Franz Paul Koch (1 September 1898 in Munich - 28 April 1959) was a German cinematographer.
In 1913, Koch was hired in a production of the Munich film pioneer Peter Ostermayr, and over the years he learned his trade as a cameraman. In 1920 he made his first film as chief cameraman for the company Emelka. Koch also worked for other film companies in Munich, where he collaborated frequently with the local directors Franz Osten and Franz Seitz.
He was the cinematographer for many Ludwig Ganghofer adaptions, film comedies and dramas and was also involved in the propaganda films SA-Mann Brand and Leni Riefenstahl's Triumph des Willens. From 1937 to 1941 he was a cameraman for all films with Hans Albers as the main character, which he worked with until the war, also with Hans Schweikart.
Conrad Lafcadio Hall, ASC was a French Polynesian-born American cinematographer. Named after writers Joseph Conrad and Lafcadio Hearn, he was best known for photographing such films as In Cold Blood, Cool Hand Luke, Butch Cassidy and the Sundance Kid, American Beauty, and Road to Perdition. For his work he garnered a number of awards, including three Academy Awards and three BAFTA Awards.
Sven Vilhem Nykvist was a Swedish cinematographer. His work is generally noted for its naturalism and simplicity. He is considered by many to be one of the greatest cinematographers of all time.He is best known for his collaboration with director Ingmar Bergman. He won the Academy Award for Best Cinematography for Cries and Whispers (1972) and Fanny and Alexander (1982). Nykvist also worked with Bergman on The Virgin Spring (1960), Through a Glass Darkly (1961), Winter Light (1963), Persona (1966), Cries and Whispers (1973), Scenes from a Marriage (1973), Face to Face (1978), and Autumn Sonata (1978).
Jack Cardiff, was a British cinematographer, film and television director, and photographer. His career spanned the development of cinema, from silent film, through early experiments in Technicolor, to filmmaking more than half a century later.
Frederick William Francis was an English cinematographer and film director.
Hans Jura was an Austrian cinematographer, most famous for his collaborations with the erotic film director Radley Metzger.
Frederick James Koenekamp, A.S.C. was an American cinematographer. He was the son of cinematographer Hans F. Koenekamp.
Subrata Mitra was an Indian cinematographer. Acclaimed for his work in The Apu Trilogy (1955–1959), Mitra often is considered one of the greatest Indian cinematographers.
Billy Williams OBE, BSC is a British cinematographer.
Love is Colder Than Death is a 1969 West German black-and-white film directed by Rainer Werner Fassbinder, his first feature film. In the original theater presentation in Berlin the title was first Kälter als der Tod; at the beginning of film production, it was Liebe – kälter als der Tod as on some film posters. The cinematographer Dietrich Lohmann and the cast as an ensemble won an award at the German Film Awards in 1970.
Walter C. Pfister is an American director and former cinematographer, who is best known for his work with filmmaker Christopher Nolan. Some of his collaborations with Nolan include Memento (2000), The Dark Knight Trilogy (2005–2012), and Inception (2010). For his work on Inception, Pfister won an Academy Award for Best Cinematography and received a BAFTA Award nomination.
John Niel Green, ASC, is an American cinematographer and film director best known for his Oscar-nominated collaborations with actor/director Clint Eastwood, taking over from Eastwood's previous collaborator Bruce Surtees.
Günther Anders was a German cameraman and cinematographer.
Koch Entertainment was an American record label and a distributor of film, television, and music. It was purchased by Canadian entertainment company Entertainment One in 2005.
Josef Wirsching sometimes credited as Joseph Wirsching, was a German cinematographer, who became a pioneer in cinematography in India and who contributed to the heritage of Cinema of India and still photography in its improvement into a scientific art of expression. His association with Indian cinema started in 1925, when he worked with another German, Franz Osten, in the Indo-European collaboration, The Light of Asia. Thereafter he settled in India, went on to work in over 20 films with Bombay Talkies and subsequently with Kamal Amrohi in Mahal (1949), Dil Apna Aur Preet Parayi (1960) and his masterpiece Pakeezah (1972), though he died while it was still under production.
Fritz Arno Wagner is considered one of the most acclaimed German cinematographers from the 1920s to the 1950s. He played a key role in the Expressionist film movement during the Weimar period and is perhaps best known for excelling "in the portrayal of horror," according to noted film critic Lotte H. Eisner.
The Royal Waltz is a 1955 West German musical film romance film directed by Victor Tourjansky starring Marianne Koch, Michael Cramer and Linda Geiser. It is a remake of the 1935 film of the same name, part of the tradition of operetta films. It was shot at the Bavaria Studios in Munich and the Carlton Studios in the same city. Location shooting took place in Munich's Englischer Garten and Nymphenburg Palace. The film's sets were designed by the art director Hermann Warm.
Charles G. Clarke ASC was an American cinematographer who worked in Hollywood for over 40 years and was treasurer and president of the American Society of Cinematographers.
Willy Kurant was a Belgian cinematographer.
Gernot Roll was a German cinematographer, film director and script writer. He collaborated on several films with directors Edgar Reitz and Sönke Wortmann. He was regarded as an expert on literary adaptations and film biographies, such as The Buddenbrooks, filming Thomas Mann's novel in eleven television episodes directed by Franz Peter Wirth, and the same work again in 2008 in the film directed by Heinrich Breloer.
Franz Koch may refer to:
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