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The year 1712 in architecture involved some significant events.
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The year 1712 in architecture involved some significant events.
Georgian architecture is the name given in most English-speaking countries to the set of architectural styles current between 1714 and 1830. It is named after the first four British monarchs of the House of Hanover—George I, George II, George III, and George IV—who reigned in continuous succession from August 1714 to June 1830. The style was revived in the late 19th century in the United States as Colonial Revival architecture and in the early 20th century in Great Britain as Neo-Georgian architecture; in both it is also called Georgian Revival architecture. In the United States the term "Georgian" is generally used to describe all buildings from the period, regardless of style; in Britain it is generally restricted to buildings that are "architectural in intention", and have stylistic characteristics that are typical of the period, though that covers a wide range.
John Nash was one of the foremost British architects of the Regency and Georgian eras, during which he was responsible for the design, in the neoclassical and picturesque styles, of many important areas of London. His designs were financed by the Prince Regent, and by the era's most successful property developer, James Burton, with whose son Decimus Burton he collaborated extensively.
Sir William Chambers was a Scottish-Swedish architect, based in London. Among his best-known works are Somerset House, London, and the pagoda at Kew. Chambers was a founder member of the Royal Academy.
Inigo Jones was the first significant English architect in the early modern period, and the first to employ Vitruvian rules of proportion and symmetry in his buildings. As the most notable architect in England, Jones was the first person to introduce the classical architecture of Rome and the Italian Renaissance to Britain. He left his mark on London by his design of single buildings, such as the Queen's House which is the first building in England designed in a pure classical style, and the Banqueting House, Whitehall, as well as the layout for Covent Garden square which became a model for future developments in the West End. He made major contributions to stage design by his work as theatrical designer for several dozen masques, most by royal command and many in collaboration with Ben Jonson.
Regency architecture encompasses classical buildings built in the United Kingdom during the Regency era in the early 19th century when George IV was Prince Regent, and also to earlier and later buildings following the same style. The period coincides with the Biedermeier style in the German-speaking lands, Federal style in the United States and the French Empire style. Regency style is also applied to interior design and decorative arts of the period, typified by elegant furniture and vertically striped wallpaper, and to styles of clothing; for men, as typified by the dandy Beau Brummell, for women the Empire silhouette.
The year 1976 in architecture involved some significant architectural events and new buildings.
The year 1847 in architecture involved some significant architectural events and new buildings.
James Gibbs was one of Britain's most influential architects. Born in Scotland, he trained as an architect in Rome, and practised mainly in England. He is an important figure whose work spanned the transition between English Baroque architecture and a Georgian architecture heavily influenced by Andrea Palladio. Among his most important works are St Martin-in-the-Fields, the cylindrical, domed Radcliffe Camera at Oxford University, and the Senate House at Cambridge University
Sir John Newenham Summerson was one of the leading British architectural historians of the 20th century.
James Elmes was an English architect, civil engineer, and writer on the arts.
Thomas Archer (1668–1743) was an English Baroque architect, whose work is somewhat overshadowed by that of his contemporaries Sir John Vanbrugh and Nicholas Hawksmoor. His buildings are important as the only ones by an English Baroque architect to show evidence of study of contemporary continental, namely Italian, architecture.
Sir Roger Pratt was an English gentleman-architect of the 17th century. He designed only five known buildings, but was highly influential, establishing a particularly English type of house, which was widely imitated. He drew on a range of European influences, and also on the work of Inigo Jones, England's first classical architect. Pratt also served on official commissions, and in 1668 was the first English architect to be knighted for his services.
Hugh May was an English architect in the period after the Restoration of King Charles II. He worked in the era which fell between the first introduction of Palladianism into England by Inigo Jones, and the full flowering of English Baroque under John Vanbrugh and Nicholas Hawksmoor. His own work was influenced by both Jones' work, and by Dutch architecture. Although May's only surviving works are Eltham Lodge, and the east front, stables and chapel at Cornbury House, his designs were influential. Together with his contemporary, Sir Roger Pratt, May was responsible for introducing and popularising an Anglo-Dutch type of house, which was widely imitated.
John Buonarotti Papworth was a British architect, artist and a founder member of the Royal Institute of British Architects.
Isaac Ware was an English architect and translator of Italian Renaissance architect Andrea Palladio.
Nicholas Stone was an English sculptor and architect. In 1619 he was appointed master-mason to James I, and in 1626 to Charles I.
The Parish Church of St Luke, Chelsea, is an Anglican church, on Sydney Street, Chelsea, London SW3, just off the King's Road. Ecclesiastically it is in the Deanery of Chelsea, part of the Diocese of London. It was designed by James Savage in 1819 and is of architectural significance as one of the earliest Gothic Revival churches in London, perhaps the earliest to be a complete new construction. St Luke's is one of the first group of Commissioners' churches, having received a grant of £8,333 towards its construction with money voted by Parliament as a result of the Church Building Act of 1818. The church is recorded in the National Heritage List for England as a designated Grade I listed building. The gardens of St Luke's are Grade II listed on the Register of Historic Parks and Gardens.
The statue of John Betjeman at St Pancras railway station, London is a depiction in bronze by the sculptor Martin Jennings. The statue was designed and cast in 2007 and was unveiled on 12 November 2007 by Betjeman's daughter, Candida Lycett Green and the then Poet Laureate Andrew Motion to commemorate Betjeman and mark the opening of St Pancras International as the London terminus of the Eurostar high-speed rail link between the United Kingdom and Continental Europe. The location memorialises the connection between St Pancras station and Betjeman, an early and lifelong advocate of Victorian architecture.
Ryston Hall, Ryston, Norfolk, England is a 17th century country house built by Sir Roger Pratt for himself. The house was constructed between 1669 and 1672 in the Carolean style. In the late 18th century, John Soane made alterations to the house, and further work on the building was carried out by Anthony Salvin in the mid-19th century. Ryston Hall is a Grade II* listed building.
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