50 Years of Hits is a country album by George Jones who was signed to Starday Records in 1953, released his first singles in 1954, and had his first hit with "Why Baby Why'" in 1955.
Ladies' Choice is an album by American country music artist George Jones, released in 1984 on the Epic Records label. It was composed largely of duets with female artists.
Melba Joyce Montgomery is an American country music singer and songwriter. She is known for a series of duet recordings made with George Jones, Gene Pitney and Charlie Louvin. She is also a solo artist, having reached the top of the country charts in 1974 with the song, "No Charge". Born in Tennessee but raised in Alabama, Montgomery had a musical upbringing. Along with her two brothers, she placed in a talent contest which brought her to the attention of Roy Acuff. For several years she toured the country as part of his band until she signed with United Artists Records in 1963.
My Very Special Guests is a duet album by American country music artist George Jones, released in 1979 by Epic Records.
Country Heart is an album by American country music artist George Jones. It was released in 1966 as a double LP on the Musicor Records label, and was available exclusively through the Columbia Record Club.
Famous Country Duets is an album by American country music artist George Jones with Gene Pitney and Melba Montgomery. This album was released in 1965 on the Musicor Records label.
Bluegrass Hootenanny is an album by American country music artists George Jones and Melba Montgomery released in 1964 on the United Artists Records.
What's in Our Heart is an album by American country music artists George Jones and Melba Montgomery released in 1963 on United Artists Records.
I Wish Tonight Would Never End is an album by American country music artist George Jones. It was released in 1963 on the United Artists record label.
"We Must Have Been Out Of Our Minds" is a song made famous as a duet by country music singers George Jones and Melba Montgomery. Originally released in 1963, the song became a Top 5 hit on the Billboard Hot Country Singles chart and a country music standard.
The discography of American country artist, Melba Montgomery contains 29 studio albums, eight compilation albums, 61 singles, one other charting song and has appeared on five albums. Of her studio albums, 22 are solo releases while seven are collaborative releases. Of her singles, 42 are solo releases while 18 are collaborative. Montgomery collaborated with George Jones on 1963's "We Must Have Been Out of Our Minds", which reached number three on the Billboard Hot Country Songs chart. Together, they recorded several studio albums including What's in Our Heart (1963), which reached number three on the Billboard Top Country Albums chart. The United Artists and Musicor labels issued several more singles by the pair. Among them were the top 25 songs "Multiply the Heartaches" (1965) and "Party Pickin'" (1967). She also collaborated with Gene Pitney during the sixties on the top 20 single "Baby Ain't That Fine" (1965). Both United Artists and Musicor issued several solo studio albums and singles by Montgomery during the sixties also. Among them was the charting single "Hall of Shame" (1963) and the 1967 LP, Don't Keep Me Lonely Too Long (1967).
Don’t Let the Good Times Fool You is a studio album by American country artist, Melba Montgomery. It was released March 17, 1975 via Elektra Records and was the twentieth studio album in her recording career. The disc contained 11 tracks featuring mostly original material, some of which was penned by Montgomery herself. Four singles were included, which all placed on the country charts. Among them was the title track, which reached the top 20 in 1975. The album itself also charted on the American country albums survey in 1975. It received a positive review from Billboard magazine following its release.
"Let's Invite Them Over" is a song written by Onie Wheeler, which was recorded as a duet by American country artists George Jones and Melba Montgomery. The song was released as the pair's second single in 1963.
The singles discography of American country artist, George Jones, contains 182 singles. Of the total, 136 were released with Jones as the solo artist. In addition, 31 were issued with Jones being part of a collaboration. Thirdly, eight singles were issued with Jones being part of a featured act. Fourthly, seven released were promotional singles. Additionally, 14 songs that are not released as singles are included that made any major chart. Finally, 21 music videos which were first issued as singles are also listed. Jones had his first chart success in 1955 with several top ten Billboard Hot Country Songs singles: "Why Baby Why", "What Am I Worth" and "You Gotta Be My Baby". After several more top ten releases, "White Lightning" became his first to top the Billboard country chart. Along with "Who Shot Sam", both singles were also his first to make the Hot 100 charts.
"My Tears Are Overdue" is a song by American country music artists George Jones. Composed by Freddy Hart, it was released as the B-side to "You're Heart Turned Left " and rose to #15 on the Billboard country singles chart. Although not a major hit, the song displays the virtuoso vocal talents that made the Texan one of the most respected singers in the business. Jones was so hot on the charts in the early 1960s that several of his B-sides charted, including "Sometimes You Just Can't Win," "Big Fool of the Year," and "What's in Our Heart", and even hit the bottom of the pop charts with "Ain't It Funny What a Fool Will Do."
Please Be My Love is a duet by George Jones and Melba Montgomery. It was composed by Carl Sauceman and Monroe Fields and originally recorded by Carl Sauceman and The Green Valley Boys in 1960. This was Jones and Montgomery's third single but it was only a minor hit, peaking at #31 on the Billboard country singles chart. Like many Jones/Montgomery recordings, the song has a distinct bluegrass flavor, which was atypical for Jones. Although they would release several more singles together, Jones and Montgomery would never again achieve the success they had with their Top 5 smash 1963 smash "We Must Have Been Out of Our Minds".
No Charge is a studio album by American country artist, Melba Montgomery. It was released in April 1974 via Elektra Records and was the nineteenth studio collection of Montgomery's career. The disc contained a total of 12 tracks which mixed in different styles of country music. Its title track topped the country charts in the United States and Canada in 1974. The album itself reached the top 20 of the American country LP's chart in 1974 and received positive reviews following its release.
"Wrap Your Love Around Me" is a song recorded by American country artist, Melba Montgomery. It was composed by Montgomery, along with Jack Solomon. It was the first single of Montgomery's released on Elektra Records and reached the top 40 of the American country songs chart in 1973. It was included on her 1973 eponymous studio album. It was met with positive reception from Billboard magazine in 1973.
Melba Montgomery is a self-titled studio album by American country artist, Melba Montgomery. It was released in October 1973 via Elektra Records and contained 12 tracks. The disc was Montgomery's first with the Elektra label and eighteenth album overall. Material on the album mixed both uptempo numbers with ballads. New selections along with cover songs were included. The album included two singles. The first single, "Wrap Your Love Around Me", reached the top 40 of the American country songs chart in 1973. The album received positive reception from Billboard magazine following its release.
Down Home is a studio album by American country artist, Melba Montgomery. It was released in August 1964 via United Artists Records and contained 11 tracks. It was the third studio disc released in Montgomery's recording career and her second as a solo artist. Many of the album's tracks were penned by Montgomery herself. Two of its singles reached charting positions on the American country songs chart. It received a positive review from Billboard magazine in 1964.
