 | |
| Author | John Jacob Astor IV |
|---|---|
| Illustrator | Dan Beard |
| Language | English |
| Genre | Science fiction Speculative fiction Utopian fiction |
| Publisher | D. Appleton & Co. |
Publication date | 1894 |
| Publication place | United States |
| Media type | Print (hardcover) |
| Pages | 476 pp. |
A Journey in Other Worlds: A Romance of the Future is a science fiction novel by John Jacob Astor IV, published in 1894. [1]
The book offers a fictional account of life in the year 2000. It contains abundant speculation about technological invention, including descriptions of a worldwide telephone network, solar power, air travel, space travel to the planets Saturn and Jupiter, and terraforming engineering projects — damming the Arctic Ocean, and an adjustment of the axial tilt of the Earth (Terra) by the Terrestrial Axis Straightening Company.
The future United States is a multi-continental superpower. European nations have been taken over by socialist governments, which have sold most of their African colonies to the U.S., while Canada, Mexico, and the countries of South America have requested annexation. Space travel is achieved through apergy, an anti-gravitational energy force.
Jupiter proves to be a jungle world, with flesh-eating plants, vampire bats, giant snakes and mastodons, and flying lizards. The Americans discover a wealth of exploitable resources: iron, silver, gold, lead, copper, coal, and oil.
Saturn, in contrast, is an ancient world of silent spirits. These beings provide the explorers with foresight of their own deaths. One of the spirits, a deceased bishop, tells the voyagers about the icy world Cassandra, which orbits the Sun beyond Neptune and is home to the souls of unworthy Earthlings.
A paperback edition of A Journey in Other Worlds was issued in 2003. [2]
Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. Trends in the planet's portrayal have largely been influenced by advances in planetary science. It became the most popular celestial object in fiction in the late 1800s, when it became clear that there was no life on the Moon. The predominant genre depicting Mars at the time was utopian fiction. Around the same time, the mistaken belief that there are canals on Mars emerged and made its way into fiction, popularized by Percival Lowell's speculations of an ancient civilization having constructed them. The War of the Worlds, H. G. Wells's novel about an alien invasion of Earth by sinister Martians, was published in 1897 and went on to have a major influence on the science fiction genre.
The planet Venus has been used as a setting in fiction since before the 19th century. Its opaque cloud cover gave science fiction writers free rein to speculate on conditions at its surface—a "cosmic Rorschach test", in the words of science fiction author Stephen L. Gillett. The planet was often depicted as warmer than Earth but still habitable by humans. Depictions of Venus as a lush, verdant paradise, an oceanic planet, or fetid swampland, often inhabited by dinosaur-like beasts or other monsters, became common in early pulp science fiction, particularly between the 1930s and 1950s. Some other stories portrayed it as a desert, or invented more exotic settings. The absence of a common vision resulted in Venus not developing a coherent fictional mythology, in contrast to the image of Mars in fiction.
The Moon has appeared in fiction as a setting since at least classical antiquity. Throughout most of literary history, a significant portion of works depicting lunar voyages has been satirical in nature. From the late 1800s onwards, science fiction has successively focused largely on the themes of life on the Moon, first Moon landings, and lunar colonization.
Across the Zodiac: The Story of a Wrecked Record (1880) is a science fiction novel by Percy Greg, who has been credited as an originator of the sword and planet subgenre of science fiction. It is the first science fiction novel set primarily on Mars. It contains the first documented use of the term "astronaut", here the name of a spacecraft.
Jupiter, the largest planet in the Solar System, has appeared in works of fiction across several centuries. The way the planet has been depicted has evolved as more has become known about its composition; it was initially portrayed as being entirely solid, later as having a high-pressure atmosphere with a solid surface underneath, and finally as being entirely gaseous. It was a popular setting during the pulp era of science fiction. Life on the planet has variously been depicted as identical to humans, larger versions of humans, and non-human. Non-human life on Jupiter has been portrayed as primitive in some works and more advanced than humans in others.
Saturn has made appearances in fiction since the 1752 novel Micromégas by Voltaire. In the earliest depictions, it was portrayed as having a solid surface rather than its actual gaseous composition. In many of these works, the planet is inhabited by aliens that are usually portrayed as being more advanced than humans. In modern science fiction, the Saturnian atmosphere sometimes hosts floating settlements. The planet is occasionally visited by humans and its rings are sometimes mined for resources.
Asteroids have appeared in fiction since at least the late 1800s, the first one—Ceres—having been discovered in 1801. They were initially only used infrequently as writers preferred the planets as settings. The once-popular Phaëton hypothesis, which states that the asteroid belt consists of the remnants of the former fifth planet that existed in an orbit between Mars and Jupiter before somehow being destroyed, has been a recurring theme with various explanations for the planet's destruction proposed. This hypothetical former planet is in science fiction often called "Bodia" in reference to Johann Elert Bode, for whom the since-discredited Titius–Bode law that predicts the planet's existence is named.
Neptune has appeared in fiction since shortly after its 1846 discovery, albeit infrequently. It initially made appearances indirectly—e.g. through its inhabitants—rather than as a setting. The earliest stories set on Neptune itself portrayed it as a rocky planet rather than as having its actual gaseous composition; later works rectified this error. Extraterrestrial life on Neptune is uncommon in fiction, though the exceptions have ranged from humanoids to gaseous lifeforms. Neptune's largest moon Triton has also appeared in fiction, especially in the late 20th century onwards.
Uranus has been used as a setting in works of fiction since shortly after its 1781 discovery, albeit infrequently. The earliest depictions portrayed it as having a solid surface, whereas later stories portrayed it more accurately as a gaseous planet. Its moons have also appeared in a handful of works. Both the planet and its moons have experienced a slight trend of increased representation in fiction over time.
Fictional planets of the Solar System have been depicted since the 1700s—often but not always corresponding to hypothetical planets that have at one point or another been seriously proposed by real-world astronomers, though commonly persisting in fiction long after the underlying scientific theories have been refuted. Vulcan was a planet hypothesized to exist inside the orbit of Mercury between 1859 and 1915 to explain anomalies in Mercury's orbit until Einstein's theory of general relativity resolved the matter; it continued to appear in fiction as late as the 1960s. Counter-Earth—a planet diametrically opposite Earth in its orbit around the Sun—was originally proposed by the ancient Greek philosopher Philolaus in the fifth century BCE, and has appeared in fiction since at least the late 1800s. It is sometimes depicted as very similar to Earth and other times very different, often used as a vehicle for satire, and frequently inhabited by counterparts of the people of Earth.
The Tunguska event—an enormous explosion in a remote region of Siberia on 30 June 1908—has appeared in many works of fiction.
"The Unparalleled Adventure of One Hans Pfaall" (1835) is a short story by Edgar Allan Poe published in the June 1835 issue of the monthly magazine Southern Literary Messenger as "Hans Phaall -- A Tale", intended by Poe to be a hoax.
Annals of the Twenty-Ninth Century: or, The Autobiography of the Tenth President of the World-Republic is a science fiction novel written by Andrew Blair, and published anonymously in 1874.
Comets have appeared in works of fiction since at least the 1830s. They primarily appear in science fiction as literal objects, but also make occasional symbolical appearances in other genres. In keeping with their traditional cultural associations as omens, they often threaten destruction to Earth. This commonly comes in the form of looming impact events, and occasionally through more novel means such as affecting Earth's atmosphere in different ways. In other stories, humans seek out and visit comets for purposes of research or resource extraction. Comets are inhabited by various forms of life ranging from microbes to vampires in different depictions, and are themselves living beings in some stories.
Otfrid von Hanstein (1869–1959) was a German actor and writer. As a novelist, he was prolific in various genres; his best-known works in English-language translation are science fiction novels published in various magazines by Hugo Gernsback. John Clute describes von Hanstein's science fiction as "technophilic and space-oriented, crude but competent". E. F. Bleiler reports that his SF novels were suppressed by the Nazi government.
The Sun has appeared as a setting in fiction at least since classical antiquity, but for a long time it received relatively sporadic attention. Many of the early depictions viewed it as an essentially Earth-like and thus potentially habitable body—a once-common belief about celestial objects in general known as the plurality of worlds—and depicted various kinds of solar inhabitants. As more became known about the Sun through advances in astronomy, in particular its temperature, solar inhabitants fell out of favour save for the occasional more exotic alien lifeforms. Instead, many stories focused on the eventual death of the Sun and the havoc it would wreak upon life on Earth. Before it was understood that the Sun is powered by nuclear fusion, the prevailing assumption among writers was that combustion was the source of its heat and light, and it was expected to run out of fuel relatively soon. Even after the true source of the Sun's energy was determined in the 1920s, the dimming or extinction of the Sun remained a recurring theme in disaster stories, with occasional attempts at averting disaster by reigniting the Sun. Another common way for the Sun to cause destruction is by exploding, and other mechanisms such as solar flares also appear on occasion.
Bellona's Husband: A Romance is an 1887 science fiction novel by William James Roe, published under his pseudonym Hudor Genone. It is a tale of a utopian society on Mars where everyone ages backwards, identified by John Clute in The Encyclopedia of Science Fiction as possibly the first story to revolve around the conceit.
A Honeymoon in Space is a 1901 novel by George Griffith. It was originally serialized in abridged form in Pearson's Magazine in 1900 under the title Stories of Other Worlds. The scientific romance story depicts a tour of the Solar System, a type of story that was in vogue at the time.
A Narrative of the Travels and Adventures of Paul Aermont among the Planets is an 1873 science fiction novel published under the pseudonym "Paul Aermont", the story's fictional main character who travels the Solar System in a balloon. After its initial publication, the book largely fell into obscurity and did not see a reprint until 2018.
A Plunge into Space is an 1890 science fiction novel by Irish author Robert Cromie. It describes a voyage to Mars, where Earthlings find a utopia that is so perfect as to be boring. It received mostly positive reviews upon release and likely sold well. The second edition was published in 1891 with a preface attributed to the French science fiction author Jules Verne; modern scholars have concluded that it was likely written by somebody else. Cromie later accused fellow writer H. G. Wells of plagiarising key plot elements from the book for his 1900–1901 serial The First Men in the Moon; Wells denied ever having heard of Cromie or the book.
A Journey in Other Worlds public domain audiobook at LibriVox 