...And They Were Cool | ||||
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Studio album by | ||||
Released | 2013 | |||
Recorded | June 26, 2012 | |||
Studio | Dubway Studios, New York City | |||
Genre | Free jazz | |||
Label | Improvising Beings ib16 | |||
Producer | Ed Pettersen, Julien Palomo | |||
Giuseppi Logan chronology | ||||
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...And They Were Cool is an album by saxophonist Giuseppi Logan. His final release, it was recorded on June 26, 2012, at Dubway Studios in New York City, and was issued in 2013 by Improvising Beings. On the album, Logan is joined by saxophonist and flutist Jessica Lurie, guitarist Ed Pettersen, and double bassist Larry Roland. In 2018, the recording was reissued by Pettersen on CD and as a digital download. [1] [2] [3] [4] [5]
The album, which was funded via Kickstarter, marks Logan's third recorded appearance following decades of homelessness, drug dependency, and mental illness, and was released three years after The Giuseppi Logan Quintet and one year after The Giuseppi Logan Project. [6] [7] [8]
In a review for JazzWord, Ken Waxman stated that the album "contains all the qualities needed to successfully embed a re-discovered player in the present," partly thanks to "properly sympathetic sidemen." He praised the track titled "And Which to Avoid," noting that it "confirms that Logan had regained his aptitude." [9]
Bruce Lee Gallanter of Downtown Music Gallery commented: "Although Mr. Logan has had his many problems, he does sound more focused here playing with three other sympathetic musicians... Mr. Logan sounds relaxed and in great company throughout this entire disc." [10]
Composed by Giuseppi Logan.
Jessica Lurie is an American composer, performance artist and woodwind player, originally hailing from Seattle and now living in Brooklyn, New York.
Giuseppi Logan was a jazz musician, originally from Philadelphia, Pennsylvania, who taught himself to play piano and drums before switching to reeds at the age of 12. At the age of 15 he began playing with Earl Bostic and later studied at the New England Conservatory. In 1964 he relocated to New York and became active in the free jazz scene.
Robin Kenyatta was an American jazz alto saxophonist.
The Night of the Cookers: Live at Club la Marchal, Vols. 1 & 2 are a pair of separate but related live albums by American jazz trumpeter Freddie Hubbard recorded at la Marchal jazz club over Friday and Saturday night, April 9–10, 1965 and released on Blue Note in 1965 and 1966 respectively. The septet features horn section Lee Morgan, James Spaulding, rhythm section Harold Mabern, Jr., Larry Ridley and Pete LaRoca, and percussionist Big Black.
Mixed is a compilation album of two avant-garde jazz sessions featuring performances by the Cecil Taylor Unit and the Roswell Rudd Sextet. The album was released on the Impulse! label in 1998 and collects three performances by Taylor with Archie Shepp, Jimmy Lyons, Henry Grimes and Sunny Murray with Ted Curson and Roswell Rudd added on one track which were originally released under Gil Evans' name on Into the Hot (1961). The remaining tracks feature Rudd with Giuseppi Logan, Lewis Worrell, Charlie Haden, Beaver Harris and Robin Kenyatta and were originally released as Everywhere (1966). Essentially these are the three Cecil Taylor tracks from the "Gil Evans album" teamed with Roswell Rudd's Impulse album Everywhere, in its entirety.
Joe Rigby was an American multi-instrumentalist. Primarily a saxophonist, Rigby is known for his affiliation with the downtown New York jazz community in the late 1970s and his affiliation with Milford Graves as well as for his solo performances.
Alien Huddle is an album by a free improvisation trio consisting of Danish saxophonist Lotte Anker, Swiss pianist Sylvie Courvoisier and Japanese electronic artist Ikue Mori, which was recorded in 2006 and released by Intakt Records. It takes its title from a large wooden sculpture by Martin Puryear. The eleven improvisations are inspired by bird songs. Courvoisier and Mori collaborated in two projects previously: Courvoisier's Lonelyville and the improvising trio Mephista with Susie Ibarra.
Ljubljana is an album by saxophonist Mats Gustafsson and pianist Craig Taborn. It was recorded in concert in 2015 and released two years later by Clean Feed Records.
Michael Blake is a Canadian saxophonist, composer and arranger. Blake is based in New York City where he has led a robust career leading his own bands. As a sideman Michael has performed with Charlie Hunter, The Lounge Lizards, Steven Bernstein/Henry Butler and the Hot 9, Ben Allison and Ray LaMontagne. The New York Times jazz critic Ben Ratliff wrote,"Mr. Blake, on tenor especially, is an endlessly engaging improviser, and an inquisitive one".
The Giuseppi Logan Quartet is an album by American jazz saxophonist Giuseppi Logan, recorded at Bell Sound Studios in 1964 and released in 1965 on the ESP-Disk label. His first recording as leader, it features Logan on alto saxophone, tenor saxophone, Pakistani oboe, bass clarinet, and flute along with pianist Don Pullen, bassist Eddie Gómez, and drummer Milford Graves. Logan had moved to New York City in September 1964, and the recording took place shortly after the October Revolution in Jazz, at which Logan performed, and during which he met ESP-Disk founder Bernard Stollman. According to Logan, the musicians had not played together prior to the recording session.
The Giuseppi Logan Quintet is an album by American jazz saxophonist Giuseppi Logan, recorded in September 2009 and released in 2010 on the Tompkins Square label. The album, which includes five Logan originals and three standards, marks Logan's first recorded appearance following a hiatus of over 40 years, and features two of his collaborators from the 1960s, pianist Dave Burrell and drummer Warren Smith, along with bassist Francois Grillot and trumpeter / bass clarinetist Matt Lavelle.
More is the second album by American jazz saxophonist Giuseppi Logan, recorded in May 1965 and released in 1966 by the ESP-Disk label. The album features Logan on alto saxophone, bass clarinet, flute, and piano along with pianist Don Pullen, bassists Eddie Gómez and Reggie Johnson, and drummer Milford Graves.
Alarm is a live album by saxophonist Peter Brötzmann. It was recorded on November 12, 1981, at NDR Studio 10 in Hamburg, Germany, during the 164th NDR-Jazzworkshop, and was released in 1983 by FMP/Free Music Production. On the album, Brötzmann is joined by saxophonists Willem Breuker and Frank Wright, trumpeter Toshinori Kondo, trombonists Hannes Bauer and Alan Tomlinson, pianist Alexander von Schlippenbach, bassist Harry Miller, and drummer Louis Moholo. In 2006, the album was reissued on CD by Atavistic Records as part of their Unheard Music Series.
Tara's Song is an album by trumpeter Ahmed Abdullah. It was recorded on May 10, 2004, at Loho Studios in New York City, and was released in 2005 by TUM Records. On the album, Abdullah is joined by members of his band Ebonic Tones: saxophonist Alex Harding, violinist Billy Bang, bassist Alex Blake, and drummer Andrei Strobert.
Are We in Diego? is a live album by trombonist Paul Rutherford, saxophonist Ken Vandermark, bassist Torsten Müller, and drummer Dylan van der Schyff. It was recorded on December 10, 2004, at the Ironworks in Vancouver, Canada, and was released in 2018 by WhirrbooM! Records and Catalytic Sound.
Music from Two Continents is a live album by pianist Cecil Taylor on which he is joined by a large ensemble. It was recorded on October 26, 1984, at the Jazz Jamboree festival in Warsaw, Poland, and was released in 2021 by the Polish label Fundacja Słuchaj!. The album was recorded several days after the Milan studio sessions documented on Winged Serpent , and features most of the same musicians.
Stone/Water is a live album by the Peter Brötzmann Chicago Tentet, led by saxophonist Brötzmann, and featuring an ten-piece ensemble. Documenting a performance of a single 39-minute work, it was recorded on May 23, 1999, at the Festival de Musique de Actuelle Victoriaville in Victoriaville, Quebec, Canada, and was released on CD in 2000 by Okka Disk. On the album, Brötzmann is joined by saxophonists Mats Gustafsson and Ken Vandermark, trumpeter and electronic musician Toshinori Kondo, trombonist Jeb Bishop, violinist and cellist Fred Lonberg-Holm, double bassists Kent Kessler and William Parker, and percussionists Hamid Drake and Michael Zerang.
Unreleased 1974–2016 is an album by drummer and electronic musician Tony Oxley. The first three tracks were recorded in 1974, and feature Oxley with trumpeter Dave Holdsworth, trombonist Paul Rutherford, pianist Howard Riley, and bassist Barry Guy. These tracks were remastered and edited into their final form in 2005, 2019, and 2020. Track four, recorded in 1981, is performed by Oxley, saxophonist Larry Stabbins, violinist Phil Wachsmann, pianist Howard Riley, and guitarist Hugh Metcalfe, while the fifth and final track, recorded in 2016, pairs Oxley with percussionist Stefan Hölker. Drawn from Oxley's personal archive of recordings, the album was released in 2022 by Discus Music.
Open is a live album by saxophonist Gerd Dudek, double bassist Buschi Niebergall, and drummer Edward Vesala. It was recorded during April 7–9, 1977, at the Workshop Freie Music held at the Academy of Arts in Berlin, and was initially released on vinyl by the FMP label in 1979. In 2004, Atavistic Records reissued the album on CD as part of their Unheard Music Series.
Vista is an album by saxophonist and flutist Sam Rivers and percussionists Adam Rudolph and Harris Eisenstadt. It was recorded on September 24, 2003, at Clear Lake Recording in Venice, California, and was released in 2004 by Red Records.