Nap (fabric)

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A cloth with a nap Velours pourpre.jpg
A cloth with a nap

Primarily, nap is the raised (fuzzy) surface on certain kinds of cloth, such as velvet or moleskin. Nap can refer additionally to other surfaces that look like the surface of a napped cloth, such as the surface of a felt or beaver hat.

Contents

Starting around the 14th century, the word referred originally to the roughness of woven cloth before it was sheared. [1] [2] When cloth, especially woollen cloth, is woven, the surface of the cloth is not smooth, and this roughness is the nap. Generally the cloth is then "sheared" to create an even surface, and the nap is thus removed. A person who trimmed the surface of cloth with shears to remove any excess nap was known as a shearman. [3]

Nap typically has a direction in which it feels smoothest. In garments, nap direction is often matched across seams, because cloth will not only feel but look different depending on the direction of the nap. For this reason, sewing patterns frequently show the nap direction, or warn that more fabric will be needed if the fabric has a nap.

Piled nap

Since the 15th century, the term nap has generally referred to a special pile given to the cloth. [2] The term pile refers to raised fibres that are there on purpose, rather than as a by-product of producing the cloth. [4] In this case, the nap is woven into the cloth, often by weaving loops into the fabric, which can then be cut or left intact. Carpets, rugs, velvet, velour, and velveteen, are made by interlacing a secondary yarn through woven cloth, creating a nap or pile.

Raising the nap

Cloth worker using a teasel frame to raise the nap on a piece of cloth, 15th century stained-glass window, Notre Dame de Semur-en-Auxois, France. TeaselFrame 15thC StainedGlass NotreDame Semur-en-Auxois.png
Cloth worker using a teasel frame to raise the nap on a piece of cloth, 15th century stained-glass window, Notre Dame de Semur-en-Auxois, France.

In the finishing process of manufacturing textiles, after the cloth is woven, it goes through processes such as washing, fulling, raising the nap and trimming the nap. After the nap is trimmed, the fabric is considered finished. The raising process, which draws out the ends of the fibres, is done on both woollen and cotton fabric. [5] Flannelette is a cotton fabric that goes through this process. There are ways to 'raise the nap', most of which involve wire brushes such as raising cards. Originally, dried teasel pods were used and were still preferred for use on woollen cloth for a long time. [5] [6] Woollen fabrics, which must be damp when raising the nap, are then dried and stretched before the nap is trimmed or sheared. Cotton cloth goes straight to the shearing process, where the nap gets trimmed to ensure that all the raised fibres are the same length. [5]

Sueding and emerizing

Fabric sueding is carried out on a sueding machine with abrasive covered rollers; the machines can suede both sides of fabric, whether woven or knitted. [7] Creasing and variations in the center selvedge are two major concerns with sueded fabrics. [8] Fabrics that have been sueded or emerized are known as 'sueded fabrics' or 'emerized fabrics.' [9] [10] [11]

Sueding

Sueding is a mechanical finishing process that exposes the material to an abrasive surface, creating a small, soft pile. The abrasion mechanism may be equipped with sandpaper, emery paper or carbon brushes. [9] [10]

Sueding action

The abrasive material on the machine's rollers cuts and shreds surface fibres, resulting in a soft texture with a short pile. [12]

Trademarked sueded fabrics

Alcantara and Ultrasuede are trademarked names for a plush microfiber with a feel resembling soft suede; this type of material is more durable and resistant to liquids and stains, and can be used in upholstery, accessories, clothing or shoes. [13] [14]

See also

Related Research Articles

<span class="mw-page-title-main">Velvet</span> Type of pile fabric

Velvet is a type of woven fabric with a dense, even pile that gives it a distinctive soft feel. By extension, the word velvety means "smooth like velvet". Historically, velvet was typically made from silk. Today, velvet can be made from silk, linen, cotton, wool, synthetic fibers, silk-cotton blends, or synthetic-natural fiber blends.

<span class="mw-page-title-main">Worsted</span> Fabrics manufactured from worsted yarns

Worsted is a high-quality type of wool yarn, the fabric made from this yarn, and a yarn weight category. The name derives from Worstead, a village in the English county of Norfolk. That village, together with North Walsham and Aylsham, formed a manufacturing centre for yarn and cloth in the 12th century, when pasture enclosure and liming rendered the East Anglian soil too rich for the older agrarian sheep breeds. In the same period, many weavers from the County of Flanders moved to Norfolk. "Worsted" yarns/fabrics are distinct from woollens : the former is considered stronger, finer, smoother, and harder than the latter.

<span class="mw-page-title-main">Carding</span> Process that disentangles, cleans and intermixes fibres

Carding is a mechanical process that disentangles, cleans and intermixes fibres to produce a continuous web or sliver suitable for subsequent processing. This is achieved by passing the fibres between differentially moving surfaces covered with "card clothing", a firm flexible material embedded with metal pins. It breaks up locks and unorganised clumps of fibre and then aligns the individual fibres to be parallel with each other. In preparing wool fibre for spinning, carding is the step that comes after teasing.

Woolen or woollen is a type of yarn made from carded wool. Woolen yarn is soft, light, stretchy, and full of air. It is thus a good insulator, and makes a good knitting yarn. Woolen yarn is in contrast to worsted yarn, in which the fibers are combed to lie parallel rather than carded, producing a hard, strong yarn.

<span class="mw-page-title-main">Moleskin</span> Heavy, strong, napped or sheared cotton fabric with a suede-like finish

Moleskin is a heavy cotton fabric, woven and then shorn to create a short, soft pile on one side. The feel and appearance of its nap is suede-like, less plush than velour and more like felt or chamois. The word is also used for clothing made from this fabric. Clothing made from moleskin is noted for its softness and durability. Some variants of the cloth are so densely woven as to be windproof.

<span class="mw-page-title-main">Microfiber</span> Synthetic fiber

Microfibre is synthetic fibre finer than one denier or decitex/thread, having a diameter of less than ten micrometers.

<span class="mw-page-title-main">Flannel</span> Soft woven fabric with a lightly napped surface

Flannel is a soft woven fabric, of varying fineness. Flannel was originally made from carded wool or worsted yarn, but is now often made from either wool, cotton, or synthetic fiber. Flannel is commonly used to make tartan clothing, blankets, bed sheets, sleepwear, and several other uses.

<span class="mw-page-title-main">Bathrobe</span> Loose, informal garment worn after bathing or at home

A bathrobe, also known as a housecoat or a dressing gown, is a loose-fitting outer garment worn by people, often after washing the body or around a pool. A bathrobe is considered to be very informal clothing, and is not worn with everyday clothes.

<span class="mw-page-title-main">Fustian</span> Variety of heavy cloth

Fustian is a variety of heavy cloth woven from cotton, chiefly prepared for menswear.

<span class="mw-page-title-main">Textile printing</span> Method for applying patterns to cloth using printing techniques

Textile printing is the process of applying color to fabric in definite patterns or designs. In properly printed fabrics the colour is bonded with the fibre, so as to resist washing and friction. Textile printing is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one colour, whereas in printing one or more colours are applied to it in certain parts only, and in sharply defined patterns.

<span class="mw-page-title-main">Raising card</span>

A raising card is used in the process of gigging, or producing the nap of cloth. Originally, only woolen cloth was raised, but now gigging is used on rayon, silk, and cotton fabrics to create a soft, lustrous nap.

<span class="mw-page-title-main">Tufting</span> Type of textile weaving

Tufting is a type of textile manufacturing in which a thread is inserted on a primary base. It is an ancient technique for making warm garments, especially mittens. After the knitting is done, short U-shaped loops of extra yarn are introduced through the fabric from the outside so that their ends point inwards.

<span class="mw-page-title-main">Alcantara (material)</span> Suede-like synthetic textile

Alcantara is the brand name of a synthetic textile with a soft, suede-like microfibre pile, noted for its durability. Alcantara was developed in the 1970s by Miyoshi Okamoto and initially manufactured by the Italian company Alcantara. The term has an Arabic root and means "the bridge".

The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.

<span class="mw-page-title-main">Frieze (textile)</span> Coarse Medieval woollen, plain weave cloth with a nap on one side

In the history of textiles, frieze is a Middle English term for a coarse woollen, plain weave cloth with a nap on one side. The nap was raised by scrubbing it to raise curls of fibre, and was not shorn after being raised, leaving an uneven surface.

<span class="mw-page-title-main">Finishing (textiles)</span> Manufacturing process

In textile manufacturing, finishing refers to the processes that convert the woven or knitted cloth into a usable material and more specifically to any process performed after dyeing the yarn or fabric to improve the look, performance, or "hand" (feel) of the finish textile or clothing. The precise meaning depends on context.

Textile manufacturing is one of the oldest human activities. The oldest known textiles date back to about 5000 B.C. In order to make textiles, the first requirement is a source of fibre from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving to create cloth. The machine used for weaving is the loom. Cloth is finished by what are described as wet process to become fabric. The fabric may be dyed, printed or decorated by embroidering with coloured yarns.

<span class="mw-page-title-main">Hand feel</span> Feel of the fabrics to the skin or hand

Hand feel is the property of fabrics related to the touch that expresses sensory comfort. It refers to the way fabrics feel against the skin or in the hand and conveys information about the cloth's softness and smoothness. Hand feel is an estimated and subjective property of different fabrics, but nowadays, hand feel could be measured and assessed statistically.

<span class="mw-page-title-main">Gig-mill</span> Machine for raising textiles surface

A gig-mill was type of raising machine that used teasels to produce a nap on cloth. Examples of the results of gigging are woolen fabrics such as chinchilla, beaver cloth, and melton. The process involved gradual teasing of the surface to raise the nap. Spelling in some localities is "Gigg".

Shearing is a kind of mechanical finish in which the appearance of the fabric is enhanced by cutting the loops or raised surface to a uniform and even height. The machine may have a spiral blade similar to a grass cutting machine. A Shearing machine can cut the loop or the pile to a desired level. Shearing was most commonly used to make woolens and worsted materials. It was a part of dry finishing of woolen and worsted goods. Previously, shearing was also a component of gigging or napping; when partially produced goods were exposed to shear in order to improve the impact of gigging or napping, the process was referred to as "cropping."

References

  1. Chisholm, Hugh, ed. (1911). "Nap"  . Encyclopædia Britannica . Vol. 19 (11th ed.). Cambridge University Press. p. 167.
  2. 1 2 "nap". The Oxford English Dictionary. 2nd ed. 1989.
  3. "Last name: Shearman". The Internet Surname Database. 28 January 2015. Retrieved 28 January 2015.
  4. "Pile". The Oxford English Dictionary. 2nd ed. 1989.
  5. 1 2 3 Knecht, Edmund (1911). "Finishing"  . In Chisholm, Hugh (ed.). Encyclopædia Britannica . Vol. 10 (11th ed.). Cambridge University Press. pp. 378–382.
  6. "Teasel". The Oxford English Dictionary. 2nd ed. 1989.
  7. Textile Manufacturer & Knitting World 1977: Iss 1. Textile Manufacturer. 1977. p. 19.
  8. Textile Technology Digest 1996-06: Vol 53. Textile Information Center. 1996. p. 62.
  9. 1 2 Elsasser, Virginia Hencken (2005). Textiles : concepts and principles. New York, NY: Fairchild Publications. p. 231. ISBN   978-1-56367-300-9.
  10. 1 2 A.T.A. Journal. Adsale Publishing Company. 2006. p. 24.
  11. "Definition of SUEDE". www.merriam-webster.com. Retrieved 2021-08-03.
  12. Joseph, Marjory L. (1992). Joseph's introductory textile science. Fort Worth: Harcourt Brace Jovanovich College Publishers. p. 339. ISBN   978-0-03-050723-6.
  13. "Alcantara: sustainability and versatility". Alcantara. Retrieved 2021-08-03.
  14. "The Indian Head Connection - Skinner & Sons | Fabrics.net Fabrics.net" . Retrieved 2021-08-03.