The Australian Film Institute Award for Best Children's Television Drama is awarded annually by the Australian Film Institute as part of the awards in television for excellence in children's drama. The award commenced in 1991 and in 2009 an additional category for Best Children's Television Animation was awarded. [1]
Year | Winner | Episode | Recipient(s) | Network | Other nominees |
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1991 | Round the Twist | "Wunderpants" | Antonia Barnard | Seven Network | |
1992 | Lift Off | "Something tells me" | Patricia Edgar | ||
1993 | Round the Twist | "Little Squirt" | Patricia Edgar Antonia Barnard | ABC TV | |
1994 | Sky Trackers | "Skating the dish" | Patricia Edgar Margot McDonald | ||
1995 | The Ferals | "Ratty Ratty Bang Bang" | Wendy Gray | ABC TV | |
1996 | Spellbinder | Episode #11 | Noel Price | Nine Network | |
1997 | The Wayne Manifesto | "Amy Pastami Day" | Alan Hardy | ABC TV | |
1998 | Blabbermouth and Stickybeak | Ann Darrouzet | ABC TV | ||
1999 | See How They Run | Episode #1 | Josephine Ward | ||
2000 | Eugenie Sandler P.I. | Episode #2 | Margot McDonald | ABC TV | |
2001 | Cybergirl | Episode #1 | Jonathan M. Shiff Daniel Scharf | Network Ten | |
2002 | Short Cuts | Margot McDonald | |||
2003 | Out There | Michael Bourchier | |||
2004 | Wicked Science | Jonathan M. Shiff Daniel Scharf | |||
2005 | Holly's Heroes | Ann Darrouzet Dave Gibson Jenni Tosi | |||
2006 | Mortified | Phillip Bowman Bernadette O’Mahony | |||
2007 | Lockie Leonard | Kylie du Fresne | Nine Network | ||
2008 | Blue Water High | Series #3 | Noel Price Dennis Kiely | ABC TV | |
2009 | The Elephant Princess | Jonathan M. Shiff Joanna Werner | Network Ten | ||
2010 | My Place | Series 1 | Penny Chapman | ABC3 |
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2011 | Series 2 |
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2012 | The Adventures of Figaro Pho | Dan Fill, Frank Verheggen, David Webster |
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2013 | Nowhere Boys | Tony Ayres, Beth Frey |
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2014 | The Flamin' Thongs | Colin South and Keith Saggers |
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2015 | Ready for This | Darren Dale, Miranda Dear, and Joanna Werner | ABC3 |
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2016 | Beat Bugs | Josh Wakely, Jennifer Twiner McCarron | 7Two |
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2017 | Little Lunch - The Specials | Robyn Butler and Wayne Hope | ABC Me |
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2018 | The Bureau of Magical Things | Jonathan M. Shiff and Stuart Wood | Network Ten |
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2019 | Bluey | Charlie Aspinwall, Daley Pearson, Sam Moor | ABC Kids |
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2020 |
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2021 |
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2022 |
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2024 |
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Rebecca Catherine Gibney is a New Zealand actress known for her roles on Australian television in The Flying Doctors, Halifax f.p., Packed to the Rafters, Winter and Wanted. She has also featured in a number of Australian films, including Mental and The Dressmaker. She is a Gold Logie winner
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The Australian Film Institute Television Awards are annual awards presented for excellence in Australian television annually as part of the AFI Awards by the Australian Film Institute. The AFI Awards cover non-feature films, films, television, and special awards. The AFI Television Awards are made in various categories and this page serves as an index of the various TV awards. From 1969 the AFI also awarded the AFI film awards: in 2010 the new organisation Australian_Academy_of_Cinema_and_Television_Arts has awarded AACTA_Awards
The AACTA Award for Best Costume Design is an accolade given by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is handed out at the annual AACTA Awards, which rewards achievements in feature film, television, documentaries and short films. From 1977 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current prize being a continuum of the AFI Award for Best Costume Design. Terry Ryan has received the most awards in this category with five.
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The AACTA Award for Best Television Drama Series is a television award handed out by the Australian Academy of Cinema and Television Arts (AACTA). It was previously awarded by the Australian Film Institute (AFI), from 1991 to 2010, and will continue to be presented by the Academy. It is awarded to a dramatic television series of no fewer than five episodes. It can be a series of self-contained stories which can be screened in any order or a number of interweaving and overlapping plots continuing from one episode to the next.
The Australian Film Institute Award for Best Television Documentary is an award that was handed out to producers annually between 1990 and 1997 by the Australian Film Institute. In 1998, this Award was replaced equivalent Awards in the non-feature film category including Australian Film Institute Award for Best Feature Length Documentary, Australian Film Institute Award for Best Documentary Under One Hour and Australian Film Institute Award for Best Direction in a Documentary.
The AACTA Award for Best Television Comedy Series is an accolade given by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is handed out at the annual AACTA Awards, which rewards achievements in Australian feature film, television, documentaries and short films. From 2003 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current prize being a continuum of the AFI Award for Best Television Comedy Series.
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The AACTA Award for Best Screenplay in Television is an award presented by the Australian Academy of Cinema and Television Arts (AACTA).
The AACTA Award for Best Lead Actor in a Television Drama is an accolade given by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is handed out at the annual AACTA Awards, which rewards achievements in Australian feature film, television, documentaries and short films. From 1986 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current prize being a continuum of the AFI Award for Best Lead Actor in a Television Drama.
The Australian Film Institute Award for Best Lead Actress in Television Drama is awarded annually by the Australian Film Institute as part of the awards in television for excellence in acting in television drama by an actress.
The AACTA Award for Best Guest or Supporting Actor in a Television Drama is an accolade given by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is handed out at the annual AACTA Awards, which rewards achievements in feature film, television, documentaries and short films. From 2000 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current prize being a continuum of the AFI Award for Best Guest or Supporting Actor in a Television Drama.
The AACTA Award for Best Guest or Supporting Actress in a Television Drama is an accolade given by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is handed out at the annual AACTA Awards, which rewards achievements in feature film, television, documentaries and short films. From 2000 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current prize being a continuum of the AFI Award for Best Guest or Supporting Actress in a Television Drama.
The Australian Academy of Cinema and Television Arts (AACTA) is a professional organisation of film and television practitioners in Australia. The academy's aim is "to identify, award, promote, and celebrate Australia's greatest achievements in film and television".
The AACTA Award for Best Children's Television Animation is a television award handed out by the Australian Academy of Cinema and Television Arts (AACTA) since 2009. It is awarded to a "children's drama series, a children's mini series, a long children's telefeature or a short children's telefeature which is created using animation". The award is presented to the producer(s) of the animated program.
The AACTA Award for Best Performance in a Television Comedy is an accolade given by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is handed out at the annual AACTA Awards, which rewards achievements in Australian feature film, television, documentaries and short films. From 1986 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current prize being a continuum of the AFI Award for Best Performance in a Television Comedy.
The AACTA Award for Best Visual Effects or Animation is an award presented by the Australian Academy of Cinema and Television Arts (AACTA) for achievements in visual effects in film, television, documentary and short film. The award was first presented by the Australian Film Institute (AFI) at the Australian Film Institute Awards from 2006 to 2010, prior to the establishment of the Academy. In 2014 the award for Best Visual Effects was renamed Best Visual Effects or Animation. Additionally, this category is now open to any film, television or documentary production, regardless of geography, which has had 100% of its visual effects and animation made in Australia.
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