"A Dog and Pony Show" | |
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Homicide: Life on the Street episode | |
Episode no. | Season 1 Episode 6 |
Directed by | Alan Taylor |
Story by | Tom Fontana |
Teleplay by | James Yoshimura |
Cinematography by | Wayne Ewing |
Production code | 107 |
Original air date | March 10, 1993 |
Guest appearances | |
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"A Dog and Pony Show" is the sixth episode of the first season of the American police drama television series Homicide: Life on the Street . It originally aired on NBC in the United States on March 10, 1993. In the episode, Pembleton and Bayliss investigate the murder of a police dog, Crosetti helps his friend adjust after a serious injury, and Felton and Howard suspect a drug dealer for a brutal murder.
The episode was written James Yoshimura based on a story by executive producer Tom Fontana, and was directed by Alan Taylor, who Homicide executive director Barry Levinson chose after being impressed by Taylor's short film That Burning Question (1988). Elements of the episode, including the shooting of patrolman Chris Thormann, were adapted from David Simon's non-fiction crime book, Homicide: A Year on the Killing Streets . "A Dog and Pony Show" included guest appearances by actors Michael Constantine, Larry Gilliard, Jr., LisaGay Hamilton and Edie Falco.
Since ratings for Homicide had gradually declined throughout the season, NBC announced a decision about whether the series would be renewed would depend on the Nielsen ratings of the final four episodes, starting with "A Dog and Pony Show". Before it aired, Barry Levinson appeared in a commercial making a direct appeal to viewers to watch. Nevertheless, it was seen by 8.47 million household viewers, which was considered relatively low, although it was an improvement over the previous episode "Three Men and Adena".
Bayliss (Kyle Secor) continues to despair over the Adena Watson case, which he has failed to solve. When Gee (Yaphet Kotto) orders Bayliss and Pembleton to move on and take new cases, they are assigned to solve the murder of Jake, a police dog. Bayliss thinks it is a waste of time, but according to municipal law, the death of a city-owned animal is treated as an official investigation and Pembleton decides to take the case seriously. The dog's gums are extremely red, leading Pembleton to believe he may have been poisoned or gassed. They question local dog pound employee Penny (Joy Ehrlich), who admits she accidentally killed Jake with carbon monoxide after mixing him up with another dog, then dumped the body in a panic. John Kuehn (Nick Olcott), Jake's human "partner", scatters Jake's ashes in a lake and Bayliss, reminded of Watson, reacts emotionally.
Felton (Daniel Baldwin) and Howard (Melissa Leo) respond to the murder of a young woman named Idamae Keene, who is found cut and tortured to death in a bedroom. They determine the victim likely knew her killer, and the next day they question "Pony" Johnson (Geoffrey Ewing), a drug dealer who was having an affair with Keene. Johnson denies killing Keene, but his other girlfriend (LisaGay Hamilton) tells the detectives Johnson abruptly left a party with fellow dealer William Lyness (Larry Gilliard, Jr.) on the night of the murder. Later, Lewis (Clark Johnson) reports Lyness's mother was killed the same way as Keene. Felton, Howard and Lewis interrogate Lyness, who confesses he sat in the car while Johnson killed his mother for stealing drugs from Lyness.
Blythe (Wendy Hughes) leaves her visiting son Danny (Stivi Paskoski) with her boyfriend Bolander (Ned Beatty) for the day, with the hopes they will get to know each other better. Danny rides along with Bolander and Munch (Richard Belzer) on their murder investigations but misbehaves and asks inappropriate questions. At dinner, Danny asks Bolander about his sex life with his mother, making Bolander extremely uncomfortable. Bolander later tells Blythe he believes her son is crazy. Meanwhile, Crosetti (Jon Polito) spends a lot of time with Officer Thormann (Lee Tergesen), who is recovering from his recent shooting. At one point, a humiliated Thormann defecates on himself, but Crosetti helps him clean up. Thormann's wife, Eva (Edie Falco), tells Crosetti she is pregnant, but that her husband reacted angrily to the news. Thormann tells Crosetti he should have died at the hospital and can never be a good father, but Crosetti encourages him.
Gee attends a retirement party for his best friend and fellow shift commander, Lieutenant John Scinta (Michael Constantine). Police brass keep Scinta's possible replacement a secret from Gee. After returning drunk from the party, the two reminisce about old times, but Scinta also warns Gee that the brass could end up forcing him into retirement, just as they did to Scinta.
"A Dog and Pony Show" was written by James Yoshimura based on a story by executive producer Tom Fontana, and was directed by Alan Taylor. Barry Levinson, executive producer of Homicide: Life on the Street , hand-picked Taylor to direct the episode after watching Taylor's 1988 half-hour film, That Burning Question , which Taylor made as a thesis for a seminar taught by film director Martin Scorsese. [1] The episode establishes the vacancy of the homicide unit's second shift commander position, which is offered to Pembleton in the first season episode, "And the Rockets Dead Glare", before it is ultimately given to Megan Russert in the beginning of the third season. [1] Taylor said of directing Homicide, "I hadn't even learned the rules of filmmaking, or TV for that matter, and I was being put in a position where I was supposed to break them all." [1]
The shooting of Officer Thormann was adapted from true-life events in chronicled in Homicide: A Year on the Killing Streets , the 1991 David Simon non-fiction book about a Baltimore Police Department, which was adapted into the Homicide series. Homicide writers added the twist of Crosetti taking the case personally based on his close friendship with the victim. [2] As the first season of Homicide progressed, NBC officials complained to the show's producers about the large number of protracted, interwoven subplots going on during each given episode. "A Dog and Pony Show" in particular refers to the Adena Watson murder, which was featured in five previous episodes and resolved in "Three Men and Adena", as well as the romance between Bolander and Blythe, which had been progressing throughout the first season. Additionally, the "Pony" Johnson subplot started in "A Dog and Pony Show" would not become resolved until the next episode, "And the Rockets Dead Glare." By the beginning of the second season, the Homicide producers bowed to network pressure and were forced to reduce the number of subplots in each episode. [1]
"A Dog and Pony Show" included guest appearances by actors Michael Constantine, Larry Gilliard, Jr., LisaGay Hamilton and Edie Falco. Tom Fontana cast Falco as Officer Thormann's wife Eva after watching her performance in Laws of Gravity . Fontana said of her, "She's an actress who's unadorned by any embroidery. She does everything with such simplicity and honesty, it's breathtaking." [3] Falco was a struggling actor at the time, and said her salary from one Homicide episode paid for one month's worth of rent. [4] Fontana cast Falco as a regular in his HBO series Oz based on her work in the Homicide episodes. [5] Larry Gilliard, Jr. later starred in a leading role as drug dealer D'Angelo Barksdale in The Wire , another Baltimore police drama created by Homicide producer and writer David Simon. [6] LisaGay Hamilton later starred in the legal drama The Practice , making her the second future Practice star to appear on Homicide, after Steve Harris in "Gone for Goode". [7] Hamilton also later starred in the 2009 comedy-drama series Men of a Certain Age as the on-screen wife of a character played by Homicide co-star, Andre Braugher. [8]
Ratings for Homicide: Life on the Street gradually declined since the series first premiered. In response, NBC announced to fans that a decision about whether Homicide would be renewed or canceled would depend on how the last four episodes of the season fared in the ratings, starting with "A Dog and Pony Show". [9] The week before the episode aired, the network started airing a television commercial with Barry Levinson making a direct appeal to viewers to watch the show, [9] [10] in which he said: [10]
If you're wondering when we're on, remember the Michael Jackson special? We were opposite that. And when the president spoke? Pre-empted for it. And the Grammys? You got it - we were opposite that. So where are we, exactly? Well there's a show called Home Improvement - and as soon as you get there, then quickly switch to NBC.
In its original American broadcast on March 10, 1993, "A Dog and Pony Show" was watched by 8.47 million households, according to Nielsen Media Research, earning the episode a 9.1 rating. [11] This constituted an increase in viewership compared to the previous week's episode, "Three Men and Adena", which was seen by 7.08 million household viewers and received a 7.6 rating. [12] Nevertheless, Homicide ranked relatively low in the Nielsen ratings compared to other shows, ranking 67th for the week of March 8 to 14, with the ABC comedy series Home Improvement ranking number one with 22.6 million household viewers. [11]
The Scripps Howard News Service praised the episode, calling it one of their strongest television recommendations for the week and declaring Homicide "the best new drama of the season". [13]
"A Dog and Pony Show" and the rest of the first and second season episodes were included in the four-DVD box-set "Homicide: Life on the Street: The Complete Seasons 1 & 2", which was released by A&E Home Video on May 27, 2003 for $69.95. [14]
Homicide: Life on the Street is an American police drama television series chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit. It ran for seven seasons and 122 episodes on NBC from January 31, 1993, to May 21, 1999, and was succeeded by Homicide: The Movie (2000), which served as the series finale. The series was created by Paul Attanasio and based on David Simon's book Homicide: A Year on the Killing Streets (1991). Many of the characters and stories used throughout the show were based on events depicted in the book.
Det. Steven Crosetti is a fictional character on the television drama series Homicide: Life on the Street portrayed by actor Jon Polito for the show's first two seasons. He is believed to be based on Baltimore Police Department Detective Sergeant Terry McLarney, who was a squad supervisor in the BPD homicide unit in David Simon's book Homicide: A Year on the Killing Streets; the character's ancestry was changed from Irish to Italian because Polito got the role.
The first season of Homicide: Life on the Street, an American police procedural drama television series, originally aired in the United States on NBC between January 31 and March 31, 1993. The show was created by Paul Attanasio, with film director Barry Levinson and television writer and producer Tom Fontana serving as executive producers. Adapted from David Simon's 1991 non-fiction book Homicide: A Year on the Killing Streets, the season followed the fictional detectives of Baltimore Police Department homicide unit and the murder cases they investigate. The show was broadcast on Wednesdays at 9 p.m. EST, with the exception of the series premiere, which aired immediately after Super Bowl XXVII.
Timothy Bayliss is a fictional character on Homicide: Life on the Street, played by Kyle Secor and one of the few main characters to last the entire run of the show. He was loosely based on real-life Baltimore homicide detective Thomas Pellegrini, featured in David Simon's book Homicide: A Year on the Killing Streets, though Pellegrini was reportedly not at all a fan of his fictional alter ego. The character also appeared in the Law & Order episode "Charm City."
The second season of Homicide: Life on the Street, an American police procedural drama television series, originally aired in the United States between January 6 and January 27, 1994. Due to low Nielsen ratings during the first season, NBC executives decided to order only a four-episode season, after which they would evaluate the ratings and decide whether to renew the show. Homicide was moved to a new timeslot of Thursdays at 10 p.m. EST, temporarily replacing the legal drama L.A. Law. NBC requested several changes from the series, including fewer episode subplots and less camera movements and jump cuts.
"Blood Ties" is the three-episode sixth season premiere of the American police drama television series Homicide: Life on the Street. The episodes constitute the 78th, 79th and 80th overall episodes of the series. They originally aired on NBC on October 17, 24 and 31, 1997, respectively.
"Gone for Goode" is the first episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on January 31, 1993, immediately following Super Bowl XXVII. The episode was written by series creator Paul Attanasio and directed by executive producer Barry Levinson. "Gone for Goode" introduced regular cast members Daniel Baldwin, Ned Beatty, Richard Belzer, Andre Braugher, Wendy Hughes, Clark Johnson, Yaphet Kotto, Melissa Leo, Jon Polito, and Kyle Secor.
"Three Men and Adena" is the fifth episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 3, 1993. The episode was written by executive producer Tom Fontana and directed by Martin Campbell. In the episode, Pembleton and Bayliss have a 12-hour limit to elicit a confession from Risley Tucker for the murder of 11-year-old Adena Watson. The episode takes place almost entirely within the confines of the police interrogation room with the three actors.
"Ghost of a Chance" is the second episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on February 3, 1993. The teleplay was written Noel Behn based on a story by executive producer Tom Fontana, and the episode was directed by Martin Campbell. In it Bayliss begins his investigation into the murder of 11-year-old Adena Watson, Munch and Bolander investigate the unusual death of an elderly man, and Howard insists she is receiving advice about her murder case from a ghost.
"Son of a Gun" is the third episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on February 10, 1993. The teleplay was written by James Yoshimura based on a story by executive producer Tom Fontana, and the episode was directed by Nick Gomez. In the episode, recurring character Officer Thormann is shot while on duty, and his close friend Crosetti takes the investigation personally.
"A Shot in the Dark" is the fourth episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on February 24, 1993. The teleplay was written by Jorge Zamacona based on a story by executive producer Tom Fontana, and the episode was directed by Bruce Paltrow. In the episode, Crosetti focuses his investigation into the shooting of Officer Thormann on one suspect, while Lewis continues to investigate. Meanwhile, Pembleton and Bayliss pursue different leads in the murder case of 11-year-old Adena Watson.
"And the Rockets' Dead Glare" is the seventh episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 17, 1993. In the episode, Howard testifies in a murder trial, Pembleton is offered a promotion, and Lewis and Crosetti go to the Chinese Embassy in Washington, D.C. to investigate a political refugee's murder.
"Smoke Gets in Your Eyes" is the eighth episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 24, 1993. In the episode, Howard and Bayliss attempt to quit smoking, Gee discovers secret asbestos removal in the squad room, and Munch and Bolander investigate the beating death of a 14-year-old boy. The episode was written by James Yoshimura and Tom Fontana, and was directed by Wayne Ewing, who doubled as director of photography.
"Night of the Dead Living" is the ninth episode and first season finale of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 31, 1993. In the episode, the homicide squad works the night shift on a summer evening, but no calls come in, leaving the detectives to brood over their personal matters. The teleplay was written by Frank Pugliese based on a story he wrote along with executive producer Tom Fontana. It was directed by Michael Lehmann.
"Law & Disorder" is the 15th episode of the third season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC on February 24, 1995. The episode was written by Bonnie Mark and Julie Martin and directed by John McNaughton. The episode concludes elements of a storyline about the shooting of Beau Felton, Kay Howard, and Stanley Bolander.
"A Many Splendored Thing" is the second season finale of the American police drama television series Homicide: Life on the Street, and the thirteenth overall episode of the series. It originally aired on NBC in the United States on January 27, 1994. In the episode, Pembleton and Bayliss investigate the S&M-related murder of a young woman, which forces an uncomfortable Bayliss to confront his darker side. Meanwhile, Lewis is disturbed when a man commits murder over a $1.49 pen, and a despairing Munch crashes Bolander's date and ruins it by venting his own romantic woes.
"See No Evil" is the second episode of the second season of the American police drama television series Homicide: Life on the Street, and the eleventh overall episode of the series. It originally aired on NBC in the United States on January 13, 1994. In the episode, Felton's friend kills his father in an assisted suicide, and Felton tries to convince Lewis to look the other way. In a subplot, Pembleton investigates what appears to be the police shooting of an unarmed suspect.
"Black and Blue" is the third episode of the second season of the American police drama television series Homicide: Life on the Street, and the twelfth overall episode of the series. It originally aired on NBC in the United States on January 20, 1994. In the episode, Pembleton aggressively investigates what he believes to be a police-related shooting. Amid pressure from Gee to pursue civilian suspects, Pembleton elicits a successful confession from an innocent man, leaving Gee feeling conflicted. Directed by Chris Menaul, the episode's teleplay was written by James Yoshimura based on a story by series executive producer Tom Fontana.
"Nearer My God to Thee" is the third season premiere of the American police drama television series Homicide: Life on the Street, and the fourteenth overall episode of the series. It originally aired on NBC in the United States on October 14, 1994. In the episode, the homicide department is assigned to the politically volatile murder of a beloved social worker, whose body is found wearing nothing but a pair of white gloves. Meanwhile, Felton struggles with marital problems, while Lewis and Munch try to find a business partner with whom to open a bar.
"Fire" is the season premiere of the fourth season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC on October 20, 1995. The episode was written by Julie Martin and was directed by Tim Hunter. The two-part story centres on Pembleton and Bayliss' investigation into a pair of arson-related homicides, and introduces a new regular character, Arson Squad detective Mike Kellerman, who subsequently transfers to Homicide and partners with Det. Meldrick Lewis. This episode also flagged the permanent departure of regular characters Stanley Bolander and Beau Felton.