Fifty Grand

Last updated
Ernest and Pauline Hemingway, Paris, 1927 Ernest and Pauline Hemingway, Paris, 1927.jpg
Ernest and Pauline Hemingway, Paris, 1927

"Fifty Grand" is a short story by Ernest Hemingway. It was first published in The Atlantic Monthly in 1927, and it appeared later that year in Hemingway's short story collection Men Without Women .

Contents

"Fifty Grand" tells the story of Jack Brennan as he trains for and boxes in his fight with challenger Jimmy Walcott. The first part of the story takes place in New Jersey, the second in New York. It shows Hemingway's love for and knowledge of boxing, and his use of omission and understatement, and contains an early expression of his moral code.[ citation needed ]

Plot

Jack Brennan, the current welterweight champion, is at Danny Hogan's New Jersey training camp (called the "health farm" throughout the story) struggling to get in shape for his upcoming fight with favorite Jimmy Walcott. His trainer and friend Jerry Doyle is at the camp with him, and it is Doyle who narrates the story. Jack is not optimistic about the fight and does not adjust to life at the health farm; "He didn't like being away from his wife and the kids and he was sore and grouchy most of the time," Doyle reports. [1] Hogan and Doyle talk briefly about racehorses, and when they ask Jack whether he bets on them, Jack replies that he stopped because he lost money.

Jack asks Doyle what he thinks of the shape he is in. Doyle tries to stall, saying: "Well, you can't tell ... You got a week to get around into form," but Jack asks for a straight answer. Doyle finally tells him, "You're not right," at which point Jack confides that he has been unable to sleep, despite being tired, because he misses his wife. Hogan, seeing Jack's condition a few days later, tells Doyle that Jack has no chance against Walcott. Doyle replies, "Well ... everybody's got to get it sometime." [1]

The day before the fight, Jack lists the things that concern him when he can not sleep: "I worry about property I got up in the Bronx, I worry about property I got in Florida. I worry about the kids. I worry about the wife. Sometimes I think about fights." [1] For the rest of the day Jack is in a foul mood as he tries to loosen up and run through a few rounds of shadowboxing, but even then he does not look good. Jack cannot break a sweat jumping rope and stops working for the day.

That afternoon John Collins, Jack's manager, drives to the health farm with two well-dressed men named Steinfelt and Morgan. They go with Doyle to Jack's room and find him sleeping, but John wakes him up and asks Doyle to leave and tell Hogan the three visitors "want to see him in about half an hour." [1] Hogan tells Doyle that Steinfelt and Morgan are "wise guys" who own a pool-room, describing Steinfelt as a "big operator". Doyle and Hogan wait in the office, knowing the men do not want to be interrupted, until half an hour has elapsed. When they return to Jack's room, Steinfelt proposes having a drink. John, Steinfelt, Morgan, and Hogan all have several drinks; while Jack and Doyle only have one each. When John suggests Jack have another drink, he refuses – saying "I never liked to go to these wakes". The visitors leave. Jack remains quiet through the rest of the day. Later that evening, he drinks heavily and suggests Doyle put money on Walcott, confiding that he himself has bet "fifty grand" on the opposing boxer. He reassures himself of this action's morality, saying, "It ain't crooked. How can I beat him? Why not make money on it?" [1] Jack eventually passes out and Doyle puts him to bed.

Jack and Doyle make the journey to New York City the next morning, during which Jack is stingy with his money. After weighing in, Jack goes with Doyle to the hotel room the two are sharing; though Doyle's brother-in-law lives in the area, Jack wants to get his money's worth out of the double room and asks him to stay. The two play cribbage and, when John comes, they continue playing until Jack has won four and a half dollars. Before dinner, he says they should play another round to decide who will pay for dinner. The cribbage continues after dinner, with Jack winning another two and a half dollars, until the time comes to go to Madison Square Garden.

Entering the ring at the Garden, Jack meets Walcott's cheerful words with cranky abruptness. The fight begins. Doyle reports, "There wasn't anybody ever boxed better than Jack," [1] and the fight goes well for Jack for several rounds as his left fist repeatedly connects with Walcott's face. By the seventh round, Jack's left arm gets heavy and Walcott begins to gain the upper hand as he pummels Jack's torso. After the eleventh round John Collins tells Jack the fight will go to Walcott, but Jack says he thinks he can last through the twelfth round and goes to meet Walcott and "finish it off right to please himself." Walcott backs Jack up against the ropes and delivers a very low blow; Jack, in obvious pain, stays standing–"if he went down, there go fifty thousand bucks" because he would win on a foul–and tells the referee not to call the foul because it must have been an accident. He walks toward the dumbfounded Walcott and begins swinging, landing several body punches before hitting his opponent twice below the belt. Walcott falls and wins the match on a foul.

Back in the dressing room, Jack comments, "It's funny how fast you can think when it means that much money." John says, "You're some boy, Jack." "No," Jack replies. "It was nothing." [1]

Background and publication history

Story

Years before writing "Fifty Grand", Hemingway wrote a boxing story which appeared in the April 1916 edition of Oak Park High School's literary magazine Tabula. This story, called "A Matter of Colour", was more obviously comical than "Fifty Grand", but the two bear several similarities, such as a non-protagonist narrator and a "trickster out-tricked" theme. [2] Though authors today seldom write about boxing, stories like "Fifty Grand" were common and popular in the late 19th and early 20th century. For example, George Bernard Shaw's Cashel Byron's Profession , written in 1882 but not popular until about 20 years later, featured a prizefighter as its protagonist (though Shaw said the fight scenes in the novel were supposed to turn the public away from boxing). Jack London's "A Piece of Steak" was published in the Saturday Evening Post in November 1909. Sir Arthur Conan Doyle also wrote several stories about boxing, such as Rodney Stone and The Croxley Master, and made his famous Sherlock Holmes an amateur boxer. Octavus Roy Cohen's "Last Blow", published on 2 October 1926 issue of Colliers, appeared the year before "Fifty Grand" and P. G. Wodehouse's "The Debut of Battling Billson" found a place in both Strand and Cosmopolitan in 1923, being published on both sides of the Atlantic. "Fifty Grand" thus fit into an established genre.

Weeks writes, "Once The Sun Also Rises was sent off to the publisher, Hemingway wrote in his notebook in early 1926 that he wanted to write short stories 'for four or five months,'" and "Fifty Grand" was one of the results. [2] In its original version, "Fifty Grand" opened with Jack answering a question about how he beat Benny Leonard. Jack says, "Well you see Benny's an awful smart boxer. All the time he's in there he's thinking and all the time he's thinking I was hitting him," [3] and the subsequent two and a half pages led into the story as it now exists. F. Scott Fitzgerald had urged Hemingway to submit "Fifty Grand" for publication, but the editor at Scribner's requested that Hemingway shorten the story. [4] Hemingway, unable to remove anything from the story, allowed writer Manuel Komroff to cut it for him, but found his efforts unsatisfactory. [4] The story finally appeared in the July 1927 issue of The Atlantic Monthly, under Ellery Sedgwick's owner-editorship, after Fitzgerald persuaded Hemingway to remove the first three pages, arguing that the Britton-Leonard fight they alluded to was too well known. [4] Hemingway later resented Fitzgerald for this advice and scrawled on one of the typescripts of "Fifty Grand": "1st 3 pages of story mutilated by Scott Fitzgerald with his [undecipherable]." [4]

Inspirations

Jack Britton Jack Britton LOC.jpg
Jack Britton

Many scholars have searched for the inspiration behind this story in actual boxing matches Hemingway would have known of or attended. According to Philip G. and Rosemary R. Davies, Hemingway seems to have based the story on the 1 November 1922 welterweight championship fight between Jack Britton and Mickey Walker. Though Hemingway was traveling from Constantinople to Paris when the fight took place, "The use of similar or identical names for the characters and the stress on Brennan's age show the resemblance between the short story and actual circumstances", and Hemingway could have gleaned many of these details from newspapers. [5]

James J. Martine disagrees, however, writing that "the fictional Jack Brennan–Jimmy Walcott fight is an amalgamation of at least two real-life bouts", and arguing that Hemingway was simply "presenting the times" by writing of common occurrences such as fouls and attempted fixes, whatever influence the Britton–Walker fight may have had. [3] He offers another possible influence, the Battling Siki–Georges Carpentier light heavyweight championship match of September 24, 1922. This fight, unlike the Britton–Walker bout, ended with a foul when Siki was clearly about to win the fight, an outcome which "started the hundreds of Americans at ringside to shouting 'robber.'" [3] Martine adds, "If a man standing at ringside in a photo of the knockdown is not Hemingway, one critic has offered to eat the New York Times September 26, 1922, p. 14, and the rest of the paper." [3] Ultimately, he concludes, the events of "Fifty Grand" are representative of common events in the 1920s.

Themes and analysis

Themes

Many critics place Jack among Hemingway's "code heroes", though there is disagreement as to whether or not he adheres to the code entirely. Fenton noted in 1952 that Jack fits the ideals of a professional, showing the ability to think and commitment to and knowledge of his sport. His skill and craftsmanship in the ring stands in stark contrast to the brute strength and crude force employed by the slower, heavier Walcott. Fenton suggests that the story "clarified the relationship between courage and professionalism." [6] Hemingway never mentions courage by name in "Fifty Grand"; "It is apparent, however, that courage is a part of Brennan's behaviour", and that "Thinking ... is what distinguishes the professional." [6] Martine agrees that "Jack is the consummate professional", but offers the opposite reason: "He is a skilled and trained professional who does not have to think. The code relates to grace under pressure, in pain." [3]

Philip G. and Rosemary R. Davies read Jack as a code hero, whose courage is partly obscured by the facts of the Britton–Walker fight on which they believe Hemingway based the story. "Brennan's courage, while real, cannot reverse the impression created by the bulk of the story", they write, unable to find Jack admirable until the final pages. [5] They argue that Hemingway tried to show Jack's courage by giving him motives other than the obvious monetary one—they cite the statement, "His money was all right and now he wanted to finish it off right to please himself. He didn't want to be knocked out", as evidence of Hemingway's attempt—but conclude of Hemingway stories in general, "The code of the hero can be seen most clearly when the courageous action is performed for its own sake." [5]

Cassandre Meunier notes the emphasis Hemingway places on Jack's silence throughout the story. She writes, "The impression is that Jack finds confidence in private places: it is not necessary to explain to anyone what is good for him and his family; just shutting his eyes and cutting himself off from the external world gives him the confidence that his choice is—and eventually was—the right one." [7] As well as a source of confidence, she says, the boxer's "holding tight" in the early parts of the story prepare him for "holding tight" and finishing the fight in the midst of excruciating pain in the final scenes. "One of the features associated with dignity is control over oneself." [7]

Robert P. Weeks, in his essay, found in Jackson J. Benson's collection of critical essays on Hemingway's works, comments on the machine imagery used during the boxing match itself: "During the first eleven rounds Jack boxes doggedly, mechanically ... Jerry also sees Walcott as a mechanism, but of a lower order." [2] The use of this imagery continues until Walcott fouls Jack. Then, "No longer a machine, Jack is alert, analytical, shrewd ... Walcott remains a machine: he's been signaled to deliver a low blow; he's done it; now he stands there baffled as the man he has fouled insists upon fighting on." [2] Weeks sees a great deal of humor in the story, humor which becomes evident when one takes "Fifty Grand" as the descendant of Hemingway's more obviously comical "A Matter of Colour". Even with the humor at both boxers' expense, he concludes that "Jack has done much more than protect his fifty grand; he has, through his quickwittedness and stoicism, prevailed without loss of his self-respect." [2]

The fix

Most critics and readers conclude that Jack agrees to lose the fight during his meeting with John Collins, Morgan, and Steinfelt. Earl Rovit believes that Jack "breaks [Hemingway's moral] code in betting against himself." [8] "There is nothing 'unethical'", Martine counters, "about getting some small consideration for participation in the game" in Hemingway's view. [3] James Tackach, on the other hand, argues that Jack did not agree to lose during the meeting with John Collins, Steinfelt, and Morgan. As evidence he cites Jack's assertion, "It ain't crooked. How can I beat him?", [1] the illogicality for Steinfelt and Morgan to pay the underdog to throw the match, and that "If Jack agreed to lose the fight, he would have accepted a flat payment from Steinfelt and Morgan for the loss, and he would not have to risk his own money by laying a bet." [9] It may also be possible that Steinfelt and Morgan also organized for Walcott to throw the match with the low blow, as John reveals "They certainly tried a nice double-cross."

Reception

Ernest Hemingway skiing, Switzerland, 1927 Ernest Hemingway skiing, Switzerland, 1927.jpg
Ernest Hemingway skiing, Switzerland, 1927

Men Without Women was variously received. Cosmopolitan magazine editor-in-chief Ray Long praised "Fifty Grand", calling it, "one of the best short stories that ever came to my hands...the best prize-fight story I ever read...a remarkable piece of realism." [10] However, some critics—among them Wilson Lee Dodd, whose article entitled "Simple Annals of the Callous" appeared in the Saturday Review of Literature—found Hemingway's subjects lacking. Joseph Wood Krutch called the stories in Men Without Women "Sordid little catastrophes" involving "very vulgar people." [11]

Hemingway responded to the less favorable reviews with a poem published in The Little Review in May 1929:

 
 Valentine
  (For a Mr. Lee Wilson Dodd and Any of His Friends Who Want It)

 Sing a song of critics
 pockets full of lye
 four and twenty critics
 hope that you will die
 hope that you will peter out
 hope that you will fail
 so they can be the first one
 be the first to hail
 any happy weakening or sign of quick decay.
 (All very much alike, weariness too great,
 sordid small catastrophes, stack the cards on fate,
 very vulgar people, annals of the callous,
 dope fiends, soldiers, prostitutes,
 men without a gallus) [12]


Hemingway's style, on the other hand, received much acclaim. In the New York Times Book Review, Percy Hutchinson praised him for "language sheered to the bone, colloquial language expended with the utmost frugality; but it is continuous and the effect is one of continuously gathering power." [13] Even Krutch, writing in the Nation in 1927, said of Men Without Women, "It appears to be the most meticulously literal reporting and yet it reproduces dullness without being dull." [13]

Related Research Articles

<span class="mw-page-title-main">Ernest Hemingway</span> American author and journalist (1899–1961)

Ernest Miller Hemingway was an American novelist, short-story writer, and journalist. His economical and understated style—which included his iceberg theory—had a strong influence on 20th-century fiction, while his adventurous lifestyle and public image brought him admiration from later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and he was awarded the 1954 Nobel Prize in Literature. He published seven novels, six short-story collections, and two nonfiction works. Three of his novels, four short-story collections, and three nonfiction works were published posthumously. Many of his works are considered classics of American literature.

<span class="mw-page-title-main">Jack Dempsey</span> American boxer

William Harrison "Jack" Dempsey, nicknamed Kid Blackie and The Manassa Mauler, was an American professional boxer who competed from 1914 to 1927, and reigned as the world heavyweight champion from 1919 to 1926. A cultural icon of the 1920s, Dempsey's aggressive fighting style and exceptional punching power made him one of the most popular boxers in history. Many of his fights set financial and attendance records, including the first million-dollar gate. He pioneered the live broadcast of sporting events in general, and boxing matches in particular.

<span class="mw-page-title-main">Sonny Liston</span> American boxer (c. 1930–1970)

Charles L. "Sonny" Liston was an American professional boxer who competed from 1953 to 1970. A dominant contender of his era, he became the world heavyweight champion in 1962 after knocking out Floyd Patterson in the first round, repeating the knockout the following year in defense of the title; in the latter fight he also became the inaugural WBC heavyweight champion. Often regarded as one of the greatest boxers of all time, Liston was particularly known for his immense strength, formidable jab, long reach, toughness, and is widely regarded as the most intimidating man in the history of the sport.

<span class="mw-page-title-main">Stanley Ketchel</span> American boxer

Stanisław Kiecal, better known in the boxing world as Stanley Ketchel, was an American professional boxer who became one of the greatest World Middleweight Champions in history. He was nicknamed "The Michigan Assassin." He was murdered at a ranch in Conway, Missouri, at the age of 24.

<span class="mw-page-title-main">Sam Langford</span> Canadian boxer (1886–1956)

Samuel Edgar Langford, known as the Boston Tar Baby, Boston Terror and Boston Bonecrusher, was a Black Canadian boxing standout of the early part of the 20th century. Called the "Greatest Fighter Nobody Knows", by ESPN, Langford is considered by many boxing historians to be one of the greatest fighters of all time. Originally from Weymouth Falls, a small community in Nova Scotia, he was known as "The Boston Bonecrusher", "The Boston Terror", and his most famous nickname, "The Boston Tar Baby". Langford stood 5 ft 6+12 in (1.69 m) and weighed 185 lb (84 kg) in his prime. He fought from lightweight to heavyweight and defeated many world champions and legends of the time in each weight class. Considered a devastating puncher even at heavyweight, Langford was rated No. 2 by The Ring on their list of "100 greatest punchers of all time". One boxing historian described Langford as "experienced as a heavyweight James Toney with the punching power of Mike Tyson".

<span class="mw-page-title-main">Muhammad Ali vs. Sonny Liston</span> Boxing competition

The two fights between Muhammad Ali and Sonny Liston for boxing's World Heavyweight Championship were among the most controversial fights in the sport's history. Sports Illustrated magazine named their first meeting, the Liston–Clay fight, as the fourth greatest sports moment of the twentieth century.

"The Killers" is a short story by Ernest Hemingway, first published in Scribner's Magazine in 1927 and later republished in Men Without Women,Snows of Kilimanjaro, and The Nick Adams Stories. Set in 1920s Summit, Illinois, the story follows recurring Hemingway character Nick Adams as he has a run-in with a pair of hitmen, who are seeking to kill a boxer, in a local restaurant.

<span class="mw-page-title-main">Joe Gans</span> American boxer

Joe Gans was an American professional boxer. Gans was rated the greatest lightweight boxer of all-time by boxing historian and Ring Magazine founder, Nat Fleischer. Known as the "Old Master", he became the first African-American world boxing champion of the 20th century, reigning continuously as world lightweight champion from 1902 to 1908, defending the title 15 times versus 13 boxers. He was inducted into the International Boxing Hall of Fame in 1990.

<span class="mw-page-title-main">Battling Siki</span> Senegalese boxer

Louis Mbarick Fall, known as Battling Siki, was a Senegalese light heavyweight boxer born in Senegal who fought from 1912 to 1925, and briefly reigned as the World light heavyweight champion after knocking out Georges Carpentier.

<span class="mw-page-title-main">Jack Britton</span> American boxer (1885–1962)

Jack Britton was an American boxer who was the first three-time world welterweight boxing champion. Born William J. Breslin in Clinton, New York, his professional career lasted for 25 years beginning in 1905. He holds the world record for the number of title bouts fought in a career with 37, many against his arch-rival Ted "Kid" Lewis, against whom he fought 20 times. Statistical boxing website BoxRec lists Britton as the No. 6 ranked welterweight of all time while The Ring Magazine founder Nat Fleischer placed him at No. 3. He was inducted into the Ring Magazine Hall of Fame in 1960 and the International Boxing Hall of Fame as a first-class member in 1990.

<i>The Harder They Fall</i> (1956 film) American boxing film noir by Mark Robson

The Harder They Fall is a 1956 American boxing film noir directed by Mark Robson with a screenplay by Philip Yordan, based on Budd Schulberg's 1947 novel. It was Humphrey Bogart's final film role. It received an Oscar nomination for Best Cinematography, Black and White for Burnett Guffey at the 29th Academy Awards.

To Have and Have Not is a 1944 American romantic war adventure film directed by Howard Hawks, loosely based on Ernest Hemingway's 1937 novel of the same name. It stars Humphrey Bogart, Walter Brennan and Lauren Bacall; it also features Dolores Moran, Hoagy Carmichael, Sheldon Leonard, Dan Seymour, and Marcel Dalio. The plot, centered on the romance between a freelancing fisherman in Martinique and a beautiful American drifter, is complicated by the growing French resistance in Vichy France.

<i>The Prizefighter and the Lady</i> 1933 film by Howard Hawks, W. S. Van Dyke

The Prizefighter and the Lady is a 1933 pre-Code Metro-Goldwyn-Mayer romance film starring Myrna Loy and the professional boxers Max Baer, Primo Carnera, and Jack Dempsey. The film was adapted for the screen by John Lee Mahin and John Meehan from a story by Frances Marion. Marion was nominated for an Academy Award for Best Writing, Original Story.

<i>Men Without Women</i> (short story collection) Book by Ernest Hemingway

Men Without Women (1927) is the second collection of short stories written by American author Ernest Hemingway. The volume consists of 14 stories, 10 of which had been previously published in magazines. It was published in October 1927, with a first print-run of approximately 7600 copies at $2.

<i>Dateline: Toronto</i> Posthumous collection of Ernest Hemingways journalism

Dateline: Toronto is a collection of most of the stories that Ernest Hemingway wrote as a stringer and later staff writer and foreign correspondent for the Toronto Star between 1920 and 1924. The stories were written while he was in his early 20s before he became well-known, and show his development as a writer. The collection was edited by William White, a professor of English literature and journalism at Wayne State University, and a regular contributor to The Hemingway Review.

<span class="mw-page-title-main">Rube Ferns</span> American boxer

Rube Ferns was an American boxer of the early 20th century. Nicknamed "The Kansas Rube", he held the World Welterweight Championship in 1900 and 1901. He was formidable and scrappy with a good punch.

<span class="mw-page-title-main">Dixie Kid</span> American boxer (1883–1934)

Aaron Lister Brown, known professionally as the Dixie Kid, was an American boxer. He was a controversial contender for the World Welterweight Boxing Championship in April 1904.

<span class="mw-page-title-main">Out of Season (short story)</span> Short story by Ernest Hemingway

"Out of Season" is a short story written by Ernest Hemingway, first published in 1923 in Paris in the privately printed book, Three Stories and Ten Poems. It was included in his next collection of stories, In Our Time, published in New York in 1925 by Boni & Liveright. Set in Cortina d'Ampezzo, Italy, the story is about an expatriate American husband and wife who spend the day fishing, with a local guide. Critical attention focuses chiefly on its autobiographical elements and on Hemingway's claim that it was his first attempt at using the "theory of omission".

Jonathan "Jack" Murdock is a fictional character appearing in American comic books published by Marvel Comics. He was a professional championship Boxer in his day; as well as being the father of Matthew "Matt" Murdock (Daredevil) and his magically created twin brother Michael "Mike" Murdock, and the ex-husband of Maggie Murdock. Jack Murdock was murdered because of the local gangster, The Fixer's men when he refused to throw a fight for him in front of his son Matt, while Jack was working for The Fixer at the time as one of thugs in secret. After his Father is murdered, it inspires Matt to use hyper sense powers along with his Martial Arts training to avenge his father's murder as the Superhero Daredevil. Jack Murdock was created by writer-editor Stan Lee and artist Bill Everett. The character first appeared in Daredevil #1.

<i>Today is Friday</i>

Today is Friday is a short, one act play by Ernest Hemingway. The play was first published in pamphlet form in 1926 but became more widely known through its subsequent publication in Hemingway's 1927 short story collection, Men Without Women. The play is a representation of the aftermath of the crucifixion of Jesus, in the form of a conversation between three Roman Soldiers and a Hebrew bartender. It is one of the few dramatic works written by Hemingway.

References

  1. 1 2 3 4 5 6 7 8 Hemingway, Ernest (1987). The Complete Short Stories of Ernest Hemingway: The Finca Vigía Edition. New York: Charles Scribner's Sons.
  2. 1 2 3 4 5 Weeks, Robert P. "Wise-Guy Narrator and Trickster Out-Tricked in Hemingway’s 'Fifty Grand.'" New Critical Approaches to the Short Stories of Ernest Hemingway by Jackson J. Benson. 1990, Duke University Press.
  3. 1 2 3 4 5 6 Martine, James J. (September 1971). ""Fifty Grand": The Other Fight(s)". Journal of Modern Literature. 2 (1): 123–127. JSTOR   30053179.
  4. 1 2 3 4 Bruccoli, Matthew J. (1978). Scott and Ernest: The Authority of Failure and the Authority of Success. New York: Random House.
  5. 1 2 3 Davies, Philip G. and Rosemary R. (November 1965). "Hemingway's 'Fifty Grand' and the Jack Britton–Mickey Walker Prize Fight". American Literature. 37 (3): 251–258. doi:10.2307/2923257. JSTOR   2923257.
  6. 1 2 Fenton, Charles A. (Winter 1952). "No Money for the Kingbird: Hemingway's Prizefight Stories". American Quarterly. 4 (4): 339–350. doi:10.2307/3031418. JSTOR   3031418.
  7. 1 2 Meunier, Cassandre (Autumn 2007). "The Values of Silence in "Fifty Grand," "A Day's Wait," and "Nobody Ever Dies"". Journal of the Short Story in English. 49. Retrieved February 12, 2011.
  8. Rovit, Earl (1963). Ernest Hemingway . New York. ISBN   9780805703641.{{cite book}}: CS1 maint: location missing publisher (link)
  9. Tackach, James (6 May 2000). "Whose Fix is it, Anyway?: A Closer Look at Hemingway's 'Fifty Grand'". Feinstein College of Arts & Sciences Faculty Papers: 113–117.
  10. Long, Ray - editor. (1932). "Why Editors Go Wrong: 'Fifty Grand' by Ernest Hemingway", 20 Best Stories in Ray Long's 20 Years as an Editor. New York: Crown Publishers. 1-3
  11. Weeks, Robert P., ed. Hemingway: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1962. Print.
  12. Hemingway, Ernest (May 1929). "Valentine". Little Review. XII: 42.
  13. 1 2 Bryer, Jackson R., ed. "Fifteen Modern American Authors: A Survey of Research and Criticism". Durham, N.C.: Duke University Press, 1969. Print.

Fifty Grand