A Very Young Lady | |
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Directed by | Harold D. Schuster |
Screenplay by | Elaine Ryan |
Based on | Matura (play) by Ladislas Fodor |
Produced by | Robert Kane |
Starring | Jane Withers Nancy Kelly John Sutton Janet Beecher Richard Clayton June Carlson |
Cinematography | Edward Cronjager |
Edited by | James B. Clark |
Music by | David Buttolph Cyril J. Mockridge |
Production company | |
Distributed by | 20th Century Fox |
Release date |
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Running time | 80 minutes |
Country | United States |
Language | English |
A Very Young Lady is a 1941 American comedy film directed by Harold D. Schuster and starring Jane Withers and Nancy Kelly. [1] It was produced and distributed by Twentieth Century Fox. It was based on the play Matura by Ladislas Fodor which had previously been adapted by the studio into the 1936 film Girls' Dormitory . [2]
Kitty Russell is sent to a finishing school to tame her manners. While there she develops a crush on the headteacher Doctor Franklin Meredith, who is also the target of admiration from one of the female teachers.
Nancy Kelly was an American actress in film, theater, and television. A child actress and model, she was a repertory cast member of CBS Radio's The March of Time, and appeared in several films in the late 1920s. She became a leading lady upon returning to the screen in the late 1930s, while still in her teens, and made two dozen movies between 1938 and 1946, including portraying Tyrone Power's love interest in the classic Jesse James (1939), which also featured Henry Fonda, and playing opposite Spencer Tracy in Stanley and Livingstone, later that same year. After turning to the stage in the late 1940s, she had her greatest success in a character role, the distraught mother in The Bad Seed, receiving a Tony Award for Best Actress in a Play for the 1955 stage production and an Academy Award nomination as Best Actress for the 1956 film adaptation, her last film role. Kelly then worked regularly in television until 1963, then took over the role of Martha in the original Broadway production of Who's Afraid of Virginia Woolf? for several months. She returned to television for a handful of appearances in the mid-1970s.
Kitty Kelly, was an American stage and film character actress.
Virginia Field was a British-born film actress.
Jean Rogers was an American actress who starred in serial films in the 1930s and low–budget feature films in the 1940s as a leading lady. She is best remembered for playing Dale Arden in the science-fiction serials Flash Gordon (1936) and Flash Gordon's Trip to Mars (1938).
Jane Withers was an American actress and children's radio show hostess. She became one of the most popular child stars in Hollywood in the 1930s and early 1940s, with her films ranking in the top ten list for box-office gross in 1937 and 1938.
Robert De Grasse was an American cinematographer and member of the American Society of Cinematographers. Over the course of his career, he was nominated for an Academy Award in 1939 and a Primetime Emmy Award in 1958.
Harry J. Wild, A.S.C. was a film and television cinematographer. Wild worked at RKO Pictures studios from 1931 through the 1950s. In total Wild was involved in 91 major film projects and two extended television series.
Helen Broderick was an American actress known for her comic roles, especially as a wisecracking sidekick.
Olivia Joyce Compton was an American actress.
Hessy Doris Lloyd was a British actress. She appeared in The Time Machine (1960) and The Sound of Music (1965).
Joan Standing was an English actress best known for playing Nurse Briggs in the 1931 horror film Dracula. She appeared in more than 60 films from 1919 to 1940.
Iris Meredith was a B-movie actress of the 1930s and 1940s film era. She starred mostly in heroine roles, in westerns.
Mary Katherine Linaker was an American actress and screenwriter who appeared in many B movies during the 1930s and 1940s, most notably Kitty Foyle (1940) starring Ginger Rogers. Linaker used her married name, Kate Phillips, as a screenwriter, notably for the cult movie hit The Blob (1958). She is credited with coining the name "The Blob" for the movie, which was originally titled "The Molten Meteor".
Elizabeth Russell was an American actress. Born in Philadelphia, Pennsylvania, she was best known for her roles in several of producer Val Lewton's low-budget horror films produced at RKO Pictures in the mid-1940s. She was the sister-in-law of Rosalind Russell.
Paddy O'Day is a 1936 American comedy drama film directed by Lewis Seiler and released by 20th Century Fox. It stars Jane Withers, Pinky Tomlin, and Rita Hayworth. The story follows the adventures of a plucky Irish girl who arrives at Ellis Island only to discover that her mother, a cook in a wealthy Long Island home, has died. Hiding from the immigration officers who want to deport her, she charms everyone she meets, including the service staff and reclusive young master of the house. She goes to live with a family of Russian dancers that she met on the ship, and performs with them in their nightclub. Withers uses a heavy Irish brogue for her character and sings one song with an Irish accent and another song with a Russian accent. She also dances in several numbers, while Hayworth performs a traditional Russian dance in a nightclub revue.
Charles Pearce Coleman was an Australian-born American character actor of the silent and sound film eras.
Sarah Edwards was a Welsh-born American film and stage actress. She often played dowagers or spinsters in numerous Hollywood movies of the 1930s and 1940s, mostly in minor roles.
Gentle Julia is a 1936 American drama film directed by John G. Blystone and starring Jane Withers, Tom Brown and Marsha Hunt. It is an adaptation of the 1922 novel of the same title by Booth Tarkington.
My Best Gal is a 1944 American comedy film directed by Anthony Mann and written by Olive Cooper and Earl Felton. The film stars Jane Withers, Jimmy Lydon, Frank Craven, Fortunio Bonanova, George Cleveland and Franklin Pangborn. The film was released on March 28, 1944, by Republic Pictures.
The Midshipmaid is a 1931 British comedy play by Ian Hay and Stephen King-Hall, which ran for 227 performances at the Shaftesbury Theatre in London's West End. The following year Hay wrote a novel based on the play.