The 15th Rome Quadriennale or XV Rome Quadriennale (Italian pronunciation: Quindicesima Quadriennale di Roma) is an Italian art exhibition (the 15th edition of the Rome Quadrennial) held between 19 June and 14 September 2008 at its historical site, the Palazzo delle Esposizioni of Rome, Italy.
The exhibition has no thematic restrictions [1] and originates with the aim of documenting a situation in evolution, by mapping out a panorama of contemporary Italian art of the two decades preceding 2008.
The 15ª Q, as it is called on the cover of the catalogue [2] and on the publicity materials connected to the manifestation, cost about two million euro [3] and had some 30,000 visitors during the 76 days that it was open.
The aim of the exhibition is to trace out a map of the main results of the artistic research conducted in Italy during the two decades prior to 2008 as well as of the experiences considered representative of that period, devoting particular attention to the artists in the middle of their careers and the younger ones, indicative of the possible future evolution of the Italian artistic panorama. The exhibition registers the different tendencies of contemporary art in which conceptual art, minimalism, and the various tendencies of the pictorial and photographic image are confronted in a further attempt to identify the possible singularities of the Italian situation in the international system of art. [4]
Ninety-nine artists have been invited, each with a single recent work, in many cases created for the occasion. Painting, photography, video art, sculpture, installations and net art are the expressions that have been adopted in the exhibition in proportions that are not homogeneous. The artists participating have an average age of forty-five years, one-quarter of them are under thirty-five and a third are women. [5]
The XV Rome Quadrennial has been dedicated to the memory of Luciano Fabro: his sculpture Autunno (Autumn), exhibited here for the first time, opens the exhibition in the Sala della Rotonda of Palazzo delle Esposizioni.
During the exhibition period, the educational services of the Palazzo delle Esposizioni, in collaboration with the Faculty of Letters and Philosophy of the Sapienza University of Rome, have organized meetings between the artists and the public in the sphere of thematic visits. [6]
A committee of curators and art historians, composed of Chiara Bertola, Lorenzo Canova, Bruno Corà, Daniela Lancioni and Claudio Spadoni, is responsible for the critical installation of the exhibition as well as the choice of artists to invite to participate. The itinerary of the exhibition extends over 3,000 square metres on the three levels of Palazzo delle Esposizioni, Giulio Turchetta has organized the installation. [7]
The following artists were featured at the 15th Rome Quadriennale:
For the first time in the history of the Rome Quadrennial, the jury, composed of Suzanne Pagé, Director of the Foundation Louis-Vuitton, Gerald Matt, Director of the Kunsthalle of Vienna and Vicente Todolí, Director of the Tate Modern of London, is not Italian.
On 12 September 2008, the Prize Jury of the XV Quadrennial awarded the Quadrennial Prize (20,000 euro) to Adrian Paci, and the Prize for Young Art (10,000 euro) to Deborah Ligorio. [8] Both Adrian Paci and Deborah Ligorio have participated with video art works. [9]
A career prize (a gold medal) was awarded to Maurizio Cattelan. [10] On 24 March 2009, at the MAXXI of Rome, [11] [12] the singer Elio of the Elio e le Storie Tese, who announced that he was the real Cattelan, came to receive the prize, making witty remarks and answering questions from Francesco Prosperetti, Anna Mattirolo, Gino Agnese, Stefano Chiodi, Andrea Cortellessa, Cornelia Lauf and the public that was present. [13]
The exhibition is documented by a catalogue of the works of 320 pages published by Marsilio. [2] The volume opens with critical essays by Chiara Bertola, Lorenzo Canova, Bruno Corà, Daniela Lancioni and Claudio Spadoni. [14]
Along the itinerary of the exhibition, it is possible to consult a tactile screen with images of the works and entries about the artists edited by Paola Bonani for the Quadriennale Foundation. [15]
During the 15th Quadriennale, a documentary exhibition of the history of the Quadrennial of Rome has been installed in the Spazio Fontana of Palazzo delle Esposizioni. This exhibition has been organized by the Archive of the Quadriennale Foundation in collaboration with the Istituto Luce and RAI Teche.
Maurizio Cattelan is an Italian visual artist. Known primarily for his hyperrealistic sculptures and installations, Cattelan's practice also includes curating and publishing. His satirical approach to art has resulted in him being frequently labelled as a joker or prankster of the art world. Self-taught as an artist, Cattelan has exhibited internationally in museums and Biennials. Maurizio Cattelan created his most important works of art at Viale Bligny 42 in Milan, where he lived for many years.
Luciano Fabro was an Italian sculptor, conceptual artist and writer associated with the Arte Povera movement.
The Palazzo delle Esposizioni is a neoclassical exhibition hall, cultural center and museum on Via Nazionale in Rome, Italy.
The Rome Quadriennale is the Italian national institution entrusted with the task of researching about and promoting Italian contemporary art. It is a foundation participated by the Italian Ministry of Culture.
Francesco Poli is an Italian art critic and curator. He teaches History of Contemporary Art at the Academy of Fine Arts of Brera. He is also "chargé de cours" at University of Paris 8 and teaches Art and Communication at the University of Turin.
Enrico Del Debbio was an Italian architect and university professor.
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Paolo Consorti is an Italian artist and film director.
Bruno Ceccobelli is an Italian painter and sculptor. He currently resides and works in Todi, Italy. Ceccobelli was one of the six artists of the Nuova Scuola Romana or Scuola di San Lorenzo, an artistic movement that grew out of the Arte Povera and Transavanguardia movements of the latter twentieth century.
Benedetta Cappa was an Italian futurist artist who has had retrospectives at the Walker Art Center and the Solomon R. Guggenheim Museum. Her work fits within the second phase of Italian Futurism.
Gianni Berengo Gardin is an Italian photographer who has concentrated on reportage and editorial work, but whose career as a photographer has encompassed book illustration and advertising.
Enrico Crispolti was an Italian art critic, curator and art historian. From 1984 to 2005, he was professor of history of contemporary art at the Università degli Studi di Siena, and director of the school of specialisation in art history. He previously taught at the Accademia di Belle Arti in Rome (1966–1973) and at the Università degli Studi di Salerno (1973–1984). He was author of the catalogues raisonnés of the works of Enrico Baj, Lucio Fontana and Renato Guttuso. He died in Rome on 8 December 2018.
Hercules Strangling the Nemean Lion is a bronze sculpture located in the Piazza Ognissanti, overlooking the River Arno in Florence, Italy.
Minya Mikic is an Italian artist, painter, and graphic designer. She lives and works between Rome and Zurich and regularly exhibits her work in Europe and New York.
Giorgio Di Genova was an Italian art historian, critic, and curator, mostly known for being the author of History of Italian Art of the Twentieth Century.
Gabriele Patriarca was an Italian informal painter and member of the art movement Scuola Romana.
Michele Guerrisi was an Italian sculptor, painter and writer.