External links
- Queer Cargo at IMDb
Films directed by Harold Schuster | |
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 | This article related to a British film of the 1930s is a stub. You can help Wikipedia by expanding it. |
| Queer Cargo | |
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| Directed by | Harold D. Schuster |
| Written by | |
| Based on | the play Queer Cargo by Noel Langley |
| Produced by | Walter C. Mycroft |
| Starring | |
| Cinematography | Otto Kanturek |
Production company | |
| Distributed by | Associated British Film Distributors |
Release date |
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Running time | 61 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | £33,923 [1] |
Queer Cargo is a 1938 British drama film directed by Harold D. Schuster and starring John Lodge, Judy Kelly and Kenneth Kent. [2] It was made at Elstree Studios. [3] It was based on a play of the same title by Noel Langley.
| | This article related to a British film of the 1930s is a stub. You can help Wikipedia by expanding it. |
Brandy for the Parson is a 1952 British comedy film directed by John Eldridge and starring Kenneth More, Charles Hawtrey, James Donald and Jean Lodge. It was based on a short story by Geoffrey Household from Tales of Adventurers (1952). The title is a reference to the refrain of the poem "A Smuggler's Song" by Rudyard Kipling.
Tomorrow at Ten is a 1962 British second feature thriller film directed by Lance Comfort and starring John Gregson, Robert Shaw and Kenneth Cope. It was written by James Kelley and Peter Miller.
The Seventh Survivor is a 1942 British spy war film directed by Leslie S. Hiscott and starring Austin Trevor, Linden Travers and John Stuart. It was produced by British National Films and Shaftesbury Films. Shot in 1941, it was released in January the following year. The film was made at the Riverside Studios in Hammersmith as a second feature. It was one of several British films of the time that take place predominantly on lighthouses including Tower of Terror and Sabotage at Sea.
The Midas Touch is a 1940 British thriller film directed by David MacDonald and starring Barry K. Barnes, Judy Kelly, Frank Cellier and Bertha Belmore. It is an adaptation of the 1938 novel of the same title by Margaret Kennedy.
The White Lilac is a 1935 British mystery film directed by Albert Parker and starring Basil Sydney, Judy Gunn, Claude Dampier and Percy Marmont. It is based upon the play of the same name by Ladislas Fodor. It was made at Wembley Studios as a quota quickie by the British subsidiary of Fox Film.
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Luck of the Navy is a 1938 British comedy thriller film directed by Norman Lee and starring Geoffrey Toone, Judy Kelly and Clifford Evans. Shot at Elstree Studios it was based on the play The Luck of the Navy by Mrs Clifford Mills and is also known by the alternative title of North Sea Patrol.
The Last Chance is a 1937 British drama film directed by Thomas Bentley and starring Frank Leighton, Judy Kelly and Laurence Hanray. Its plot involves a gunrunner who makes a jail break in order to gather evidence to prove he is innocent of murder. It was made as a supporting feature at British International Pictures' second studio at Welwyn.
Feet of Clay is a 1960 British crime film directed by Frank Marshall and starring Vincent Ball, Wendy Williams and Hilda Fenemore. It was written by Mark Grantham and produced by The Danzigers.
Diplomatic Passport is a 1954 British thriller film directed by Gene Martel and starring Marsha Hunt, Paul Carpenter, Henry Oscar and Honor Blackman. The film stars Hollywood actress Marsha Hunt, who was blacklisted during the McCarthyite era of the early 1950s. Like others in the same position, Hunt was obliged to seek work in the United Kingdom. Produced as a second feature it was made at MGM's Elstree Studios near London.
Glad Tidings is a 1953 British comedy film directed by Wolf Rilla and starring Barbara Kelly, Raymond Huntley and Ronald Howard. It was based on the play of the same title by R. F. Delderfield and made at the Nettlefold Studios in Walton-on-Thames. The film's art direction was by John Stoll. The backers Eros Films were pleased enough with the film's success to adapt another Delderfield play as Where There's a Will in 1955.
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Three Sundays to Live is a low budget 1957 second feature ('B')} film noir British film directed by Ernest Morris and starring Kieron Moore and Jane Griffiths. It was written by Brian Clemens and produced by The Danzigers.
Strange Cargo is a 1936 British crime film directed by Lawrence Huntington and starring Kathleen Kelly, George Mozart and Moore Marriott. The film is notable for an early performance by George Sanders who went on to success in Hollywood. It was made at British and Dominions Elstree Studios for release by Paramount Pictures. It is also known by the alternative title Breakers Ahead. Criminal gun runners smuggle illegal arms onto a British ship at a South American port.
Why Pick on Me? is a 1937 British comedy film directed by Maclean Rogers and starring Wylie Watson, Jack Hobbs and Sybil Grove. It was made at Walton Studios. It was made as a quota quickie for release by the American company RKO Pictures.
Counterspy is a 1953 British second feature thriller film directed by Vernon Sewell and starring Dermot Walsh, Hazel Court and Hermione Baddeley. An accountant comes into possession of secret papers sought by both the government and a spy ring.
Death of an Angel is a 1952 British 'B' crime drama film directed by Charles Saunders and starring Patrick Barr, Jane Baxter and Jean Lodge. The screenplay was by Reginald Long based on the play This is Mary's Chair by Frank King.
The Green Carnation is a 1954 British crime film directed by John Lemont and starring Wayne Morris, Mary Germaine and Marcia Ashton.
The Monarch Film Corporation was a British film distribution company active during the 1940s and 1950s. It specialised in supplying second features to British cinemas. The company handled a mixture of British and American films, as well as the Australian film Strong Is the Seed. It involved itself in production at times, and produced several more ambitious features including Hindle Wakes (1952) and A Yank in Ermine (1956). It had an arrangement with ACT Films under John Croydon to handle films made at Walton Studios. The 1952 adventure film Men Against the Sun (1952) was, unusually for the second feature market, a costume adventure film despite its running time.