Paul Hörbiger was an Austrian theatre and film actor.
Ringstraßenpalais is an Austrian-West German television series.
Madame Wants No Children is a 1926 German silent drama film directed by Alexander Korda and starring María Corda, Harry Liedtke and Maria Paudler. It is based on the novel Madame ne veut pas d'enfants by the French writer Clément Vautel. The film was made for the American Fox Film Corporation's German subsidiary. The film was shot at Tempelhof Studios in late 1926. It was the last European film Korda made until 1930 as he left for the United States shortly after its production.
Strauss Is Playing Today is a 1928 German silent drama film directed by Conrad Wiene and starring Alfred Abel, Hermine Sterler and Imre Ráday. The film was made at the Tempelhof Studios in Berlin. It portrays the relationship between the father and son Austrian composers Johann Strauss I and Johann Strauss II.
Once There Was a Waltz is a 1932 German operetta film directed by Victor Janson and starring Mártha Eggerth, Rolf von Goth and Paul Hörbiger. It was shot at the Tempelhof Studios in Berlin with sets designed by the art director Jacek Rotmil. It premiered in Berlin on 14 April 1932. The film was remade in Britain as Where Is This Lady?, released the same year.
The Prince of Pappenheim is a 1927 German silent comedy film directed by Richard Eichberg and starring Mona Maris, Curt Bois and Dina Gralla. Bois' character of an ambitious young man was closely modelled on the early film appearances of Ernst Lubitsch. It was shot at the Babelsberg Studios and on location in Baden-Baden. The film's art direction was by Jacek Rotmil. It premiered at the Gloria-Palast in Berlin.
Mischievous Miss is a 1930 German silent comedy film directed by Erich Schönfelder and starring Julius Falkenstein, Dina Gralla and Albert Paulig. It was made at the Staaken Studios in Berlin, with some scenes shot on location in Portugal. The film's sets were designed by the art director Heinrich Richter. It premiered at Berlin's Marmorhaus cinema.
The Wife of Forty Years is a 1925 German silent drama film directed by Richard Oswald and starring Diana Karenne, Vladimir Gajdarov and Sig Arno. The film's art direction was by Paul Leni.
The Trial of Donald Westhof is a 1927 German silent crime film directed by Fritz Wendhausen and starring Oskar Homolka, Karin Evans and Imre Ráday. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Robert Neppach. It premiered at the Ufa-Palast am Zoo in Berlin. Produced by UFA, it was distributed as part of the Parufamet agreement.
Maria Ilona is a 1939 German historical drama film directed by Géza von Bolváry and starring Paula Wessely, Willy Birgel, and Paul Hörbiger. The film is set in Austria during the reign of Ferdinand I. It is an adaptation of Oswald Richter-Tersik's novel Ilona Beck.
The Soaring Maiden is a 1931 German comedy film directed by Carl Boese and starring Lissy Arna, S.Z. Sakall and Dina Gralla. It was shot at the Halensee Studios in Berlin. The film's sets were designed by the art director Franz Schroedter.
The Crazy Countess is a 1928 German silent film directed by Richard Löwenbein and starring Ralph Arthur Roberts, Werner Fuetterer, and Hanni Weisse. It was based on an operetta of the same title.
Why Cry at Parting? is a 1929 British-German silent film directed by Richard Eichberg and starring Dina Gralla, Harry Halm and Paul Morgan.
Children of Fortune is a 1931 British-German crime film directed by Alexander Esway and starring Dina Gralla, Kurt Vespermann and Vicky Werckmeister. It was made as the German-language version of Children of Chance. It was made at Elstree Studios and distributed in Germany by Süd-Film, which was owned by British International Pictures.
The Woman from Till 12 is a 1928 German silent comedy film directed by Erich Schönfelder and starring Werner Fuetterer and Dina Gralla. Much of the film's action takes place in a department store. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by Kurt Richter. It was released as part of the Parufamet agreement between UFA and the major Hollywood companies.
The Page Boy at the Golden Lion is a 1928 German silent comedy film directed by Carl Boese and starring Fritz Kampers, Gustl Gstettenbaur and Maria Mindzenty. It was shot at the Terra and National Studios in Berlin. The film's art direction was by Karl Machus.
Mikosch Comes In is a 1952 West German comedy film directed by Johann Alexander Hübler-Kahla and starring Georg Thomalla, Willy Fritsch and Paul Hörbiger. It was shot at the Tempelhof Studios in West Berlin. The film's sets were designed by the art directors Willi A. Herrmann and Heinrich Weidemann.
The Csardas Princess is a 1927 German-Hungarian silent romance film directed by Hanns Schwarz and starring Liane Haid, Imre Ráday and Ferenc Vendrey. It is based on the 1915 operetta The Csardas Princess, the title referring to the popular Hungarian Csárdás dance.
The Cabbie's Song is a 1936 German romantic drama film directed by E. W. Emo and starring Paul Hörbiger, Gusti Huber, and Franz Schafheitlin. The film offers a nostalgic view of Vienna during the old Imperial Era. It takes its name from a popular Viennese song, and its set in the 1880s at the time of the song's composition. It was made at the Bavaria Studios in Munich and partly shot on location in Budapest and Vienna. The film's sets were designed by the art director Emil Hasler.
An Auto and No Money is a 1932 German comedy film directed by Jacob Fleck and Luise Fleck and starring Paul Kemp, Dina Gralla and Igo Sym. It was shot at the Hunnia Studios in Budapest. The film's sets were designed by the art director Max Heilbronner.
