Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives, and many formerly prominent SA members are absent.
The German American Bund, or the German American Federation, was a German-American Nazi organization which was established in 1936 as a successor to the Friends of New Germany. The organization chose its new name in order to emphasize its American credentials after the press accused it of being unpatriotic. The Bund was allowed to consist only of American citizens of German descent. Its main goal was to promote a favorable view of Nazi Germany.
Fritz Julius Kuhn was a German Nazi activist who served as the elected leader of the German American Bund, a German-American Nazi organization before World War II. He became a naturalized United States citizen in 1934, though his citizenship was revoked in 1943 owing to his status as a foreign agent of Nazi Germany. Kuhn served prison time for larceny and forgery from 1939 to 1943 and, upon release, was immediately interned by the federal government as an enemy agent. He was deported in 1945 and later served further prison time in post-war Germany before dying in 1951.
Heinrich "Heinz" Spanknöbel was a German immigrant to America who formed, and for a short time led, the pro-Nazi Friends of New Germany as its Bundesleiter.
The Eternal Jew is a 1940 antisemitic Nazi propaganda film, presented as a documentary. The film's initial German title was Der ewige Jude, the German term for the character of the "Wandering Jew" in medieval folklore. The film was directed by Fritz Hippler at the insistence of Nazi Germany's Minister of Propaganda, Joseph Goebbels.
Nazism made extensive use of the cinema throughout its history. Though it was a relatively new technology, the Nazi Party established a film department soon after it rose to power in Germany. Both Adolf Hitler and his propaganda minister, Joseph Goebbels, used the many Nazi films to promote the party ideology and show their influence in the burgeoning art form, which was an object of personal fascination for Hitler. The Nazis valued film as a propaganda instrument of enormous power, courting the masses by means of slogans that were aimed directly at the instincts and emotions of the people. The Department of Film also used the economic power of German moviegoers to influence the international film market. This resulted in almost all Hollywood producers censoring films critical of Nazism during the 1930s, as well as showing news shorts produced by the Nazis in American theaters.
Confessions of a Nazi Spy is a 1939 American spy political thriller film directed by Anatole Litvak for Warner Bros. It was the first explicitly anti-Nazi film to be produced by a major Hollywood studio, being released in May 1939, four months before the beginning of World War II in Europe, and two and a half years before the United States' official entry into the war.
Fritz Hippler was a German filmmaker who ran the film department in the Propaganda Ministry of Nazi Germany, under Joseph Goebbels. He is best known as the director of the propaganda film Der Ewige Jude .
Die Deutsche Wochenschau is the title of the unified newsreel series released in the cinemas of Nazi Germany from June 1940 until the end of World War II, with the final edition issued on 22 March 1945. The co-ordinated newsreel production was set up as a vital instrument for the mass distribution of Nazi propaganda at war. Today the preserved Wochenschau short films make up a significant part of the audiovisual records of the Nazi era.
Marshall Curry is an American documentary director, producer, cinematographer and editor. His films include Street Fight, Racing Dreams, If a Tree Falls: A Story of the Earth Liberation Front, Point and Shoot, and A Night at the Garden. His first fiction film was the Academy Award-winning short film The Neighbors' Window (2019).
The Yellow Star: The Persecution of the Jews in Europe 1933–45 is a 1980 West German documentary film directed by Dieter Hildebrandt (author) and produced by Producers Bengt von zur Mühlen and Arthur Cohn.
The anti-Nazi boycott was an international boycott of German products in response to violence and harassment by members of Adolf Hitler's Nazi Party against Jews following his appointment as Chancellor of Germany on January 30, 1933. Examples of Nazi violence and harassment included placing and throwing stink bombs, picketing, shopper intimidation, humiliation and assaults. The boycott was spearheaded by some Jewish organizations but opposed by others.
Fascism has a long history in North America, with the earliest movements appearing shortly after the rise of fascism in Europe.
Hitler's Reign of Terror is an independently released 1934 film that attacked the activities of Adolf Hitler in Nazi Germany, and is often credited as being the "first-ever American anti-Nazi film." The film is a combination of newsreel footage, documentary, and reenactment. Despite the fact that the New York State Censor Board refused the film a license, it played for two weeks in New York City theaters which filled to capacity. In Chicago the film was only released after the title was changed to Hitler Reigns to placate the German government. Mordaunt Hall gave the film a negative review in The New York Times when it was released. Film Daily scoffed at the film for its prediction that Hitler's Germany was a future threat to world peace.
The Christian Front was an far-right anti-Semitic political association active in the United States from 1938 to 1940, started in response to radio priest Charles Coughlin. The Christian Front was mainly based in New York City and many of its members were Irish and German American Catholics. Their activities included distributing like-minded publications and participating in rallies. After the American government began investigations in the late 1930s, a few members were arrested and prosecuted. The trials of these members discredited the entire movement and by the end of 1940, the Christian Front was no longer active.
Arnie Bernstein is an American writer of historical nonfiction. His works include Bath Massacre: America’s First School Bombing and Swastika Nation: Fritz Kuhn and the Rise and Fall of the German-American Bund.
The War for Men's Minds is a 21-minute 1943 Canadian documentary film, made by the National Film Board of Canada (NFB) as part of the wartime The World in Action series. The film was produced by Stuart Legg. The film describes the impact of propaganda from the Axis powers in 1943, during the Second World War. The French version title is À la conquête de l'esprit humain.
On February 20, 1939, a Nazi rally took place at Madison Square Garden, organized by the German American Bund. More than 20,000 people attended, and Fritz Julius Kuhn was a featured speaker. The Bund billed the event, which took place two days before George Washington's Birthday, as a pro-"Americanism" rally; the stage at the event featured a huge portrait of George Washington with swastikas on each side. Approximately 100,000 anti-Nazi counter-protesters gathered outside, attempting to break through lines of police officers guarding the rally on three occasions. The Bund rapidly declined in the aftermath of the rally, with Kuhn being imprisoned for embezzlement by the end of the year.
Nazism in the Americas has existed since the 1930s and continues to exist today. The membership of the earliest groups reflected the sympathies some German-Americans and German Latin-Americans had for Nazi Germany. They embraced the spirit of Nazism in Europe and they sought to establish it within the Americas. Throughout the inter-war period and the outbreak of World War II, American Nazi parties engaged in activities such as sporting Nazi propaganda, storming newspapers, spreading Nazi-sympathetic materials, and infiltrating other non-political organizations.
