1708 in architecture

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List of years in architecture (table)
Buildings and structures +...

The year 1708 in architecture involved some significant architectural events and new buildings.

Contents

Events

St Paul's Cathedral, London (with tower of St Augustine Watling Street) St Paul's Cathedral, London, England - Jan 2010 edit.jpg
St Paul's Cathedral, London (with tower of St Augustine Watling Street)

Buildings and structures

Buildings completed

Births

Deaths

Related Research Articles

<span class="mw-page-title-main">Les Invalides</span> Building complex in Paris, France

The Hôtel des Invalides, commonly called Les Invalides, is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and an Old Soldiers' retirement home, the building's original purpose. The buildings house the Musée de l'Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the former hospital chapel, now national cathedral of the French military, and the adjacent former Royal Chapel known as the Dôme des Invalides, the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine of some of France's leading military figures, most notably the tomb of Napoleon.

<span class="mw-page-title-main">Jules Hardouin-Mansart</span> French architect and builder (1646–1708)

Jules Hardouin-Mansart was a French Baroque architect and builder whose major work included the Place des Victoires (1684–1690); Place Vendôme (1690); the domed chapel of Les Invalides (1690), and the Grand Trianon of the Palace of Versailles. His monumental work was designed to glorify the reign of Louis XIV of France.

<span class="mw-page-title-main">Mansard roof</span> Four-sided gambrel-style hip roof

A mansard or mansard roof is a multi-sided gambrel-style hip roof characterised by two slopes on each of its sides, with the lower slope at a steeper angle than the upper, and often punctured by dormer windows. The steep roofline and windows allow for additional floors of habitable space, and reduce the overall height of the roof for a given number of habitable storeys. The upper slope of the roof may not be visible from street level when viewed from close proximity to the building.

<span class="mw-page-title-main">Baroque architecture</span> 16th–18th-century European architectural style

Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia, the Ottoman Empire and the Spanish and Portuguese colonies in Latin America. In about 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe.

<span class="mw-page-title-main">Libéral Bruant</span> French architect

Libéral Bruant was a French architect best known as the designer of the Hôtel des Invalides in Paris. Bruant was the most notable member in a family that produced a long series of architects active from the 16th to the 18th century.

<span class="mw-page-title-main">Louis Le Vau</span> French architect

Louis Le Vau was a French Baroque architect, who worked for Louis XIV of France. He was an architect that helped develop the French Classical style in the 17th century.

<span class="mw-page-title-main">Jacques Lemercier</span> French architect and engineer

Jacques Lemercier was a French architect and engineer, one of the influential trio that included Louis Le Vau and François Mansart who formed the classicizing French Baroque manner, drawing from French traditions of the previous century and current Roman practice the fresh, essentially French synthesis associated with Cardinal Richelieu and Louis XIII.

<span class="mw-page-title-main">Grand Trianon</span> Château in Versailles, France

The Grand Trianon is a French Baroque style château situated in the northwestern part of the Domain of Versailles in Versailles, France. It was built at the request of Louis XIV as a retreat for himself and his maîtresse-en-titre of the time, the Marquise de Montespan, and as a place where he and invited guests could take light meals (collations) away from the strict etiquette of the royal court. The Grand Trianon is set within its own park, which includes the Petit Trianon.

<span class="mw-page-title-main">François Mansart</span> French architect

François Mansart was a French architect credited with introducing classicism into Baroque architecture of France. The Encyclopædia Britannica cites him as the most accomplished of 17th-century French architects whose works "are renowned for their high degree of refinement, subtlety, and elegance".

<span class="mw-page-title-main">Robert de Cotte</span> French architect

Robert de Cotte was a French architect-administrator, under whose design control of the royal buildings of France from 1699, the earliest notes presaging the Rococo style were introduced. First a pupil of Jules Hardouin-Mansart, he later became his brother-in-law and his collaborator. After Hardouin-Mansart's death, de Cotte completed his unfinished projects, notably the royal chapel at Versailles and the Grand Trianon.

<span class="mw-page-title-main">French Baroque architecture</span> Architecture of the Baroque era in France

French Baroque architecture, usually called French classicism, was a style of architecture during the reigns of Louis XIII (1610–1643), Louis XIV (1643–1715) and Louis XV (1715–1774). It was preceded by French Renaissance architecture and Mannerism and was followed in the second half of the 18th century by French Neoclassical architecture. The style was originally inspired by the Italian Baroque architecture style, but, particularly under Louis XIV, it gave greater emphasis to regularity, the colossal order of façades, and the use of colonnades and cupolas, to symbolize the power and grandeur of the King. Notable examples of the style include the Grand Trianon of the Palace of Versailles, and the dome of Les Invalides in Paris. In the final years of Louis XIV and the reign of Louis XV, the colossal orders gradually disappeared, the style became lighter and saw the introduction of wrought iron decoration in rocaille designs. The period also saw the introduction of monumental urban squares in Paris and other cities, notably Place Vendôme and the Place de la Concorde. The style profoundly influenced 18th-century secular architecture throughout Europe; the Palace of Versailles and the French formal garden were copied by other courts all over Europe.

Jean Aubert was a French architect, the most successful of the Régence and designer of two of the most important buildings of the period: the stables of the Château de Chantilly and the Hôtel Biron in Paris. He also created innovative interior designs, the most notable, the separation of private and public spaces for the Palais Bourbon in Paris.

<span class="mw-page-title-main">Académie royale d'architecture</span>

The Académie Royale d'Architecture was a French learned society founded in 1671. It had a leading role in influencing architectural theory and education, not only in France, but throughout Europe and the Americas from the late 17th century to the mid-20th.

<span class="mw-page-title-main">François d'Orbay</span> French architect

François d'Orbay was a French draughtsman and architect who worked closely with Louis Le Vau and Jules Hardouin Mansart.

<span class="mw-page-title-main">InterContinental Marseille Hotel Dieu</span> Hotel in Provence-Alpes-Côte dAzur, France

The InterContinental Marseille – Hotel Dieu is a five-star luxury hotel near the Vieux-Port area of Marseille, France. Housed in the Hôtel-Dieu de Marseille building, which served as the city's primary hospital (Hôtel-Dieu) for over eight hundred years, the hotel opened on April 25, 2013, in conjunction with the ongoing Euroméditerranée project. The hotel is part of the InterContinental hotel chain, and it is the fourth InterContinental property in France.

Jacques Hardouin-Mansart de Sagonne was a French architect. He was the illegitimate son of Jacques Hardouin-Mansart, comte de Sagonne, by his mistress Madeleine Duguesny - Jacques and Madeleine married in 1726. Jacques junior's elder brother was the architect Jean Mansart de Jouy (1705-1783), whilst he was also the grandson of Jules Hardouin-Mansart, great-great-great nephew of François Mansart and great-nephew of Robert de Cotte.

Jean Mansart de Jouy was a French architect. He was also known as Mansart the Elder.

<span class="mw-page-title-main">Louis XIV style</span> Style of Louis XIV period; baroque style with classical elements

The Louis XIV style or Louis Quatorze, also called French classicism, was the style of architecture and decorative arts intended to glorify King Louis XIV and his reign. It featured majesty, harmony and regularity. It became the official style during the reign of Louis XIV (1643–1715), imposed upon artists by the newly established Académie royale de peinture et de sculpture and the Académie royale d'architecture. It had an important influence upon the architecture of other European monarchs, from Frederick the Great of Prussia to Peter the Great of Russia. Major architects of the period included François Mansart, Jules Hardouin-Mansart, Robert de Cotte, Pierre Le Muet, Claude Perrault, and Louis Le Vau. Major monuments included the Palace of Versailles, the Grand Trianon at Versailles, and the Church of Les Invalides (1675–1691).

References

  1. Campbell, James W. P. (2007). Building St Paul's. London: Thames and Hudson. ISBN   978-0-500-34244-2. p. 161.