A Night in the Life | ||||
---|---|---|---|---|
Live album by | ||||
Released | April 24, 2007 | |||
Recorded | November 28–30, 2003 | |||
Venue | Jazz Standard, NYC | |||
Genre | Jazz | |||
Length | 52:05 | |||
Label | HighNote HCD 7164 | |||
Producer | Reggie Marshall, Randall Funke | |||
Frank Morgan chronology | ||||
|
A Night in the Life (subtitled Live at the Jazz Standard Vol. 3) is a live album by saxophonist Frank Morgan which was recorded at the Jazz Standard in 2003 and released on the HighNote label in 2007. [1] [2] [3]
Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
All About Jazz | [5] |
The review by AllMusic's Michael G. Nastos said: "Frank Morgan's final release while still alive stands as a testament to his gentle, unassuming soul, his fluid drive playing the bop music born from the seeds and stems germinated by Charlie Parker, and his ability to touch a live audience with music". [4]
All About Jazz reviewer John Barron stated "It would be too convenient to write off A Night in the Life as just another blowing session with predictable results. What makes this set worthwhile, as well as the previously released City Nights: Live at the Jazz Standard, Volume 1 and Raising the Standard: Live at the Jazz Standard, Volume 2 , is the uninhibited passion of an authentic master bearing his soul to an audience who is appreciative of the lyrical offerings being captured". [5]
In JazzTimes , Owen Cordle noted "If you think you’ve heard these half-dozen bebop standards too many times before, reconnect via Frank Morgan’s jubilant alto saxophone expression, nimble lines and personal approach to the changes. There are lessons to be learned throughout this 2003 set at the Jazz Standard". [6]
Theodore "Fats" Navarro was an American jazz trumpet player and a pioneer of the bebop style of jazz improvisation in the 1940s. A native of Key West, Florida, he toured with big bands before achieving fame as a bebop trumpeter in New York. Following a series of studio sessions with leading bebop figures including Tadd Dameron, Bud Powell, and Kenny Clarke, he became ill with tuberculosis and died at the age of 26. Despite the short duration of his career, he had a strong stylistic influence on trumpet players who rose to fame in later decades, including Clifford Brown and Lee Morgan.
Frank Morgan was a jazz saxophonist with a career spanning more than 50 years. He mainly played alto saxophone but also played soprano saxophone. He was known as a Charlie Parker successor who primarily played bebop and ballads.
The Sixth Sense is an album by jazz trumpeter Lee Morgan, released on the Blue Note label in 1970. The album features performances by Morgan, Jackie McLean, Frank Mitchell, Cedar Walton, Victor Sproles and Billy Higgins. The CD reissue added three tracks featuring Harold Mabern and Mickey Bass.
On My Way & Shoutin' Again! is an album released by pianist, composer and bandleader Count Basie featuring compositions by Neal Hefti recorded in 1962 and originally released on the Verve label.
Dear John C. is an album by American jazz drummer Elvin Jones featuring performances recorded in 1965 for the Impulse! label. The "John C." mentioned in the title is John Coltrane. The album was also released on SACD. It features Jones leading a quartet of alto saxophonist Charlie Mariano, pianist Roland Hanna and bassist Richard Davis.
Quartet West is an album by the American jazz bassist Charlie Haden, recorded in 1986 and released on the Verve label.
Libra is the debut album by saxophonist Gary Bartz' Quintet, recorded in 1967 and released on the Milestone label.
Artworks is an album by saxophonist Art Pepper recorded in 1979 at the sessions that produced So in Love but not released on the Galaxy label until 1984.
Spirit Song is an album by pianist Kenny Barron recorded in New York in 1999 and released on the Verve label.
Modern Windows is an album by saxophonist Bill Barron which was recorded in 1961 and first released on the Savoy label. The album was reissued on CD combined with The Tenor Stylings of Bill Barron in 2000.
Reflections is an album by saxophonist Frank Morgan which was recorded in 2005 and released on the HighNote label the following year.
Bebop Lives! is a live album by saxophonist Frank Morgan which was recorded at the Village Vanguard in 1986 and released on the Contemporary label.
Raising the Standard is a live album by saxophonist Frank Morgan which was recorded at the Jazz Standard in 2003 and released on the HighNote label in 2005.
City Nights: Live at the Jazz Standard is the first of three live albums by saxophonist Frank Morgan that were recorded at the Jazz Standard in 2003 and released on the HighNote label.
Bop! is an album by saxophonist Frank Morgan released in 1997 on the Telarc label.
Love, Lost & Found is an album by saxophonist Frank Morgan recorded in 1995 and released on the Telarc label.
It's Magic is an album by saxophonist Sonny Stitt recorded in 1969 but not released by the Delmark label until 2005.
Monday Night at Birdland is a live album which was recorded at Birdland in 1958 by tenor saxophonists Hank Mobley and Billy Root, trombonists Kai Winding and Curtis Fuller, and trumpeter Lee Morgan. It was first released by the Roulette label. Symphony Sid wrote the liner notes.
Another Monday Night at Birdland is a live album which was recorded at Birdland in 1958 by tenor saxophonists Hank Mobley and Billy Root, trombonist Curtis Fuller, and trumpeter Lee Morgan. It was released by the Roulette label.
Sphere is an album by the American jazz group Sphere. It was recorded on October 4, 1997, in New York City and New Jersey, and was released in 1998 by Verve. The album features saxophonist Gary Bartz, replacing original band member Charlie Rouse, who died in 1988, pianist Kenny Barron, bassist Buster Williams, and drummer Ben Riley. Sphere was the group's first album since 1988's Bird Songs.