| A New Shade of Blue | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1971 | |||
| Recorded | 1971 Los Angeles, CA | |||
| Genre | Jazz | |||
| Length | 43:38 | |||
| Label | Mainstream MRL 314 | |||
| Producer | Bob Shad | |||
| Harold Land chronology | ||||
| ||||
A New Shade of Blue is an album recorded by American saxophonist Harold Land in 1971 for the Mainstream label. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Virgin Encyclopedia of Jazz | [3] |
AllMusic awarded the album 3 stars. [2]
A reviewer of Dusty Groove stated "An overlooked chapter in the Harold Land/Bobby Hutcherson partnership that recorded more famously for Blue Note – a date that's issued here under the tenorist's own name, but which also features equal contributions from Hutcherson on vibes! Tracks have that long, modal quality that has the pair almost birthing a whole new generation in jazz expression – a style that's more sophisticated than earlier soul jazz, yet equally soulful in its own sort of way – aware of all the freedoms of the avant scene, yet never fully indulgent of them – and always guided by a spirit set loose by Coltrane, but in ways that are very different than so many others in the post-Coltrane generation!" [4]
All compositions by Harold Land except as indicated
Note: "Dark Mood," originally issued on a "various artists" sampler, is included as a bonus track on the streaming version of this album. It was also included as a CD bonus track on the 1991 issue of Damisi .
Robert Hutcherson was an American jazz vibraphone and marimba player. "Little B's Poem", from the 1966 Blue Note album Components, is one of his best-known compositions. Hutcherson influenced younger vibraphonists including Steve Nelson, Joe Locke, and Stefon Harris.
Harold de Vance Land was an American hard bop and post-bop tenor saxophonist. Land developed his hard bop playing with the Max Roach/Clifford Brown band into a personal, modern style; often rivalling Clifford Brown's instrumental ability with his own inventive and whimsical solos. His tone was strong and emotional, yet hinted at a certain introspective fragility.
Giant Steps is the fifth studio album by jazz musician John Coltrane as leader. It was released in February 1960 on Atlantic Records. This was his first album as leader for Atlantic Records, with which he had signed a new contract the previous year. The record is regarded as one of the most influential jazz albums of all time. Many of its tracks have become practice templates for jazz saxophonists. In 2004, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. It attained gold record status in 2018, having sold 500,000 copies.
Dialogue is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1965. This was Hutcherson's first LP released as bandleader following work with Eric Dolphy. The album features four Andrew Hill compositions and two Joe Chambers pieces. It has received widespread critical acclaim and is considered by most critics one of Hutcherson's greatest achievements.
Total Eclipse is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1969. It features Hutcherson's first recordings with saxophonist Harold Land, who would become a regular collaborator with Hutcherson throughout the early 1970s. Four of the five tracks are Hutcherson compositions, the exception being Chick Corea's "Matrix".
Medina is an album by jazz vibraphonist Bobby Hutcherson. It was released in 1980 on Blue Note Records featuring six tracks recorded on 11 August 1969. The CD reissue added five tracks (#7-11) recorded in 1968, previously released on vinyl in 1979, under the title Spiral.
Now! is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label. The album is the first of Hutcherson's to feature vocals, contributed by Gene McDaniels and a chorus. The CD reissue includes four tracks recorded live at the Hollywood Bowl, in 1977.
San Francisco is an album by jazz vibraphonist Bobby Hutcherson and saxophonist Harold Land, released on the Blue Note label in May 1971. The album features a shift away from the usual hard bop-post-bop style pursued previously by Hutcherson and Land, and shifts towards jazz fusion.
Mode for Joe is the fifth studio album by American jazz saxophonist Joe Henderson, recorded and released in 1966. Featuring Henderson with a larger than usual ensemble consisting of trumpeter Lee Morgan, trombonist Curtis Fuller, vibraphonist Bobby Hutcherson, pianist Cedar Walton, bassist Ron Carter and drummer Joe Chambers. It was Henderson’s last Blue Note recording as leader until the live albums The State of the Tenor, Vols. 1 & 2 almost 20 years later.
The Procrastinator is an album by jazz trumpeter Lee Morgan released posthumously on the Blue Note label, featuring performances by Morgan, Wayne Shorter, Bobby Hutcherson, Herbie Hancock, Ron Carter and Billy Higgins. It was originally issued in 1978 as a double LP featuring tracks recorded in three different sessions: July 1967, September 1969 and October 1969.
Ethiopian Knights is an album by American trumpeter Donald Byrd featuring performances by Byrd with Thurman Green, Harold Land, Bobby Hutcherson, Joe Sample and others, recorded for the Blue Note label in 1971.
Head On is an album by American jazz vibraphonist Bobby Hutcherson recorded in 1971 and released on the Blue Note label. The album was rereleased on CD with three additional recordings from the sessions as bonus tracks.
Cirrus is an album by American jazz vibraphonist Bobby Hutcherson recorded in 1974 and released on the Blue Note label.
Bobby Hutcherson Live at Montreux is a live album by American jazz vibraphonist Bobby Hutcherson recorded at the Montreux Jazz Festival in 1973 and released on the Blue Note label. The album was rereleased on CD with one additional performance from the concert as a bonus track.
Inner Glow is an album by American jazz vibraphonist Bobby Hutcherson recorded in 1975 and originally released on the Japanese Blue Note label. While never issued in the U.S. the tracks were included on the Mosaic Records box set Mosaic Select 26: Bobby Hutcherson, released in 2007.
Patterns is an album by the jazz vibraphonist Bobby Hutcherson, released on the Blue Note label. Although recorded in 1968, the album was not released until 1980. "A Time to Go" was composed by James Spaulding as a tribute to Martin Luther King Jr., recorded just three weeks before his assassination. "Effi" was composed by Stanley Cowell as a dedication to his wife, and the remaining pieces were composed by Joe Chambers.
Farewell Keystone is a live album by American jazz vibist Bobby Hutcherson recorded in 1982 at Keystone Korner in San Francisco and released on the Theresa label in 1988. The 1992 Evidence CD reissue added a bonus track.
Les McCann Ltd. in New York is a live album by pianist Les McCann recorded in 1961 and released on the Pacific Jazz label.
Eternal Equinox is an album by the Gerald Wilson Orchestra recorded in 1969 which became his last released on the Pacific Jazz label.
The New Wave in Jazz is a live album recorded on March 28, 1965 at the Village Gate in New York City. It features groups led by major avant-garde jazz artists performing at a concert for the benefit of The Black Arts Repertory Theater/School founded by Amiri Baraka, then known as LeRoi Jones. The album was released on LP in 1965 on the Impulse! label, and was reissued on CD in 1994 with a different track listing.