 6th–10th century CE.
The visual art of Botswana has varied among the different ethnic groups and throughout history. Historically it has fallen into two main categories: that of the San peoples and that of the Bantu-derived peoples such as the Batswana.
Howieson's Poort Shelter is a small rock shelter in South Africa containing the archaeological site from which the Howiesons Poort period in the Middle Stone Age gets its name. This period lasted around 5,000 years, between roughly 65,800 BP and 59,500 BP. This period is important as it, together with the Stillbay period 7,000 years earlier, provides the first evidence of human symbolism and technological skills that were later to appear in the Upper Paleolithic.
Border Cave is an archaeological site located in the western Lebombo Mountains in Kwazulu-Natal. The rock shelter has one of the longest archaeological records in southern Africa, which spans from the Middle Stone Age to the Iron Age.
Franktown Cave is located 25 miles (40 km) south of Denver, Colorado on the north edge of the Palmer Divide. It is the largest rock shelter documented on the Palmer Divide, which contains artifacts from many prehistoric cultures. Prehistoric hunter-gatherers occupied Franktown Cave intermittently for 8,000 years beginning about 6400 BC The site held remarkable lithic and ceramic artifacts, but it is better known for its perishable artifacts, including animal hides, wood, fiber and corn. Material goods were produced for their comfort, task-simplification and religious celebration. There is evidence of the site being a campsite or dwelling as recently as AD 1725.
The San, or Bushmen, are indigenous people in Southern Africa particularly in what is now South Africa and Botswana. Their ancient rock paintings and carvings are found in caves and on rock shelters. The artwork depicts non-human beings, hunters, and half-human half-animal hybrids. The half-human hybrids are believed to be medicine men or healers involved in a healing dance. Gall writes, "The Laurens van der Post panel at Tsodilo is one of the most famous rock paintings." High on this rock face in Botswana is the image of a "magnificent red eland bull" painted, according to Van der Post, "only as a Bushman who had a deep identification with the eland could have painted him." Also on this rock face is a female giraffe that is motionless, as if alarmed by a predator. Several other images of animals are depicted there, along with the flesh blood-red handprints that are the signature of the unknown artist. The Drakensberg and Lesotho are particularly well known for their San rock art. Tsodilo was recognised as a UNESCO World Heritage Site in 2001; not all the art covered by this is by San people or their ancestors.
Within the African nation of Uganda there is rock art that "sits within a broad geometric rock art belt straddling East and Central Africa." More specifically, "In Uganda, rock art is mostly concentrated in eastern part of the country, especially in the districts of Kumi, Pallisa and Kaberamaido." The rock art has a few aspects that make it unique. Most of it is geometric art with circular, rectangular, sausage, dot and lines making up the basic shapes. These shapes occur repeatedly throughout the country. Some shapes do occur more frequently than others. Catherine Namono notes that "concentric circles are the most commonly painted shapes in the rock art of Uganda." There are also concentric circles with rays coming out of them, possibly representing the sun. Red was the most common color along with white, or both creating a bi-chrome pigment.
The Kalahari Debate is a series of back and forth arguments that began in the 1980s amongst anthropologists, archaeologists, and historians about how the San people and hunter-gatherer societies in southern Africa have lived in the past. On one side of the debate were scholars led by Richard Borshay Lee and Irven DeVore, considered traditionalists or "isolationists." On the other side of the debate were scholars led by Edwin Wilmsen and James Denbow, considered revisionists or "integrationists."
People first began to be interested in Malawi's prehistoric past in the 1920s. Excavations of sites in nearby countries, Tanzania and Zambia, made archaeologists believe that they may find the same type of material culture in Malawi. In the 1920s, a series of lacustrine deposits was found at the northwest end of Lake Malawi. These beds contained fragmentary fossils and were mapped by Dr. F. Dixey. These findings sparked an interest to excavate more locations in Malawi.
The Ambadevi rock shelters are part of an extensive cave site, where the oldest yet known traces of human life in the central province of the Indian subcontinent were discovered. The site is located in the Satpura Range of the Gawilgarh Hills in Betul District of the Indian state of Madhya Pradesh, north of Dharul village in Amravati district of Maharashtra. Studies of various rock paintings and petroglyphs present in the caves suggest, that the Ambadevi rock shelters were inhabited by prehistoric human settlers since around 25,000 years ago. First discoveries of clusters of numerous rock shelters and caves were made by Vijay Ingole and his team beginning on 27 January 2007. Named after the nearby ancient Ambadevi Cave Temple, the site has also been referred to as the Satpura-Tapti valley caves and the Gavilgarh-Betul rock shelters. The Ambadevi rock shelters rank among the most important archaeological discoveries of the early 21st Century in India, on par with the 20th Century discovery of the Bhimbetka rock shelters.
Bambata Cave is one of the Southern Africa prehistoric sites situated in Motobo National Park along with Inanke, Nswatugi, Pomengwe and Silozwane caves in Zimbabwe.
The Manyana Rock Paintings are a collection of rock art and caves located at the Kolobeng hills, neighbouring Manyana, Southern District, Botswana. It is believed that the artworks were made by the Khoikhoi or the San people between 1100 AD and 1700 AD. The paintings are found on five cliff areas around the rocky hill. Today, the site is fenced and protected as a National Monument.
The history of Southern Africa has been divided into its prehistory, its ancient history, the major polities flourishing, the colonial period, and the post-colonial period, in which the current nations were formed. Southern Africa is bordered by Central Africa, East Africa, the Atlantic Ocean, the Indian Ocean, and the Sahara Desert. Colonial boundaries are reflected in the modern boundaries between contemporary Southern African states, cutting across ethnic and cultural lines, often dividing single ethnic groups between two or more states.
The Mlambalasi Rock Shelter is a historic site located in Iringa District of Iringa Region in southern Tanzania, 50 km away from Iringa City. Excavations in 2006 and 2010 by the Iringa Region Archaeological Project uncovered artifactual deposits from the Later Stone Age (LSA), the Iron Age, and the historic periods, as well as external artifacts from the Middle Stone Age (MSA). Direct dating on Achatina shell and ostrich eggshell beads indicates that the oldest human burials at Mlambalasi are from the terminal Pleistocene. Mlambalasi is characterized by interment in the LSA and Iron Age periods, as well as by cycles of use and abandonment.
