Juliane "Liane" Haid was an Austrian actress and singer. She has often been referred to as Austria's first movie star.
The Star of Valencia is a 1933 German drama film directed by Alfred Zeisler and starring Liane Haid, Peter Erkelenz and Ossi Oswalda. It was made in Mallorca, at the same time as a French-language version The Star of Valencia directed by Serge de Poligny.
The Opera Ball is a 1931 German musical comedy film directed by Max Neufeld and starring Iván Petrovich, Liane Haid and Georg Alexander. It was shot at the Halensee Studios in Berlin. The film's sets were designed by the art directors Karl Weber and Erich Zander. It was part of a large group of operetta films made during the decade, although he film is not based on the operetta Der Opernball. The following year it was remade in French as Beauty Spot. A 1932 British remake After the Ball was also made.
The Son of Hannibal is a 1926 German silent film directed by Felix Basch and starring Liane Haid, Alfons Fryland, and Ferdinand von Alten.
My Cousin from Warsaw is a 1931 German comedy film directed by Carl Boese and starring Liane Haid, Tala Birell, and Fritz Schulz. It was shot at the Babelsberg Studios in Berlin. The film's art director was Julius von Borsody. A separate French language version Ma cousine de Varsovie was also made, directed by Carmine Gallone. The film was based upon the play by Louis Verneuil.
Mary Lou (German:Mary-Lou) is a 1928 German silent film directed by Frederic Zelnik and starring Lya Mara, Fred Louis Lerch and Ivan Koval-Samborsky.
Vienna, City of My Dreams is a 1928 German silent film directed by Victor Janson and starring Liane Haid, Luigi Serventi and Käthe von Nagy.
The Golden Abyss is a 1927 German silent film directed by Mario Bonnard and starring Liane Haid, André Roanne and Hans Albers.
An Evening Visit is a 1934 German comedy film directed by Georg Jacoby and starring Liane Haid, Paul Hörbiger and Harald Paulsen.
The Island of Dreams is a 1925 German silent film directed by Paul L. Stein and starring Liane Haid, Harry Liedtke, and Alfons Fryland.
Semi-Silk is a 1925 German silent film directed by Richard Oswald and starring Bernd Aldor, Mary Parker and Valeska Stock.
When I Came Back is a 1926 German silent film directed by Richard Oswald and starring Liane Haid, Max Hansen, and Henry Bender. The film is a sequel to The White Horse Inn (1926) and is based on the play Als ich wiederkam.
The Woman Everyone Loves Is You is a 1929 German silent film directed by Carl Froelich and starring Henny Porten, Fritz Kampers and Paul Hörbiger.
Ship in Distress is a 1929 German silent drama film directed by Carmine Gallone and starring Liane Haid, Alfons Fryland, and Gina Manès.
I Do Not Want to Know Who You Are is a 1932 German comedy film directed by Géza von Bolváry and starring Liane Haid, Gustav Fröhlich, and S.Z. Sakall.
The Song Is Ended is a 1930 German romantic musical film directed by Géza von Bolváry, and starring Liane Haid, Willi Forst, and Margarete Schlegel. A separate French-language version Petit officier... Adieu! was also produced. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art directors Robert Neppach and Erwin Scharf.
I Love You is a 1925 German silent drama film directed by Paul L. Stein and starring Liane Haid, Alfons Fryland, and Anny Ondra.
Tell Me Who You Are is a 1933 German comedy film directed by Georg Jacoby and starring Liane Haid, Viktor de Kowa and Olly Gebauer.
With the Eyes of a Woman is a 1942 German drama film directed by Karl Georg Külb and starring Ada Tschechowa, Olga Tschechowa and Gustav Fröhlich.
Susanne Cleans Up is a 1930 musical comedy film directed by Eugen Thiele and starring Truus Van Aalten, Francis Lederer and Albert Paulig. The film's sets were designed by the art director Willi Herrmann.
