1215 in poetry

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List of years in poetry (table)
In literature
1212
1213
1214
1215
1216
1217
1218
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<span class="mw-page-title-main">Troubadour</span> Composer and performer of lyric poetry during the High Middle Ages

A troubadour was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word troubadour is etymologically masculine, a female equivalent is usually called a trobairitz.

Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument.

Occitan literature is a body of texts written in Occitan, mostly in the south of France. It was the first literature in a Romance language and inspired the rise of vernacular literature throughout medieval Europe. Occitan literature's Golden Age was in the 12th century, when a rich and complex body of lyrical poetry was produced by troubadours writing in Old Occitan, which still survives to this day. Although Catalan is considered by some a variety of Occitan, this article will not deal with Catalan literature, which started diverging from its Southern French counterpart in the late 13th century.

<span class="mw-page-title-main">Bernart de Ventadorn</span> French troubadour (c. 1130–40 – c 1190–1200)

Bernart de Ventadorn was a French poet-composer troubadour of the classical age of troubadour poetry. Generally regarded as the most important troubadour in both poetry and music, his 18 extant melodies of 45 known poems in total is the most to survive from any 12th-century troubadour. He is remembered for his mastery as well as popularization of the trobar leu style, and for his prolific cançons, which helped define the genre and establish the "classical" form of courtly love poetry, to be imitated and reproduced throughout the remaining century and a half of troubadour activity.

<span class="mw-page-title-main">Peire Cardenal</span>

Peire Cardenal was a troubadour known for his satirical sirventes and his dislike of the clergy. Ninety-six pieces of his remain, a number rarely matched by other poets of the age.

<i>Trobairitz</i> Occitan female troubadours of the 12th and 13th centuries

The trobairitz were Occitan female troubadours of the 12th and 13th centuries, active from around 1170 to approximately 1260. Trobairitz is both singular and plural.

<span class="mw-page-title-main">Peire d'Alvernhe</span> French troubadour

Peire d'Alvernhe or d'Alvernha was an Auvergnat troubadour with twenty-one or twenty-four surviving works. He composed in an "esoteric" and "formally complex" style known as the trobar clus. He stands out as the earliest troubadour mentioned by name in Dante's Divine Comedy.

<span class="mw-page-title-main">Perdigon</span> Early 13th-century French troubadour

Perdigon or Perdigo was a troubadour from Lespéron in the Gévaudan. Fourteen of his works survive, including three cansos with melodies. He was respected and admired by contemporaries, judging by the widespread inclusion of his work in chansonniers and in citations by other troubadours.

A gab or gap is a troubadour boasting song. It is often considered related to the tenso and partimen, two types of debate poem. Sometimes the gab is not considered a separate genre of poetry but simply a boast found within another genre, commonly the sirventes.

<span class="mw-page-title-main">Galician-Portuguese lyric</span> Lyric and poetic movement

In the Middle Ages, the Galician-Portuguese lyric, also known as trovadorismo in Portugal and trobadorismo in Galicia, was a lyric poetic school or movement. All told, there are around 1680 texts in the so-called secular lyric or lírica profana. At the time Galician-Portuguese was the language used in nearly all of Iberia for lyric poetry. From this language derives both modern Galician and Portuguese. The school, which was influenced to some extent by the Occitan troubadours, is first documented at the end of the twelfth century and lasted until the middle of the fourteenth, with its zenith coming in the middle of the thirteenth century, centered on the person of Alfonso X, The Wise King. It is the earliest known poetic movement in Galicia or Portugal and represents not only the beginnings of but one of the high points of poetic history in both countries and in Medieval Europe. Modern Galicia has seen a revival movement called neotrobadorismo.

<span class="mw-page-title-main">Consistori del Gay Saber</span> Poetic academy

The Consistori del Gay Saber was a poetic academy founded at Toulouse in 1323 to revive and perpetuate the lyric poetry of the troubadours.

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.