1671 in music

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The year 1671 in music involved some significant musical events.

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Events

Classical music

Opera

Births

Deaths

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<span class="mw-page-title-main">Giacomo Antonio Perti</span> Italian composer

Giacomo Antonio Perti was an Italian composer of the Baroque era. He was mainly active at Bologna, where he was Maestro di Cappella for sixty years. He was the teacher of Giuseppe Torelli and Giovanni Battista Martini.

Francesco Onofrio Manfredini was an Italian Baroque composer, violinist, and church musician.

The year 1703 in music involved some significant events.

The year 1699 in music involved some significant events.

The year 1696 in music involved some significant events.

The year 1685 in music involved some significant events.

The year 1688 in music involved some significant events.

The year 1681 in music involved some significant events.

The year 1680 in music involved some significant events.

The year 1677 in music involved some significant events.

The year 1674 in music involved some significant events.

The year 1673 in music involved some significant events.

The year 1672 in music involved some significant events.

The year 1667 in music involved some significant events.

The year 1659 in music involved some significant events.

<span class="mw-page-title-main">Pierre Perrin</span> French poet and librettist

Pierre Perrin was a French poet and librettist.

Angelo Berardi was an Italian music theorist and composer.

<i>Pomone</i> (opera) 1671 Opera by Robert Cambert

Pomone (Pomona) is a pastoral opera in a prologue and five acts by Robert Cambert with a libretto by Pierre Perrin. It has been described as "effectively the first French opera." It was first performed in Paris at the Jeu de Paume de la Bouteille theatre belonging to Cambert and Perrin's Académie d'Opéra on 3 March 1671. The production had ballets choreographed by Des Brosses and sets and machinery designed by Alexandre de Rieux, marquis de Sourdéac. The novelty of the work drew large audiences and the opera enjoyed 146 performances over the eight months of its run. The score of Pomone has only partially survived.

References

  1. Gourret, Jean (1985). Histoire des Salles de l'Opéra de Paris. Paris: Guy Trédaniel. ISBN   978-2-85707-180-8, p. 17.