A Night in New Arabia | |
---|---|
Directed by | Thomas R. Mills |
Written by | F. R. Buckley |
Based on | O. Henry |
Produced by | Vitagraph/Broadway Star Features Co. |
Starring |
|
Distributed by | General Film Co. |
Release date |
|
Running time | 4 reels (Approx. 60 min.) |
Country | United States |
Language | Silent (English intertitles). [1] |
A Night in New Arabia is a lost 1917 four-reel silent film, directed by Thomas Mills. [2] It is based on the short story "A Night in New Arabia" from Strictly Business, a collection of 23 short stories by O. Henry published in 1910. The movie critic for the Moving Picture World , Margaret I. MacDonald, says that it "...is one of the best of the O. Henry four-part features". [3]
The picture was part of the O. Henry Stories series of films produced by Vitagraph Studios/Broadway Star Features and distributed by the General Film Company. All based on O. Henry short stories, these pictures featured many of the same actors and included Friends in San Rosario, The Third Ingredient , The Marionettes , The Green Door , Past One at Rooney's , The Cop and the Anthem , The Gold That Glittered , The Duplicity of Hargraves , The Guilty Party , The Last Leaf and The Love Philtre of Ikey Schoenstein . [4]
William Sydney Porter, better known by his pen name O. Henry, was an American writer known primarily for his short stories, though he also wrote poetry and non-fiction. His works include "The Gift of the Magi", "The Duplicity of Hargraves", and "The Ransom of Red Chief", as well as the novel Cabbages and Kings. Porter's stories are known for their naturalist observations, witty narration, and surprise endings.
Zenobia is a 1939 comedy film directed by Gordon Douglas and starring Oliver Hardy, Harry Langdon, Billie Burke, Alice Brady, James Ellison, Jean Parker, June Lang, Stepin Fetchit and Hattie McDaniel. The source of the film was the 1891 short story "Zenobia's Infidelity" by H.C. Bunner, which was originally purchased by producer Hal Roach as a vehicle for Roland Young.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
Cleo Madison was a theatrical and silent film actress, screenwriter, producer, and director who was active in Hollywood during the silent era.
The Trail of Hate is a 1917 American silent drama film that portrayed the military exploits and personal rivalries of two United States Army officers stationed in the American West and later in the Philippines. The production starred John Ford, who at that time was credited as "Jack Ford". Currently classified as a lost film, this two-reel short is identified by some biographers of John Ford and in many filmographies, both in print and online, to be his second release as a director. He is also credited in various sources for writing the film's screenplay or "scenario". Other Ford biographers, however, most notably American director and film historian Peter Bogdanovich, credit this production's screenplay and its direction to John's older brother Francis Ford.
The Brat is a 1931 American Pre-Code comedy film directed by John Ford, starring Sally O'Neil, and featuring Virginia Cherrill. The film is based on the 1917 play by Maude Fulton. A previous silent film had been made in 1919 with Alla Nazimova. This 1931 screen version has been updated to then contemporary standards i.e. clothing, speech, topics in the news.
Agnes Vernon was an American film actress of the silent era. While still in her teens, she experienced a meteoric ascent from obscurity to box-office sensation. After turning twenty-three and a movie career fading away, she abandoned the silver screen forever. Vernon performed in over 90 films between 1913 and 1922. She completed most of her roles under contract with Universal Pictures.
Mary Anderson was an American actress, who performed in over 77 silent films between 1914 and 1923.
The Incorrigible Dukane is a 1915 silent dramedy and farce produced by Daniel Frohman and released by Famous Players Film Company. Directed by James Durkin, it stars John Barrymore in his fifth feature film. Adapted from the novel of the same name by George C. Shedd, it is the earliest known surviving John Barrymore feature film.
The Last Leaf is a short story by O. Henry published in his 1907 collection The Trimmed Lamp and Other Stories. The story first appeared on October 15, 1905, in the New York World.
Sundown is a 1924 American silent Western film directed by Laurence Trimble and Harry O. Hoyt, produced and distributed by First National Pictures, and starring Bessie Love. Frances Marion, Marion Fairfax, and Kenneth B. Clarke wrote the screenplay based on an original screen story by Earl Hudson. This film was the only production cinematographer David Thompson ever worked on. This film is presumed lost.
John K. Wells was an American actor, director, producer, and writer of the Silent film era. Wells was a 29-year old actor who earned his first credited role in the 1915 Universal short film — The Queen of Hearts.
The Dawn of Understanding is a lost 1918 American silent Western comedy film produced by The Vitagraph Company of America and directed by David Smith. It stars Bessie Love in the first film of her nine-film contract with Vitagraph. It is based on the short story "The Judgement of Bolinas Plain" by 19th-century Western writer Bret Harte.
A Kentucky Cinderella is a 1917 American silent drama directed by Rupert Julian and featured Rupert Julian and Ruth Clifford, and a cast including child actress Zoe Rae. It was released June 25, 1917 by Bluebird Photoplays, a subsidiary of Universal Studios.
Night Life in Hollywood, called The Shriek of Hollywood in Europe, is a 1922 American silent comedy film directed by Fred Caldwell. It starred J. Frank Glendon, Josephine Hill, and Gale Henry, and featured a number of cameo appearances of celebrities with their families.
Shoes is a 1916 silent film drama directed by Lois Weber and starring Mary MacLaren. It was distributed by the Universal Film Manufacturing Company and produced by Bluebird Photoplays, a subsidiary of Universal based in New York City and with access to Universal's studio facilities in Fort Lee, New Jersey as well as in California. Shoes was added to the National Film Registry in 2014.
Alfred Emory Johnson was an American actor, director, producer, and writer. As a teenager, he started acting in silent films. Early in his career, Carl Laemmle chose Emory to become a Universal Studio leading man. He also became part of one of the early Hollywood celebrity marriages when he wed Ella Hall.
The Beautiful Lie is a 1917 American silent drama film, directed by John W. Noble. It stars Frances Nelson, Harry S. Northrup, and Edward Earle, and was released on May 21, 1917. It tells the tale of a woman whose reputation is sullied, and then recovered. It received mostly positive reviews, and the performances by the three stars were all given high marks for their work, particularly Nelson. As of 2024, it is considered a lost film.
The Adopted Son is a 1917 American silent drama film directed by Charles Brabin and starring Francis X. Bushman, Beverly Bayne, and Leslie Stowe. It was released on October 29, 1917.
The Right to Be Happy is an American silent film from 1916 that draws inspiration from Charles Dickens' 1843 Novella, A Christmas Carol. This film was Universal's first attempt at making a Feature film based on Dickens' novella. Throughout the silent era, it stood as the first and only feature film adaptation of A Christmas Carol by an American or foreign film company. The movie was directed by Rupert Julian and supported by a cast of Universal Bluebird players, including Rupert Julian, Claire McDowell, and Harry Carter.