A Better Master | |
---|---|
German | Ein besserer Herr |
Directed by | Gustav Ucicky |
Written by | Walter Hasenclever (play) Thilde Förster |
Starring | |
Cinematography | Franz Koch |
Music by | Hansheinrich Dransmann |
Production company | Münchner Lichtspielkunst |
Distributed by | Bavaria Film |
Release date |
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Country | Germany |
Languages | Silent German intertitles |
A Better Master (German : Ein besserer Herr) is a 1928 German silent comedy film directed by Gustav Ucicky and starring Leo Peukert, Lydia Potechina and Willi Forst. [1] It is based upon the play by Walter Hasenclever.
It was made at the Emelka Studios in Munich. The film's sets were designed by the art director Ludwig Reiber.
Carl Wilhelm, was a prolific German film director, film producer and screenwriter of the silent film era, at the end of which his career apparently entirely faded away and he vanished into obscurity.
Willi Forst, born Wilhelm Anton Frohs was an Austrian actor, screenwriter, film director, film producer and singer. As a debonair actor he was a darling of the German-speaking film audiences, as a director, one of the most significant makers of the Viennese period musical melodramas and comedies of the 1930s known as Wiener Filme. From the mid-1930s he also recorded many records, largely of sentimental Viennese songs, for the Odeon Records label owned by Carl Lindström AG.
The Transformation of Dr. Bessel is a 1927 German silent film directed by Richard Oswald and starring Jakob Tiedtke, Sophie Pagay and Hans Stüwe. The film was based on a novel by Ludwig Wolff. It premiered at the Ufa-Palast am Zoo. It has thematic similarities with Ernst Lubitsch's 1932 film The Man I Killed. Whereas that film featured a French soldier partially assuming the identity of a dead German, in Oswald's film a German is able to survive by pretending to be French.
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