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The Blue and White Lion is a 1952 West German comedy film directed by Werner Jacobs and Olf Fischer and starring Wastl Witt, Elise Aulinger and Lore Frisch.
The Motorist Bride is a 1925 German silent romance film directed by Richard Eichberg and starring Hans Mierendorff, Lee Parry and Ernst Hofmann. The film is notable for the use of Lilian Harvey as a stunt double for Parry during the mountaineering scenes shot in Switzerland. Harvey quickly graduated to become the top star of Richard Eichberg's production company.
We Danced Around the World is a 1939 German musical film directed by Karl Anton and starring Charlotte Thiele, Irene von Meyendorff, and Carola Höhn. It is a backstage musical. The film's sets were designed by Paul Markwitz and Fritz Maurischat.
The House of Lies is a 1926 German silent drama film directed by Lupu Pick and starring Werner Krauss, Mary Johnson and Lucie Höflich. It is an adaptation of Ibsen's 1884 play The Wild Duck. The film's art direction was by Albin Grau.
Adam and Eve is a 1923 German silent drama film directed by Friedrich Porges and Reinhold Schünzel and starring Werner Krauss, Dagny Servaes and Rudolf Forster.
The Merry Farmer is a 1927 German silent film directed by Franz Seitz and starring Carmen Boni, Werner Krauss and S.Z. Sakall. It is based on the 1907 operetta of the same title. A 1951 film adaptation was also made.
The Grey House is a 1926 German silent film directed by Friedrich Feher and starring Magda Sonja, Erna Morena and Werner Krauss.
Hunted Men is a German silent film made in 1924 and directed by Erich Schönfelder and starring Lucy Doraine, Johannes Riemann and Hans Albers.
Reveille: The Great Awakening is a 1925 German silent war film directed by Fritz Kaufmann and starring Werner Krauss, Ruth Weyher and Gerd Briese. It is sometimes confused with the 1924 British film Reveille by George Pearson, but the two films apparently have no links other than their similar title.
Adam and Eve is a 1928 German silent comedy film directed by Rudolf Biebrach and starring Reinhold Schünzel, Elza Temary and Valerie Boothby.
Artists is a 1928 German silent film directed by Géza von Bolváry and starring Gyula Szőreghy, Anton Edthofer, and John Mylong.
Decoy is a 1934 German adventure film directed by Hans Steinhoff and starring Jakob Tiedtke, Viktor de Kowa, and Jessie Vihrog. A separate French-language version, The Decoy, was released the following year with a largely different cast.
The Seven Dresses of Katrin is a 1954 West German romantic comedy film directed by Hans Deppe and starring Sonja Ziemann, Paul Klinger, and Georg Thomalla. The film tells the story of a woman's life through seven dresses she wears.
The Great Test is a 1954 West German drama film directed by Rudolf Jugert and starring Luise Ullrich, Hans Söhnker and Karin Dor.
Hotel Sacher is a 1939 German drama film directed by Erich Engel and starring Sybille Schmitz, Willy Birgel, and Wolf Albach-Retty.
Miss Beryll is a 1921 German silent film directed by Frederic Zelnik and starring Lya Mara, Erich Kaiser-Titz, and Fritz Schulz.
Fanny Elssler is a 1920 German historical film directed by Friedrich Zelnik and starring Lya Mara, Ernst Hofmann, and Rudolf Forster. It is based on the life of the nineteenth century Austrian dancer Fanny Elssler.
The Uncanny House is a 1916 German silent mystery film directed by Richard Oswald and starring Werner Krauss, Reinhold Schünzel and Lupu Pick. It was released in three parts. The second part was called Der chinesische Götze and the third Freitag, der 13.
The Woman Without a Soul is a 1920 German silent film directed by Léo Lasko and starring Edith Meller, Werner Krauss and Alfred Abel.
The Twins from Zillertal is a 1957 West German comedy film directed by Harald Reinl and starring the twins Isa Günther and Jutta Günther, Joachim Fuchsberger and Karin Dor. It takes its title from the Zillertal Valley in Tyrol. It was shot in Eastmancolor at the Bavaria Studios in Munich with location shooting in Austria at the Schloss Matzen, Krimml Waterfalls, Zell am Ziller and Innsbruck. The film's sets were designed by the art director Arne Flekstad. It was part of the post-Second World War boom in Heimatfilm.
References
- ↑ Bock & Bergfelder, p. 262.
