| The Indiscreet Woman | |
|---|---|
 | |
| Directed by | Carl Boese |
| Written by |
|
| Starring | |
| Cinematography | Carl Drews |
| Music by | Willy Schmidt-Gentner |
Production company | |
| Distributed by | Phoebus Film |
Release date | 25 November 1927 |
| Country | Germany |
| Languages |
|
The Indiscreet Woman (German : Die indiskrete Frau) is a 1927 German silent comedy film directed by Carl Boese and starring Jenny Jugo, Maria Paudler and Georg Alexander. [1]
The film's sets were designed by the art director Franz Schroedter.
Jenny Jugo was an Austrian actress. She appeared in more than fifty films between 1925 and 1950.
The Blue Mouse is a 1928 German silent comedy film directed by Johannes Guter and starring Jenny Jugo, Harry Halm, and Brita Appelgren. The film was distributed in England by Gaumont in a sound version. While the sound version had no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Love Is Blind is a 1925 German silent comedy film directed by Lothar Mendes and starring Lil Dagover, Conrad Veidt and Lillian Hall-Davis. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by Hans Jacoby. It was produced and distributed by UFA, Germany's largest film company of the Weimar Era.
Love in the Snow is a 1929 German silent film directed by Max Obal and Rudolf Walther-Fein and starring Livio Pavanelli, Maria Paudler and Georg Alexander.
The Battle Against Berlin is a 1926 German silent film directed by Max Reichmann and starring Carlo Aldini, Jenny Jugo and Raimondo Van Riel.
Miss Madame is a 1934 German comedy film directed by Carl Boese and starring Jenny Jugo, Paul Hörbiger, and Olga Limburg. The film's sets were designed by the art director Erich Czerwonski. It was based on play of the same title by Ludwig Fulda.
Hearts are Trumps or Love All is a 1934 German comedy film directed by Carl Boese and starring Jenny Jugo, Paul Hörbiger, and Friedrich Benfer.
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The Eccentric or The Odd One is a 1929 German silent comedy film directed by Walter Jerven and starring Karl Valentin, Liesl Karlstadt, and Truus Van Aalten. It was made at the Emelka Studios in Munich.
Gentlemen Among Themselves is a 1929 German silent comedy film directed by Rudolf Walther-Fein and starring Hermann Picha, Lydia Potechina and Maria Paudler. It was shot at the Staaken Studios in Berlin. The film's sets were designed by Botho Hoefer and Hans Minzloff.
The Seven Dresses of Katrin is a 1954 West German romantic comedy film directed by Hans Deppe and starring Sonja Ziemann, Paul Klinger, and Georg Thomalla. The film tells the story of a woman's life through seven dresses she wears.
Nanette is a 1940 German musical film directed by Erich Engel and starring Jenny Jugo, Hans Söhnker and Albrecht Schoenhals.
Dangerous Game is a 1937 German comedy film directed by Erich Engel and starring Jenny Jugo, Harry Liedtke and Karl Martell.
Murderer in the Fog is a 1964 West German crime film directed by Eugen York and starring Hansjörg Felmy, Ingmar Zeisberg and Elke Arendt. The police investigate a series of attacks in a small German town.
A Woman Like You is a 1933 German comedy film directed by Carl Boese and starring Liane Haid, Georg Alexander, and S. Z. Sakall.It was shot at the Bavaria Studios in Munich and on location in Garmisch-Partenkirchen. The film's sets were designed by the art director Ludwig Reiber.
Gypsy Blood is a 1934 German comedy film directed by Charles Klein and starring Adele Sandrock, Georg Alexander, and Erik Ode. It was released by the German subsidiary of Universal Pictures. In Austria it was known by the title Das Ungarmädel.
A Drive into the Blue is a 1919 German silent comedy film directed by Rudolf Biebrach and starring Henny Porten, Georg Alexander, and Jakob Tiedtke.
The Valley of Love is a 1935 German comedy film directed by Hans Steinhoff and starring Käthe Gold, Richard Romanowsky and Marieluise Claudius. It was shot at the Johannisthal Studios of Tobis Film in Berlin. The film's sets were designed by the art director Franz Schroedter. It is based on the 1902 farce Das Tal des Lebens by Max Dreyer. It was given a fresh release in 1950 by Deutsche London Film.
As Long as There Are Pretty Girls is a 1955 West German musical comedy film directed by Arthur Maria Rabenalt and starring Georg Thomalla, Alice Kessler and Ellen Kessler. It was based on the play Okay Mama by Annemarie Artinger. It was shot at the Bavaria Studios and Carlton Studios in Munich. The film's sets were designed by the art directors Kurt Herlth and Robert Herlth.
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