1601 in art

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List of years in art (table)
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Events from the year 1601 in art.

Events

Paintings

Births

Deaths

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<span class="mw-page-title-main">Annibale Carracci</span> Bolognese painter (1560–1609)

Annibale Carracci was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.

Events from the year 1595 in art.

<span class="mw-page-title-main">Giacomo Cavedone</span> Italian painter (1577–1660)

Giacomo Cavedone was an Italian Baroque painter of the Bolognese School.

<i>Conversion on the Way to Damascus</i> Painting by Caravaggio

The Conversion on the Way to Damascus is a work by Caravaggio, painted in 1601 for the Cerasi Chapel of the church of Santa Maria del Popolo, in Rome. Across the chapel is a second Caravaggio depicting the Crucifixion of Saint Peter. On the altar between the two is the Assumption of the Virgin Mary by Annibale Carracci.

<i>Crucifixion of Saint Peter</i> (Caravaggio) Painting by Caravaggio

The Crucifixion of Saint Peter is a work by Michelangelo Merisi da Caravaggio, painted in 1601 for the Cerasi Chapel of Santa Maria del Popolo in Rome. Across the chapel is a second Caravaggio work depicting the Conversion of Saint Paul on the Road to Damascus (1601). On the altar between the two is the Assumption of the Virgin Mary by Annibale Carracci.

<span class="mw-page-title-main">Cerasi Chapel</span> Side chapel of the Basilica of Santa Maria del Popolo in Rome

The Cerasi Chapel or Chapel of the Assumption is one of the side chapels in the left transept of the Basilica of Santa Maria del Popolo in Rome. It contains significant paintings by Michelangelo Merisi da Caravaggio and Annibale Carracci, two of the most important masters of Italian Baroque art, dating from 1600 to 1601.

<span class="mw-page-title-main">1592 in art</span> Overview of the events of 1592 in art

Events from the year 1592 in art.

Events from the year 1606 in art.

Events from the year 1602 in art.

Events from the year 1624 in art.

Events from the year 1594 in art.

Events from the year 1609 in art.

Events from the year 1596 in art.

Events from the year 1604 in art.

Events from the year 1607 in art.

Events from the year 1590 in art.

Events from the year 1583 in art.

Events from the year 1584 in art.

<span class="mw-page-title-main">Italian Baroque art</span> Italian art movement

Italian Baroque art is a term that is used here to refer to Italian painting and sculpture in the Baroque manner executed over a period that extended from the late sixteenth to the mid eighteenth centuries. Italian Baroque architecture is not covered.

<i>Assumption of the Virgin</i> (Cerasi Chapel) Painting by Annibale Carracci (Santa Maria del Popolo, Cappella Cerasi)

The Assumption of the Virgin by Annibale Carracci is the altarpiece of the famous Cerasi Chapel in the church of Santa Maria del Popolo in Rome. The large panel painting was created in 1600–1601. The artwork is somewhat overshadowed by the two more famous paintings of Caravaggio on the side walls of the chapel: The Conversion of Saint Paul on the Road to Damascus and The Crucifixion of Saint Peter. Both painters were important in the development of Baroque art but the contrast is striking: Carracci's Virgin glows with even light and radiates harmony, while the paintings of Caravaggio are dramatically lit and foreshortened.