1719 in architecture

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List of years in architecture (table)
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The year 1719 in architecture involved some significant architectural events and new buildings.

Contents

Buildings and structures

Buildings completed

St. Trinitatis, Wolfenbuttel St.-Trinitatiskirche (Wolfenbuttel) IMG 1377.jpg
St. Trinitatis, Wolfenbüttel

Births

Deaths

Related Research Articles

<span class="mw-page-title-main">Rococo</span> 18th-century artistic movement and style

Rococo, less commonly Roccoco, also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement.

<span class="mw-page-title-main">Baroque architecture</span> 16th–18th-century European architectural style

Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia, the Ottoman Empire and the Spanish and Portuguese colonies in Latin America. In about 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe.

This is a timeline of architecture, indexing the individual year in architecture pages. Notable events in architecture and related disciplines including structural engineering, landscape architecture, and city planning. One significant architectural achievement is listed for each year.

The year 1844 in architecture involved some significant architectural events and new buildings.

The year 1861 in architecture involved some significant architectural event and new buildings.

<span class="mw-page-title-main">Petrine Baroque</span> Russian architectural style

Petrine Baroque is a style of 17th and 18th century Baroque architecture and decoration favoured by Peter the Great and employed to design buildings in the newly founded Russian capital, Saint Petersburg, under this monarch and his immediate successors.

<span class="mw-page-title-main">Jean-Baptiste Alexandre Le Blond</span> French architect (1679–1719)

Jean-Baptiste Alexandre Le Blond was a French architect and garden designer who became the chief architect of Saint Petersburg in 1716.

Nicolas Pineau (1684–1754) was a French carver and ornamental designer, one of the leaders who initiated the exuberant style of the French rocaille or Rococo. He worked in St. Petersburg and Paris.

The year 1707 in architecture involved some significant events and new architectural works.

The year 1716 in architecture involved some significant architectural events and new buildings.

<span class="mw-page-title-main">Saint-Roch, Paris</span> Church in Paris, France

The Church of Saint-Roch is a 17th–18th-century French Baroque and classical style church in Paris, dedicated to Saint Roch. It is located at 284 rue Saint-Honoré, in the 1st arrondissement. The current church was built between 1653 and 1740.

<span class="mw-page-title-main">Second Empire style</span> 1865–1880 French architectural and art style

Second Empire style, also known as the Napoleon III style, is a highly eclectic style of architecture and decorative arts originating in the Second French Empire. It was characterized by elements of many different historical styles, and also made innovative use of modern materials, such as iron frameworks and glass skylights. It flourished during the reign of Emperor Napoleon III (1852–1870) and had an important influence on architecture and decoration in the rest of Europe and North America. Major examples of the style include the Opéra Garnier (1862–1871) in Paris by Charles Garnier, the Institut National d'Histoire de l'Art, the Church of Saint Augustine (1860–1871), and the Philadelphia City Hall (1871–1901). The architectural style was closely connected with Haussmann's renovation of Paris carried out during the Second Empire; the new buildings, such as the Opéra, were intended as the focal points of the new boulevards.

<span class="mw-page-title-main">École des Beaux-Arts</span> Influential art schools in France

École des Beaux-Arts refers to a number of influential art schools in France. The term is associated with the Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century.

<span class="mw-page-title-main">Jean Beausire</span>

Jean Beausire was an architect, engineer and fountain-maker and the chief of public works in Paris for King Louis XIV of France and King Louis XV of France between 1684 and 1740, and was the architect of all the public fountains constructed in Paris that period. Several of his fountains still exist and continue to work. Three streets in the 4th arrondissement of Paris today carry his name: Rue Jean-Beausire, Impasse Jean-Beausire, and Passage Jean-Beausire.

<span class="mw-page-title-main">Baroque garden</span>

The Baroque garden was a style of garden based upon symmetry and the principle of imposing order on nature. The style originated in the late-16th century in Italy, in the gardens of the Vatican and the Villa Borghese gardens in Rome and in the gardens of the Villa d'Este in Tivoli, and then spread to France, where it became known as the jardin à la française or French formal garden. The grandest example is found in the Gardens of Versailles designed during the 17th century by the landscape architect André Le Nôtre for Louis XIV. In the 18th century, in imitation of Versailles, very ornate Baroque gardens were built in other parts of Europe, including Germany, Austria, Spain, and in Saint Petersburg, Russia. In the mid-18th century the style was replaced by the less geometric and more natural English landscape garden.

Events from the year 1719 in France

References

  1. Olga Medvedkova, Jean-Baptiste Alexandre Le Blond, architecte 1679–1719 – De Paris à Saint-Pétersbourg, – 359 s., Paris, Alain Baudry & Cie, 2007, ISBN   978-2-9528617-0-0
  2. Harris, John, William Talman: Maverick Architect. London, Allen and Unwin. 1982. Studies in Architecture, 2.