Related Research Articles
Shobhana Samarth was an Indian director, actress and producer, who began her career in the early days of talkie movies in the Hindi film industry and continued in lead roles into the 1950s.
Pagal is a 1940 Indian Hindi-language film. It was the fourth highest grossing Indian film of 1940. The psycho-social melodrama was directed by A. R. Kardar for Ranjit Movietone. Kardar also wrote the dialogues and story for the film. Khemchand Prakash composed the music with lyrics written by D. N. Madhok. The film's protagonist was Prithviraj Kapoor playing a doctor with psychological problems, working in a "lunatic asylum". The rest of the cast included Madhuri, Sitara Devi, Noor Mohammed Charlie, Khatoon, Trilok Kapoor and Sunalini Devi.
Anjaan is a 1941 Indian Hindi-language film directed by Amiya Chakrabarty and produced by Bombay Talkies. It was Chakrabarty's first film direction. The film's story and screenplay were by Amiya Chakrabarty, with dialogues by J. S. Casshyap. The cinematography was by the debutant R. D. Mathur. Its music direction was by Pannalal Ghosh, with lyrics by Kavi Pradeep and P. L. Santoshi. The film starred Devika Rani, who had recently returned to films after a two-year absence, following the death of her husband Himanshu Rai in 1940. The cast included Ashok Kumar, David, V. H. Desai, Gulab, Suresh and Om Prakash.
Rani (Queen) also called Ranee is a Bollywood film. It was released in 1943 and directed by P.C. Barua. Barua produced, scripted and acted as the lead in the film. Jamuna and Patience Cooper were his co-stars. The music direction was by Kamal Dasgupta with lyrics by Pandit Madhur. The film was a bilingual made simultaneously in Hindi and in the Bengali language as Chandar Kalanka. The rest of the cast included Jahar Ganguly, Bikram Kapoor and Kalavati.
Vidyapati is a 1937 Bengali biopic film directed by Debaki Bose for New Theatres. It starred Pahari Sanyal as Vidyapati. His costars in the film were Kanan Devi, Prithviraj Kapoor, Chhaya Devi, Leela Desai, K. C. Dey and Kidar Sharma. The music was by R. C. Boral and lyrics by Kidar Sharma. Debaki Bose and Qazi Nazrul Islam wrote the story, screenplay and dialogues. The story is about the Maithili poet and Vaishnava saint Vidyapati. The songs of the film became popular and the lyrics though encapsulating Vidyapati's poetry were considered bold for its time. This however ensured the film garnered crowds at the theatres making it a big success of 1937.
Manzil is a 1936 Hindi film from New Theatres. A bilingual made in Hindi and Bengali (Grihadah), it was directed by P.C. Barua from a story by Saratchandra Chattopadhyay. The dialogues and lyrics were by Arzu Lucknowi and music composed by R. C. Boral and Pankaj Mullick. The cast included Prithviraj Kapoor, Jamuna, Pahari Sanyal, Molina Devi, K. C. Dey and Boken Chatto. The story, a love triangle, revolves around two friends Mahim and Suresh and the girl they both love, Achala.
Chingari (transl. Embers) is a 1940 social Hindi film directed by Sarvottam Badami. Made under the banner of Sudama Productions, the film had music by Gyan Dutt. Prithviraj Kapoor shifted from New Theatres Ltd. Calcutta to Bombay, where he worked under Badami in two films, Sajani and Chingari both made in 1940. The cast included Prithviraj Kapoor, Sabita Devi, E. Billimoria, Meera, Khatoon and Keshavrao Date.
The Secretary is a 1938 Hindi-language Indian comedy film directed by Chaturbhuj Doshi. The film was produced by Chandulal Shah under the Ranjit Pictures banner. The music was provided by Gyan Dutt with lyrics by Pyare Lal Santoshi. The main cast was Noor Mohammed Charlie, Trilok Kapoor, Madhuri, Kalyani Das, Waheedan Bai and Rajkumari.
Holi is a 1940 Hindi/Urdu social drama film directed by A. R. Kardar. Holi was produced by Ranjit Movietone and had music composed by Khemchand Prakash with lyrics by D. N. Madhok. It had Khursheed and Motilal starring in the lead with Sitara Devi, Ishwarlal, Keshavrao Date, Dixit, Ghory and Manohar Kapoor.
Baghban (Gardener) is a 1938 Hindi/Urdu family drama film directed by A. R. Kardar. The story was by Begum Ansari with script and screenplay by Kardar. Film's music was composed by Mushtaq Hussain with lyrics by Mirza Shauq. The cast included Nandrekar, Bimla Kumari, Nazir, Sitara Devi, K. N. Singh, Wasti and Ashraf Khan.
Milap (transl. the union is a 1937 Indian Hindi/Urdu-language social drama film directed by A. R. Kardar. Produced under the Moti Mahal Pictures banner, it had music composed by K. C. Dey. Milap was a big success for the actress Rampyari.
Jeevan Prabhat is a 1937 Hindi film social drama, produced by Bombay Talkies and directed by Franz Osten. The music director was Saraswati Devi with lyrics and dialogues by J. S. Casshyap. The screenplay was by Niranjan Pal. The film's "star value" was Devika Rani, with Kishore Sahu making his debut as an actor in the film. The cast included another debutant, Renuka Devi, with Mumtaz Ali, Maya Devi and M. Nazir.
Bhabhi (Sister-in-Law) is a 1938 social family drama Hindi film directed by Franz Osten. The film was based on a Bengali novel written by Sharadindu Bandyopadhyay called "Bisher Dhoan". Bandyopadhyay was a famous Bengali novelist and short story writer also known as the creator of the fictional detective Byomkesh Bakshi. The cinematographers were Wirsching and Pareenja. Dialogues and lyrics by J. S. Casshyap. V. H. Desai, the comedian, got his "big break" in Bhabhi when he joined Bombay Talkies. He became popular as the nervous father of the heroine Renuka Devi. S. N. Tripathi started his acting with a small role in the film. The film had the new found Renuka Devi in the lead.
Shanta Apte (1916–1964) was an Indian actress-singer who worked in Marathi and Hindi cinema. Renowned for her roles in films like Duniya Na Mane/Kunku (1937) and Amar Jyoti (1936) under the Prabhat Films banner, she was active in Indian cinema from 1932 to 1958. Apte's impact on Marathi cinema "paralleled" that of Kanan Devi in Bengali cinema. Along with Kanan Devi, Apte is cited as one of the "great singing stars" from before the playback singing era. Apte began her career in films playing the role of a young Radha in the Marathi film Shyamsunder (1932). She joined Prabhat Films acting in her first Hindi language film Amrit Manthan in (1934).
Nartaki (Dancer) is a 1940 film directed by Debaki Bose for New Theatres Ltd, Calcutta. A bilingual made in Hindi and in Bengali, it had story and screenplay written by Bose, with cinematography by Yusuf Mulji. Music was composed by Pankaj Mullick. The cast had actress Leela Desai playing the title role of Nartaki. Najam also called Najam-Ul-Hasain or Najmul Hussain had left Bombay Talkies following his affair and elopement with Devika Rani, had now joined New Theatres Ltd, where he was cast in films like Anath Ashram (1937), Dushman (1939), Kapal Kundala (1939), and Nartaki. The rest of the main cast included Jagdish Sethi, Wasti and Pankaj Mullick in the Hindi version.
Bibbo was a music composer, singer and actress who worked in both Indian and Pakistani films. She acted in Indian cinema from 1931 to 1947 before moving to Pakistan, following Partition of India in 1947. She started her acting career with Ajanta Cinetone Ltd. in 1933, working with directors like M. D. Bhavnani and A. P. Kapoor. She was one of the top leading ladies of the 1930s along with actresses like Devika Rani, Durga Khote, Sulochana, Mehtab, Shanta Apte, Sabita Devi, Leela Desai and Naseem Banu. She was referred to as "one of the most important female stars of the 1930s and 1940s". Her fame had her featured in the lyrics of a popular song from the film Gharib Ke Lal (1939) sung by Mirza Musharraf and Kamla Karnataki, with music by Sagheer Asif and lyrics by Rafi Kashmiri. "Tujhe Bibbo Kahoon Ke Sulochana", where Sulochana referred to another popular actress of the time. This was the first time a song featuring famous actors was used in the lyrics of a film song.
Sabita Devi (1914–1965) was a Hindi film actress in Indian cinema. She is stated to be one of the "prominent" leading ladies of the "pioneering era" of Indian cinema along with Mehtab, Bibbo, Durga Khote, Gohar, Devika Rani and Seeta Devi. A Jewish by birth, she changed her name to find acceptability in Hindi cinema like the other Anglo-Indian and Jewish actresses of her time, Sulochana, Seeta Devi, Madhuri, and Manorama. After initially working with British Dominion Films Ltd., Calcutta, she shifted to Bombay and performed mainly in films produced by Sagar Movietone with her co-star in most films being Motilal. Some of the popular films with Motilal were Dr. Madhurika (1935) and Kulvadhu (1937) directed by Sarvottam Badami. Their first film together was Shaher Ka Jadoo (1934), which was also Motilal's debut film, and then Lagna Bandhan (1936) both directed by Kaliprasad Ghosh. She acted in Silver King (1935) with Motilal. It was an action film directed by C. M. Luhar, which became a "huge success".
Gorakh Aya is a 1938 Hindi mythology film from Ranjit Movietone. It was the debut directorial venture for Chaturbhuj Doshi, who had made a name for himself as a journalist and publicist. The screenplay was by Gunvantrai Acharya, with dialogues by Pyare Lal Santoshi. The cinematographer was Krishna gopal and music was composed by Gyan Dutt.
Munawar Sultana was an Indian cinema actress, who acted in Hindi films. She is cited as one of the "popular" actresses of the late 1940s to early 1950s period, along with Noor Jehan, Swarnalata and Ragini. Her specialty was playing a selfless woman, enduring the rough treatment meted by her husband and family, but who eventually "brought her erring husband back home".
Hamrahi (transl. Companion/Partner), is a 1945 Hindi social drama film of Indian Cinema. The film was a bilingual, and was a remake of its popular Bengali version called Udayer Pathey (1944). Bimal Roy, after working as a cinematographer with New Theatres, Calcutta, launched into feature film direction. Udayer Pathey was Roy's debut film as a director in Bengali films, while Hamrahi was his first directorial venture in Hindi cinema. The original story and dialogues for Bengali version were written by Jyotirmoy Roy, with the dialogues in Hindi written by Mohanlal Bajpai. Produced by New Theatres, Calcutta, the cinematographer was Bimal Roy. The music direction was by Raichand Boral and the lyrics were by Zakir Husain. The film included Rabindranath Tagore's song, "Jana Gana Mana", even before it became the national anthem of India.
References
- ↑ Ashish Rajadhyaksha; Paul Willemen; Professor of Critical Studies Paul Willemen (2014). "Abhagin (1938)". Encyclopedia of Indian Cinema. Routledge. p. 274. ISBN 978-1-135-94318-9.
- ↑ Sanjit Narwekar (1994). Directory of Indian film-makers and films. Flicks Books. p. 167. ISBN 9780948911408.
- ↑ Bimal Roy, a Man of Silence. Indus. 1994. ISBN 978-81-7223-154-5.
- ↑ "Abhagin (1938)". citwf.com. Alan Goble. Retrieved 25 July 2015.
- ↑ "Abhigyan (1938)". citwf.com. Alan Goble. Retrieved 25 July 2015.
- ↑ Patel, Baburao (August 1938). "Round The Town". Filmindia. 4 (4): 40. Retrieved 25 July 2015.
- ↑ Patel, Baburao (September 1941). "Studio Close Ups". Filmindia. 4 (5): 54. Retrieved 25 July 2015.
- ↑ "Abhagin 1938". muvyz.com. Muvyz, Ltd. Retrieved 25 July 2015.
