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| A Movie | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | December 30, 1997 (Hong Kong) | |||
| Genre | ||||
| Length | 45.2 minutes | |||
| Producer | Mark Lui | |||
| Kelly Chen chronology | ||||
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A Movie (Film By Kelly Chen) is the fourth Cantonese studio album by Hong Kong singer Kelly Chen. It was released on December 20, 1997, through Go East Entertainment Company Ltd/ Polygram Recaords in Hong Kong. The album incorporates pop with elements of alternative, ragga and sentimental ballad. Chen wanted to shift from traditional HK-pop to alternative.
| No. | Title | Music | Lyrics | Arranger | Music Supervisor |
|---|---|---|---|---|---|
| 01 | I Want to Watch a Movie (我要看齣戲) | Mark Lui | 林夕 | Mark Lui | Mark Lui |
| 02 | Fragile Heart(心太軟) | 小蟲 | 陳少琪 | 方樹樑 | 方樹樑 |
| 03 | Tears Float Far Away (眼淚飄到很遠) | 單立文 | 單立文 | 單立文 | 單立文 |
| 04 | Expectation (期待) | Mark Lui | 周禮茂 | Mark Lui | Mark Lui |
| 05 | Lover Said (情人說)(Antohny Wong) | Mark Lui | 周禮茂 | Mark Lui | Mark Lui |
| 06 | Leaving (離開) | 單立文 | 單立文 | 單立文 | 單立文 |
| 07 | I Couldn't Say It Out (講不出口) | 黃尚偉 | 李敏 | 黃尚偉 | 黃尚偉 |
| 08 | Grasp (掌握) | 鮑比達 | 古倩敏 | 鮑比達 | 鮑比達 |
| 09 | The Woman's Charm (女人韻味) | 鮑比達 | 張美賢 | 鮑比達 | 鮑比達 |
| 10 | Way Back into Love (回情) | Mark Lui | 陳少琪 | Mark Lui | Mark Lui |
| 11 | A Movie (一齣戲) | Mark Lui | 林夕 | Mark Lui | Mark Lui |
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Cantopop or HK-pop is a genre of pop music written in standard Chinese and sung in Cantonese. Cantopop is also used to refer to the cultural context of its production and consumption. The genre began in the 1970s and became associated with Hong Kong popular music from the middle of the decade. Cantopop then reached its height of popularity in the 1980s and 1990s before slowly declining in the 2000s and experiencing a slight revival in the 2010s. The term "Cantopop" itself was coined in 1978 after "Cantorock", a term first used in 1974. In the eighties Cantopop has reached its highest glory with fanbase and concerts from allover the world, especially from Mainland China, Taiwan, Singapore, Malaysia, South Korea, and Japan. This is even more obvious with the influx of songs from Hong Kong movies during the time.
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