| A Victory For Common Sense | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | July 2009 | |||
| Length | 49:49 | |||
| Label | Helium Records | |||
| Producer | Chris Hughes | |||
| Stackridge studio album chronology | ||||
| ||||
A Victory For Common Sense is the eighth and final studio album by the British rock group Stackridge. It was released in the UK by Helium Records in 2009.
| Review scores | |
|---|---|
| Source | Rating |
| The Times |   [1] |
Andy Gill of The Independent said, "The reformed group's new album finds their strengths and weaknesses in full supply, notably their air of whimsical Englishness. Several tracks reflect a wistful sense of lost heritage comparable to The Kinks Are the Village Green Preservation Society ." He noted that the album had more of a 1980s sounds to it, but that the latter half of the album featured "the kind of unfocused meanderings that rendered prog-rock old". [2]
Stackridge were a British rock group which had their greatest success in the early 1970s.
Mr. Mick is the fifth studio album released by the British rock group Stackridge in 1976. It originally was released in the UK by The Rocket Record Company, and its catalogue number was ROLL 3. This was the first album by Stackridge to go unreleased in the United States.
At Last...The Duets Album is the second cover album and thirteenth studio album by saxophonist Kenny G. It was released by Arista Records in 2004, and reached number 1 on the Contemporary Jazz chart, number 21 on the Top R&B/Hip-Hop Albums chart and number 40 on the Billboard 200.
Stackridge is the 1971 debut album by the English group Stackridge. It was one of the first releases on the MCA Records label in the U.K. It first appeared on CD in 1997, released by Demon Records in the U.K. In 2006 it was re-issued again by Angel Air.
Friendliness is the second album by the British rock group Stackridge. The album was produced by Stackridge and Victor Gamm at Sound Techniques, London. This was the only Stackridge album to be released on the MCA Records label both in the UK and the USA.
The Man In The Bowler Hat is the third album by the British rock group Stackridge. The album was produced by George Martin at AIR Studios, London and released in the UK by MCA Records. This was their highest charting album, peaking at number 23 in the UK Albums Chart.
Extravaganza is the fourth album by the British rock group Stackridge. The album was produced by Tony Ashton at AIR Studios, London. The band experienced a significant lineup change after its previous album, with James Warren, James "Crun" Walter and Billy Sparkle all leaving.
Do The Stanley is a compilation album of songs by the British group Stackridge. It was released in the U.K. by MCA Records after their break-up in 1976. The album contains some of the most popular tracks from their first three albums as well as songs from singles. The last song on the album "Let There Be Lids" was previously unreleased. The album is no longer available, but all of the songs have since been re-issued on other Stackridge CDs. Most of these songs are included on the 2006 collection Purple Spaceships Over Yatton: The Best of Stackridge.
The Korgis is the debut studio album by English pop band, the Korgis. It was released in 1979 on Rialto Records in the UK, and on Warner Bros. Records in the US.
Burning Questions is a studio album by English singer and composer James Warren, former member of groups Stackridge and The Korgis. It was released on Sonet Records in 1986.
Kollection is a compilation/studio album by English pop band The Korgis. It was released in 2005.
Don't Look Back – The Very Best of The Korgis is a two disc compilation album by English pop band The Korgis. It was released by Sanctuary Records/Castle Communications in the UK in 2003.
If Only My Heart Had a Voice is the twenty-fifth studio album by country music superstar Kenny Rogers. It was Rogers' first album released on the Giant Records label. However, Rogers had been signed with its parent company, WEA, since 1989. The album was Rogers' first since 1976 not to chart. The album includes the singles "Missing You", "Ol' Red" and "Wanderin' Man".
"Everybody's Got to Learn Sometime" is a 1980 single written by James Warren and first performed by British pop band the Korgis; Warren was lead singer in the band. It has subsequently been covered by numerous other artists.
Change is Now: Renewing America's Promise is a compilation album released on April 28, 2009 through Hidden Beach Recordings in conjunction with the Presidential Inaugural Committee. The album includes previously released tracks from Wilco, Stevie Wonder, Death Cab for Cutie, and Common. An accompanying DVD features eight speeches by Barack Obama, starting with the campaign announcement in Springfield, Illinois and ending with the election night victory speech in Chicago. The album sold retail online and at inaugural events in Washington.
Sex and Flags is a compilation of songs by the British group Stackridge. It was released in the U.K. by Angel Air.
Closer is sixth full-length album by Christian music singer Susan Ashton. It was released in 1999 on Capitol Nashville. It was her only disc for the label. It was produced by Emory Gordy, Jr. The album contains songs written by Diane Warren, Matraca Berg and Kim Richey. Ashton herself only co-wrote one song here, "Think of Me".
Guitar Slinger is the twelfth studio album by American country music artist Vince Gill. It was released on October 25, 2011 via MCA Nashville. A deluxe edition was also released with three bonus tracks.
Something for the Weekend is the sixth studio album by the British rock group Stackridge. It was released in the UK in October 1999 by Angel Air.
How Mercy Looks from Here is the eighteenth studio album from contemporary Christian music singer and songwriter and recording artist Amy Grant. The album was released by Capitol CMG and Sparrow Records on May 14, 2013. The album is produced by Marshall Altman, marking his first collaboration with Grant. The first single released in support of the album is "Don't Try So Hard", a faith-based ballad featuring James Taylor singing harmonized background accompaniment.
