Homicide: Life on the Street is an American police drama television series chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit. It ran for seven seasons and 122 episodes on NBC from January 31, 1993, to May 21, 1999, and was succeeded by Homicide: The Movie (2000), which served as the series finale. The series was created by Paul Attanasio and based on David Simon's book Homicide: A Year on the Killing Streets (1991). Many of the characters and stories used throughout the show were based on events depicted in the book.
In 1996, TV Guide named the series "The Best Show You're Not Watching".[4] The show placed #46 on Entertainment Weekly's "New TV Classics" list.[5] In 2007, it was listed as one of TIME magazine's "Best TV Shows of All-TIME."[6] In 2013, TV Guide ranked it #55 on its list of the 60 Best Series of All Time.[7]
Production
Homicide: Life on the Street sign at the City Recreation Pier in Fell's Point, Baltimore
Homicide: Life on the Street was adapted from Homicide: A Year on the Killing Streets, a non-fiction book by Baltimore Sun reporter David Simon, based on his experience following a Baltimore Police Department homicide unit in 1988. Simon, who became a consultant and producer with the series, said he was particularly interested in the debunking of the American detective. While detectives are typically portrayed as noble characters who care deeply about their victims, Simon believed real detectives regarded violence as a normal aspect of their jobs.[8]
Simon sent the book to film director and Baltimore native Barry Levinson with the hopes that it would be adapted into a film, but Levinson thought it would be more appropriate material for television because the stories and characters could be developed over a longer period of time. Levinson believed that a television adaptation would bring a fresh and original edge to the police drama genre because the book exploded many of the myths of the police drama genre by highlighting that cops did not always get along with each other and that criminals occasionally got away with their crimes.[9]
Levinson approached screenwriter Paul Attanasio with the material, and Homicide became Attanasio's first foray into television writing. All episodes of Homicide display the credit, "Created by Paul Attanasio" at the end of their opening sequence, a credit which both Eric Overmyer and James Yoshimura dispute on the DVD audio commentary to the season 5 episode, "The Documentary", claiming instead the show was created by Tom Fontana and Yoshimura. The series title was originally Homicide: A Year on the Killing Streets, but NBC changed it so that viewers would not believe it was limited to a single year; the network also believed the use of the term "life" would be more reaffirming than the term "killing streets". Levinson was indifferent to the change, asserting that viewers would probably casually refer to the series as "Homicide" in either case.[10] The opening theme music was composed by Baltimore native Lynn F. Kowal, a graduate of the Peabody Institute of the Johns Hopkins University in Baltimore.
The greatest lie, I think, in dramatic TV is the cop who stands over a body and pulls up the sheet and mutters, 'Damn' and looks down sadly. To a real homicide detective, it's just a day's work.
Homicide's purpose was to provide its viewers with a no-nonsense, police procedural-type glimpse into the lives of a squad of inner-city detectives. As opposed to many television shows and movies involving cops, Homicide initially opted for a bleak sort of realism in its depiction of "The Job", portraying it as repetitive, spiritually draining, an existential threat to one's psyche, often glamour- and glory-free—but, nonetheless, a social necessity. In its attempt to do so, Homicide developed a trademark feel and look that distinguished itself from its contemporaries. For example, the series was filmed with hand-held 16mm cameras almost entirely on-location in Baltimore (making the idiosyncratic city something of a character itself). It also regularly used music montages, jump cut editing, and the three-times-in-a-row repetition of the same camera shot during particularly crucial moments in the story. The episodes were also noted for interweaving as many as three or four storylines in a single episode. NBC executives often asked the writers to focus on a single homicide case rather than multiple ones, but the show producers tended to resist this advice.[10]
Despite premiering in the coveted post-Super Bowl time slot, the show opened to lackluster ratings, and cancellation was an immediate threat. However, the show's winning of two Emmy Awards (for Levinson's direction of "Gone for Goode" and Fontana's writing of "Three Men and Adena") and the success of another police drama—the more sensational NYPD Blue—helped convince NBC to give it another chance beyond the truncated, nine-episode-long first season. Homicide consistently ranked behind ABC's 20/20 and CBS's Nash Bridges in the Nielsen ratings. Despite the poor ratings, reviews were consistently strong from the beginning of the series. Commentators were especially impressed with the high number of strong, complex, well-developed and non-stereotypical African American characters like Pembleton, Lewis and Giardello.[11]
The police department scenes were shot at the historic City Recreation Pier in Fells Point neighborhood in Baltimore. Although NBC occasionally pressured the show's producers to write happy endings to the homicide cases, the network gave an unusual amount of freedom for the writers to create darker stories and non-traditional detective story elements, like unsolved cases where criminals escape.[12] Nevertheless, in its attempt to improve Homicide's ratings, NBC often insisted on changes, both cosmetic and thematic. For example, by the beginning of the third season, talented but unphotogenic veteran actor Jon Polito had been ordered dropped from the cast.
The show was originally a production of Baltimore Pictures in association with Thames Television's subsidiary studio Reeves Entertainment, an American studio. In between the first and second season, Reeves had closed due to Pearson plc's acquisition of their parent company Thames, and the latter's requirement of either spinning off the studio or transferring their existing properties still in production which included Home in late 1993.[13] After the four-episode second season had aired, NBC negotiated with Thames and MCEG Sterling Entertainment, who oversaw and held interest on the Homicide property on behalf of Thames, on the show's renewal for an order for a third season alongside taking over co-ownership, co-production duties, and copyright, though Pearson (whose television division and library is now owned by Fremantle) continued to hold international distribution rights outside of North America.[14][15]
The reality of Homicide's low Nielsen ratings hovered over all things, however, and always left the show in a precarious position; it also had a harder time gaining a large audience because fewer viewers are at home watching TV on Friday nights. Despite this, the network managed to keep what TV Guide referred to as "The Best Show You're Not Watching" on the air for five full seasons and seven seasons in all. In July 1997, NBC gave the series producers an ultimatum to make Homicide more popular than Nash Bridges or face cancellation. When this goal was not reached, the studio gave serious consideration to canceling the show, but a number of shocks at NBC increased Homicide's value. Among those factors were the loss of the popular series Seinfeld and the $850 million deal needed to keep ER from leaving the network.[12]
Re-runs of Homicide were, at one time, syndicated on Lifetime and Court TV as well as the all-crime television cable station Sleuth, and re-aired on WGN America. Episodes of Homicide have re-aired on TNT as part of several crossovers the series had with Law & Order, for which TNT owns the broadcast rights. In these cases, both crossover episodes re-aired back to back. Its re-runs were recently televised on the Centric channel.
All seven seasons are available on DVD. One DVD set combines the first two seasons. Additional sets contain the complete third, fourth, fifth, sixth, and seventh seasons. A boxed set shaped like a filing cabinet features an additional disc containing Homicide: The Movie and the relevant Law & Order crossover episodes – those without this disc had to rely on Law & Order recap clips on the season DVDs. Significantly, the DVDs contain the episodes in the producers' intended order, not the order in which NBC aired them.
The show has spawned changes in the real life Baltimore Homicide Unit. As seen in the show, the unit originally used a dry-erase board in order to visually track detectives' progress at solving crimes. After the show began to air, the Baltimore Police Department discontinued the practice, believing the board, which concentrated on "clearance rates" for crimes, had a negative impact on publicity. It was brought back later at the insistence of the detectives.[16]
As of August 19, 2024, all seven seasons are available to stream on NBCUniversal's Peacock service, [17] although cropped to widescreen format and with some music changed.
Homicide featured a number of recurring characters, who starred alongside the ensemble. Wendy Hughes (Carol Blythe), Ami Brabson (Mary Pembleton) and Željko Ivanek (Ed Danvers) are the most notable, with the first appearing in Season 1, and the other two appearing in Seasons 1–6 and Seasons 1–7 respectively. Clayton LeBouef played Captain and later Colonel George Barnfather throughout the run. Ralph Tabakin played Dr. Scheiner in all seven seasons. The recurring cast also included: Gerald F. Gough as Colonel Burt Granger (seasons 1–3); Lee Tergesen as Officer Chris Thormann (seasons 1, 3 and 5); Sean Whitesell as Dr. Eli Devilbiss (seasons 1, 3, 4, 6 and 7); Michael Willis as Darin Russom (seasons 1–7); Sharon Ziman as Naomi (seasons 1–7); Judy Thornton as Judy (seasons 2–7); Herb Levinson as Dr. Lausanne (seasons 2–7); Gary D'Addario as Lieutenant Jasper (seasons 3–7); Walt MacPherson as Captain Roger Gaffney (seasons 3–7); Harlee McBride as Alyssa Dyer (seasons 3–7); Rhonda Overby as Reporter Dawn Daniels (seasons 3–7); Kristin Rohde as Officer Sally Rogers (seasons 3–7); Mary B. Ward as Beth Felton (season 3); Christopher Meloni as bounty hunter Dennis Knoll (season 7); Erik Dellums as Luther Mahoney (seasons 4 and 5); Mekhi Phifer as Junior Bunk (seasons 5 and 6); Hazelle Goodman as Georgia Rae Mahoney (season 6); Ellen McElduff as Billie Lou Hatfield (seasons 5–7); Austin Pendleton as Dr. George Griscom (season 7), and Jason Stanford as Joe Ryblack (seasons 6 and 7). Joey Perillo as Bernard Munch (Seasons 3 and 6).
Some celebrities made cameo appearances that were more lighthearted in style. Director (and Baltimore native) John Waters—who called the show "the grittiest, best-acted, coolest-looking show on TV"[18]—appeared twice, once as a nameless bartender listening to a disconsolate Detective Bolander, and another time as a talkative prisoner transferred from New York to Baltimore by Detective Mike Logan (played by Chris Noth). Waters and Noth received "special thanks" in the episode's closing credits. Out traveling on his motorcycle, Jay Leno stopped in at the Waterfront to have a soft drink, quickly departing after finding his bartenders strangely silent. In one particularly self-referential episode, journalist Tim Russert appeared as himself, bickering about birthday presents with his "cousin", Lieutenant Megan Russert. Film director Barry Levinson, who also executive produced Homicide, acted as himself directing an episode for a show-within-a-show called Homicide in the episode, "The Documentary".
Psychobilly legend The Reverend Horton Heat made a brief appearance as Preacher Lemuel Galvin, a resident at a motel where the killing of a biker is investigated.
The Mayor of Baltimore (Kurt Schmoke) and the Governor of Maryland (Parris Glendening) made brief appearances in the episode about the death of Beau Felton, appearing at the memorial press conference for Felton's death in the line of duty.
Recurring characters of particular note include the Mahoney crime family. Luther Mahoney, played by Erik Dellums, appears in seasons four and five. Mahoney is a crime and drug kingpin who uses others to do his dirty work and masterfully manipulates the law to repeatedly escape conviction and hide his connection to the crimes committed by his underlings. At first, he is depicted as an almost friendly rival, with both Mahoney and the police mutually amused by Mahoney's antics. Gradually, however, the police—particularly Kellerman and Lewis—grow frustrated with Mahoney, until Lewis viciously beats him during an arrest, and Kellerman fatally shoots Mahoney under questionable circumstances.
In the following season, the Mahoney organization is taken over by Luther's sister Georgia Rae, played by Hazelle Goodman, who seeks both legal and illegal revenge against the Baltimore Police Department.
Mekhi Phifer makes several appearances as Junior Bunk, a dim-witted street thug who is initially depicted as someone with the potential to go straight. His crimes grow increasingly violent, however, and in his final appearance he is revealed to be Georgia Rae's son, with the real name "Nathaniel Lee Mahoney". Junior's final appearance takes place after the character has been hardened by jail time, and the once minor criminal deals the homicide department a major blow with a multiple shooting in the police station, killing three uniformed cops and injuring two of the detectives. In retaliation, the police declare all-out war on the Mahoney crime organization. Several cops, including Bayliss, are injured, and several criminals, including Georgia Rae, are killed as the Mahoney empire collapses. Pembleton interrogates Kellerman and figures out that Luther Mahoney had his gun out but wasn't pointing it at Kellerman when he was shot and killed, and demands Kellerman turn in his badge. Kellerman refuses, but later meets with Giardello and accepts a deal: no charges will be brought against him, and Lewis and Stivers will be fully cleared, if he immediately resigns from the job. Kellerman does so, but when Pembleton finds out about the deal, he tells Gee he can't morally continue in the job anymore and resigns as well.
Several regulars from across the series's seven-year run. Left to right: Ned Beatty, Clark Johnson, Richard Belzer, Melissa Leo, Kyle Secor, Andre Braugher, Callie Thorne, Yaphet Kotto, Peter Gerety, Toni Lewis, Jon Seda.
The third season saw the first changes in the character lineup; when Detective Steve Crosetti (Jon Polito) was not seen in any episodes, his body was found in a death by suicide in the fourth episode of the season. Isabella Hofmann joined the cast as Lieutenant Megan Russert, the commander of the other Homicide shift, it also dealt with her promotion to captain, and saw the last appearances of Felton and Bolander (Daniel Baldwin and Ned Beatty).
The fourth season saw the departure of Daniel Baldwin and Ned Beatty, who played Beau Felton and Stan Bolander respectively. In the story, the two detectives had recently been given a 22-week suspension, as related in the opening scene of the season's first episode. Bolander went on to retirement, and Felton, recruited for deep undercover work, was killed (off-screen) in the line of duty during the fifth season. The characters returned in the movie. This season also sees Mike Kellerman (Reed Diamond) join the cast. Isabella Hofmann (newly demoted, Detective Megan Russert) left at the end of Season 4, but returned in the Season 5 finale, in which she, Kay Howard (Melissa Leo) and J. H. Brodie (Max Perlich) made their last appearances. Season 5 also saw the addition of Chief Medical Examiner Julianna Cox (Michelle Forbes) and Detective Terri Stivers (Toni Lewis).
The sixth season was the first not to feature Leo as Sergeant Kay Howard, and the last to feature Braugher as Detective Frank Pembleton and Forbes as Chief Medical Examiner Julianna Cox. Jon Seda, Callie Thorne and Peter Gerety joined the cast as Detectives Paul Falsone, Laura Ballard and Stuart Gharty. J.H. Brodie (Max Perlich) is no longer present, nor is Detective Meg Russert (Isabella Hofmann).
Following the events of the sixth-season finale, Detective Frank Pembleton (Braugher) and Detective Mike Kellerman (Diamond) are no longer regulars; neither is Chief Medical Examiner Julianna Cox (Forbes), who left mid-season. Braugher and Forbes did not return until the movie, while Diamond made a two-episode guest appearance. Michael Michele stars in this season as Detective Rene Sheppard and Giancarlo Esposito is cast as Giardello's son Mike, who is assigned to Homicide as an FBI Liaison.
In 2000, following the conclusion of the series, a television film titled Homicide: The Movie was shown on NBC. The squad's former Lieutenant, Al Giardello, was running for mayor on a controversial pro-drug-legalization platform, and is close to victory when he is gunned down. The assassination attempt inspires the return of the entire unit, past and present, in an effort to apprehend the gunman.
In the 1990s, the two friends decided to do a small crossover between their (then) current shows, with Law & OrderNYPD Detective Mike Logan (Chris Noth) delivering a fugitive to Homicide: Life on the Street's Detective Frank Pembleton during the prologue of the third-season episode "Law & Disorder".[20][21]
The concept proved popular with fans and with both Fontana and Wolf.[19] As of the 2015–2016 television season, this first crossover by Wolf has been followed by 15 other crossover stories in his numerous Law & Order and Chicago franchises. Fontana expanded the Homicide: Life on the Street crossovers to include characters from St. Elsewhere, years after that series had ended its run. Wolf would adopt the same post-cancellation crossover concept when Homicide: Life on the Street characters Meldrick Lewis and Billie Lou Hatfield (Ellen McElduff) appeared, 14 years after their series ended, at John Munch's retirement party from the NYPD on the Law & Order: Special Victims Unit episode "Wonderland Story".
Homicide Episode
Crossover Series
Nature of crossover
"Law & Disorder"
Law & Order
Chris Noth has a cameo in the prologue as NYPD Detective Mike Logan, arriving at Baltimore's Penn Station to deliver a prisoner to Detective Frank Pembleton.
The organs of a Baltimore murder victim are shipped to various hospitals across the country. The heart is placed in a cooler with the destination label "Chicago Hope Hospital", and during a montage is received in Chicago by a heart surgeon played by Mandy Patinkin presumably as Chicago Hope's Dr. Jeffrey Geiger.
This episode acts as the conclusion of a two-part crossover with the Law & Order episode "Baby, It's You (Part 1)", which aired two nights earlier.
Law & Order characters appearing on this episode of Homicide: Life on the Street were Jerry Orbach as NYPD Detective Lennie Briscoe, Benjamin Bratt as NYPD Detective Rey Curtis, Sam Waterston as New York Executive ADA Jack McCoy, Carey Lowell as New York ADA Jamie Ross.
This episode acts as the conclusion of a two-part crossover with the Law & Order episode "Sideshow (Part 1)", which aired two nights earlier.
Law & Order characters appearing on this episode of Homicide: Life on the Street were NYPD Detective Lennie Briscoe, Benjamin Bratt as NYPD Detective Rey Curtis, Sam Waterston as New York Executive ADA Jack McCoy, and S. Epatha Merkerson as NYPD Lieutenant Anita Van Buren (uncredited, in opening flashback).
Series regular
Law & Order: Special Victims Unit
John Munch, created for Homicide: Life on the Street and played by Richard Belzer, moved to New York and joined the NYPD's Special Victims Unit for 15 years (15 seasons of Law & Order: Special Victims Unit).
St. Elsewhere and Law & Order: Special Victims Unit
Ed Begley Jr. plays a surgeon identified in the closing credits as his St. Elsewhere character, Dr. Victor Ehrlich.
Now a regular character on Law & Order: Special Victims Unit, NYPD Detective John Munch (Richard Belzer) returns to Baltimore to help investigate the shooting of Al Giardello.
When Detective Munch retired from the NYPD, 13 years after Homicide: The Movie aired, Homicide: Life on the Street characters Detective Meldrick Lewis (Clark Johnson) and Munch's ex-wife Billie Lou Hatfield (Ellen McElduff) were present at his New York party, on the Law & Order: Special Victims Unit episode "Wonderland Story".
New Video (through A&E Home Video and NBC Home Entertainment) released all seven seasons of Homicide: Life on the Street on DVD in Region 1 between 2003 and 2005. The Television film Homicide: The Movie was released on DVD in Region 1 by Trimark Pictures on May 22, 2001. A&E Home Entertainment also released a complete series set in collectible 'file cabinet' packaging on November 14, 2006. The complete series was subsequently re-released in regular packaging on October 20, 2009. FremantleMedia handled distribution rights of all 7 seasons via International.
On April 5, 2017, it was announced that Shout! Factory had acquired the rights to the series in Region 1 and would re-release Homicide: Life on the Street - The Complete Series on DVD on July 4, 2017.[53]
In Australia, Region 4, the releases were the same as the Region 2 release. These were distributed by Roadshow Entertainment. The Complete Series collection was distributed by Shock Entertainment and packaged as the Region 1 releases with Series 1 & 2 and Series 3 through to 7. Via Vision Entertainment obtained the rights to the series and released 'The Complete Series (Special Edition)' boxset in May 2021 in the same format of the shock releases.
As of September 7, 2023, the show is not available on any streaming service, nor is it available for purchase or rent from Amazon, iTunes, or Google Play.
On June 17, 2024, producer David Simon announced on Twitter that NBC have finally secured music rights, which will allow them to sell the show to a streaming service.[54] On July 22, 2024, NBC announced the show and movie would be available on Peacock in 4K starting August 19.[55]
The show inspired the spin-off Homicide: Second Shift, which was shown exclusively online and did not include the regular cast. It featured detectives of the homicide squad that worked the second shift, after the television detectives went home for the day.
Notes
↑ Originally written as the third episode, "Night of the Dead Living" was moved to become the season finale at the insistence of NBC executives
↑ When first shown on NBC, "Bop Gun" aired out of order as the season premiere due to a guest appearance by Robin Williams
↑ The listed year refers to the date of the ceremony, not necessarily the year in which the corresponding season or episode aired
Francis Xavier "Frank" Pembleton is a fictional homicide detective on the television drama series Homicide: Life on the Street portrayed by Emmy Award–winning actor Andre Braugher. He is a primary character of the show through the first six seasons. Although the show featured an ensemble cast, Pembleton would become the fan favorite and is often identified as the show's signature character. He is based on Baltimore Police Department Detective Harry Edgerton, who, like Pembleton, was an eccentric New York–born African American detective in the BPD homicide unit featured in David Simon's book Homicide: A Year on the Killing Streets. The character also appeared in the Law & Order episode "Charm City".
Detective Michael Scott Kellerman is a fictional character on the television drama series Homicide: Life on the Street portrayed by Reed Diamond. He is a main character from seasons 4–6 (1995–98).
Det. Beauregard Donald 'Beau' Felton is a fictional character on the television drama series Homicide: Life on the Street portrayed by Daniel Baldwin for seasons 1-3. He was loosely based on Det. Donald Kincaid, from David Simon's nonfiction book, Homicide: A Year on the Killing Streets, on which the series was based.
The first season of Homicide: Life on the Street, an American police procedural drama television series, originally aired in the United States on NBC between January 31 and March 31, 1993. The show was created by Paul Attanasio, with film director Barry Levinson and television writer and producer Tom Fontana serving as executive producers. Adapted from David Simon's 1991 non-fiction book Homicide: A Year on the Killing Streets, the season followed the fictional detectives of Baltimore Police Department homicide unit and the murder cases they investigate. The show was broadcast on Wednesdays at 9 p.m. EST, with the exception of the series premiere, which aired immediately after Super Bowl XXVII.
The second season of Homicide: Life on the Street, an American police procedural drama television series, originally aired in the United States between January6 and January 27, 1994. Due to low Nielsen ratings during the first season, NBC executives decided to order only a four-episode season, after which they would evaluate the ratings and decide whether to renew the show. Homicide was moved to a new timeslot of Thursdays at 10 p.m. EST, temporarily replacing the legal drama L.A. Law. NBC requested several changes from the series, including fewer episode subplots and less camera movements and jump cuts.
The third season of Homicide: Life on the Street aired in the United States on the NBC television network from October 14, 1994, to May 5, 1995, and contained 20 episodes. It was the first full season of episodes. Beginning in the third season, Homicide was moved to Fridays at 10 p.m. EST, a timeslot the show would remain at until its cancellation in 1999.
The fourth season of Homicide: Life on the Street aired in the United States on the NBC television network from October 20, 1995 to May 17, 1996 and contained 22 episodes.
"Blood Ties" is the three-episode sixth season premiere of the American police drama television series Homicide: Life on the Street. The episodes constitute the 78th, 79th and 80th overall episodes of the series. They originally aired on NBC on October 17, 24 and 31, 1997, respectively.
"Gone for Goode" is the first episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on January 31, 1993, immediately following Super Bowl XXVII. The episode was written by series creator Paul Attanasio and directed by executive producer Barry Levinson. "Gone for Goode" introduced regular cast members Daniel Baldwin, Ned Beatty, Richard Belzer, Andre Braugher, Wendy Hughes, Clark Johnson, Yaphet Kotto, Melissa Leo, Jon Polito, and Kyle Secor.
"Three Men and Adena" is the fifth episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 3, 1993. The episode was written by executive producer Tom Fontana and directed by Martin Campbell. In the episode, Pembleton and Bayliss have a 12-hour limit to elicit a confession from Risley Tucker for the murder of 11-year-old Adena Watson. The episode takes place almost entirely within the confines of the police interrogation room with the three actors.
"Ghost of a Chance" is the second episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on February 3, 1993. The teleplay was written Noel Behn based on a story by executive producer Tom Fontana, and the episode was directed by Martin Campbell. In it Bayliss begins his investigation into the murder of 11-year-old Adena Watson, Munch and Bolander investigate the unusual death of an elderly man, and Howard insists she is receiving advice about her murder case from a ghost.
"A Dog and Pony Show" is the sixth episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 10, 1993. In the episode, Pembleton and Bayliss investigate the murder of a police dog, Crosetti helps his friend adjust after a serious injury, and Felton and Howard suspect a drug dealer for a brutal murder.
"And the Rockets' Dead Glare" is the seventh episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 17, 1993. In the episode, Howard testifies in a murder trial, Pembleton is offered a promotion, and Lewis and Crosetti go to the Chinese Embassy in Washington, D.C. to investigate a political refugee's murder.
"Smoke Gets in Your Eyes" is the eighth episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 24, 1993. In the episode, Howard and Bayliss attempt to quit smoking, Gee discovers secret asbestos removal in the squad room, and Munch and Bolander investigate the beating death of a 14-year-old boy. The episode was written by James Yoshimura and Tom Fontana, and was directed by Wayne Ewing, who doubled as director of photography.
"Night of the Dead Living" is the ninth episode and first season finale of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 31, 1993. In the episode, the homicide squad works the night shift on a summer evening, but no calls come in, leaving the detectives to brood over their personal matters. The teleplay was written by Frank Pugliese based on a story he wrote along with executive producer Tom Fontana. It was directed by Michael Lehmann.
"Fallen Heroes" is a two-part episode that concludes the sixth season of the American police drama television series Homicide: Life on the Street. It comprises the 99th and 100th overall episodes of the series, and originally aired on NBC in the United States on May 1, 1998 and May 8, 1998.
"See No Evil" is the second episode of the second season of the American police drama television series Homicide: Life on the Street, and the eleventh overall episode of the series. It originally aired on NBC in the United States on January 13, 1994. In the episode, Felton's friend kills his father in an assisted suicide, and Felton tries to convince Lewis to look the other way. In a subplot, Pembleton investigates what appears to be the police shooting of an unarmed suspect.
"Black and Blue" is the third episode of the second season of the American police drama television series Homicide: Life on the Street, and the twelfth overall episode of the series. It originally aired on NBC in the United States on January 20, 1994. In the episode, Pembleton aggressively investigates what he believes to be a police-related shooting. Amid pressure from Gee to pursue civilian suspects, Pembleton elicits a successful confession from an innocent man, leaving Gee feeling conflicted. Directed by Chris Menaul, the episode's teleplay was written by James Yoshimura based on a story by series executive producer Tom Fontana.
"Nearer My God to Thee" is the third season premiere of the American police drama television series Homicide: Life on the Street, and the fourteenth overall episode of the series. It originally aired on NBC in the United States on October 14, 1994. In the episode, the homicide department is assigned to the politically volatile murder of a beloved social worker, whose body is found wearing nothing but a pair of white gloves. Meanwhile, Felton struggles with marital problems, while Lewis and Munch try to find a business partner with whom to open a bar.
"Fire" is the season premiere of the fourth season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC on October 20, 1995. The episode was written by Julie Martin and was directed by Tim Hunter. The two-part story centres on Pembleton and Bayliss' investigation into a pair of arson-related homicides, and introduces a new regular character, Arson Squad detective Mike Kellerman, who subsequently transfers to Homicide and partners with Det. Meldrick Lewis. This episode also flagged the permanent departure of regular characters Stanley Bolander and Beau Felton.
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