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The year 1701 in architecture involved some significant events.
1701 (MDCCI) was a common year starting on Saturday of the Gregorian calendar and a common year starting on Wednesday of the Julian calendar, the 1701st year of the Common Era (CE) and Anno Domini (AD) designations, the 701st year of the 2nd millennium, the 1st year of the 18th century, and the 2nd year of the 1700s decade. As of the start of 1701, the Gregorian calendar was 11 days ahead of the Julian calendar, which remained in localized use until 1923.
Nicholas Hawksmoor was an English architect. He was a leading figure of the English Baroque style of architecture in the late-seventeenth and early-eighteenth centuries. Hawksmoor worked alongside the principal architects of the time, Christopher Wren and John Vanbrugh, and contributed to the design of some of the most notable buildings of the period, including St Paul's Cathedral, Wren's City of London churches, Greenwich Hospital, Blenheim Palace and Castle Howard. Part of his work has been correctly attributed to him only relatively recently, and his influence has reached several poets and authors of the twentieth century.
Sir John Vanbrugh was an English architect, dramatist and herald, perhaps best known as the designer of Blenheim Palace and Castle Howard. He wrote two argumentative and outspoken Restoration comedies, The Relapse (1696) and The Provoked Wife (1697), which have become enduring stage favourites but originally occasioned much controversy. He was knighted in 1714.
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia, the Ottoman Empire and the Spanish and Portuguese colonies in Latin America. In about 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe.
This is a timeline of architecture, indexing the individual year in architecture pages. Notable events in architecture and related disciplines including structural engineering, landscape architecture, and city planning. One significant architectural achievement is listed for each year.
The year 1764 in architecture involved some significant events.
The year 1763 in architecture involved some significant architectural events and new buildings.
The year 1774 in architecture involved some significant events.
The year 1754 in architecture involved some significant events.
Neoclassical architecture, sometimes referred to as Classical Revival architecture, is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy, France and Germany. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer, more complete, and more authentic classical style, adapted to modern purposes.
The year 1712 in architecture involved some significant events.
The year 1699 in architecture involved some significant architectural events and new buildings.
The year 1704 in architecture involved some significant events.
English Baroque is a term used to refer to modes of English architecture that paralleled Baroque architecture in continental Europe between the Great Fire of London (1666) and roughly 1720, when the flamboyant and dramatic qualities of Baroque art were abandoned in favour of the more chaste, rule-based Neo-classical forms espoused by the proponents of Palladianism.
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