Absinthe | ||||
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Studio album by | ||||
Released | December 10, 1993 | |||
Recorded | December 1992 | |||
Studio | Electric Lady Studio, New York City | |||
Genre | ||||
Length | 46:17 | |||
Label | Avant Avan 004 | |||
Producer | John Zorn | |||
Naked City chronology | ||||
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John Zorn chronology | ||||
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Absinthe is the fifth and final studio album by the band Naked City. Unlike the band's other genre-mixing releases, the music on Absinthe is consistently in an ambient and noise style.
The titles of many of its tracks refer to the works of Paul Verlaine, Charles Baudelaire and other figures in the fin de siècle Decadent movement, and to the drink after which the album is named. The album's cover and liner notes feature photographs by the German Surrealist Hans Bellmer.
From the official description on the now defunct Avant website:
"Joey Baron plays bags of dry leaves, fishing reels and buckshot. Bill Frisell solos on a microtonal guitar. Wayne Horvitz samples everything from crickets to Giacinto Scelsi. Fred Frith does what he does best. Zorn doesn't even touch the saxophone."[ citation needed ]
The final track, "...Rend Fou", is a six-minute recording of Frisell and Frith running their guitar jacks over the inputs of their guitars.
The album was also released as part of Naked City: The Complete Studio Recordings on Tzadik Records.
Review scores | |
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Source | Rating |
Allmusic | [1] |
The Allmusic review by Caleb Deupree states "Naked City's final album is by far its most puzzling and enigmatic... Nothing in Naked City's previous oeuvre prepares the listener for this collection, a complete reversal from the hardcore and thrash metal, but looking forward to Zorn's interest in minimalist pieces like Redbird and Duras ." [1]
All compositions by John Zorn
No. | Title | Length |
---|---|---|
1. | "Val de Travers" | 6:19 |
2. | "Une Correspondance" | 5:09 |
3. | "La Fée Verte" | 5:12 |
4. | "Fleurs Du Mal" | 4:06 |
5. | "Artemisia Absinthium" | 4:31 |
6. | "Notre Dame De L'oubli (For Olivier Messiaen)" | 4:48 |
7. | "Verlaine: Part I: Un Midi Moins Dix" | 4:24 |
8. | "Verlaine: Part II: La Bleue" | 6:01 |
9. | "...Rend Fou" | 6:03 |
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. In 2013, Down Beat described Zorn as "one of our most important composers" and in 2020 Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".
Naked City was an avant-garde music group led by saxophonist and composer John Zorn. Active primarily in New York City from 1988 to 1993, Naked City was initiated by Zorn as a "composition workshop" to test the limits of composition in a traditional rock band lineup. Their music incorporated elements of jazz, surf, progressive rock, classical, heavy metal, grindcore, country, punk rock, and other genres.
Wayne Horvitz is an American composer, keyboardist and record producer. He came to prominence in the Downtown scene of 1980s and '90s New York City, where he met his future wife, the singer, songwriter and pianist Robin Holcomb. He is noted for working with John Zorn's Naked City among others. Horvitz has since relocated to the Seattle, Washington area where he has several ongoing groups and has worked as an adjunct professor of composition at Cornish College of the Arts.
Naked City is an album by John Zorn, released on Elektra Nonesuch in February 1990. The band assembled by Zorn for the album would later be known as Naked City. The album is characterized by its covers of movie themes and its fusion of various musical genres.
The Big Gundown is an album by American composer and saxophonist/multi-instrumentalist John Zorn. It comprises radically reworked covers of tracks by the Italian film composer Ennio Morricone.
Grand Guignol is the second full-length studio album released by John Zorn's band Naked City in 1992 on the Japanese Avant label. The album followed Torture Garden, which was a compilation of "hardcore miniatures" from Naked City and Grand Guignol. The album is notable for the inclusion of cover versions of pieces written by classical composers, the guest vocal of Bob Dorough, and also, like Torture Garden, a selection of "hardcore miniatures" which are intense, fast-tempo, brief compositions, which feature the wailing of Zorn's alto sax, and the screams of Yamatsuka Eye. The album is titled after the infamous Grand Guignol theater in Paris, which was open from 1897 to 1962, where performances centered around extreme violence.
Leng Tch'e is the fourth release from John Zorn's band Naked City. It consists of a single track, running at just over half an hour. It was first released on the Japanese Toys Factory label in 1992. Unlike Naked City's previously material, which was known for its fast tempo and rapid transitions between a variety of heterogeneous styles, Leng Tch'e is a more avant-garde take on sludge metal. It was reissued in 1997 along with Torture Garden in the double-disc collection Black Box.
Heretic is the third studio album by the band Naked City, used as a soundtrack for the underground S/M film Jeux des Dames Cruelles. The album utilises different combinations of band members in duos and trios with the entire band performing together on only one track "Fire and Ice".
Clearing is a guitar solo album by English guitarist, composer and improvisor Fred Frith. It was Frith's first solo guitar recording since Live in Japan (1982) and his first solo guitar studio recording since his landmark 1974 album Guitar Solos.
Radio is the fourth studio album by the band Naked City, and their first to be composed entirely by bandleader John Zorn. The album was also released as part of Naked City: The Complete Studio Recordings on Tzadik Records in 2005.
Filmworks 1986–1990 features the first released film scores of John Zorn. The album was originally released on the Japanese labels Wave and Eva in 1990, on the Nonesuch Records label in 1992, and subsequently re-released on Zorn's own label, Tzadik Records, in 1997 after being out of print for several years.
"For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly ; a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."
Torture Garden is an album by John Zorn's Naked City with vocalist Yamatsuka Eye on vocals. The album collects the 42 "hardcore miniatures" recorded by the band. Nine of these short intense improvisations were spread across Naked City and the other 33 would feature on the next album, Grand Guignol. As Zorn explained in 1990:
Basically, this Naked City record came out, right. In the middle of it are about ten songs that are really short and hard. I said I wanted to do a record of 40 of those pieces, cause I was really interested in the compression and compactness of form that that music gets to. The guys at Nonesuch were not interested. If I wanted to do that, I better take it somewhere else. So what I managed to do was get them to bankroll the whole thing, and then I licensed it to Earache and Shimmy for basically no money and no royalties. So they are just putting this stuff out that Nonesuch bankrolled.
Naked City: The Complete Studio Recordings is a five disc box set that contains all of the studio albums released by Naked City during their five-year history.
Naked City Live is a live album recorded by Naked City in 1989 and released on John Zorn's Tzadik label in 2002. All of the songs, with the exception of "Erotico", "The Way I Feel" and "Skate Key", were later recorded in the studio for the band's debut album. To date it is the only official live release by the band.
Black Box is a compilation album by John Zorn's band Naked City featuring Yamatsuka Eye on vocals. The album is a collection of the "hardcore miniatures" from Naked City and Grand Guignol that were originally released on Torture Garden in 1990 and the extended piece Leng Tch'e which was only released in Japan in 1992. This compilation was released on Tzadik Records in 1996.
New Traditions in East Asian Bar Bands is an album by American composer and saxophonist/multi-instrumentalist John Zorn consisting of improvised music from paired instruments and narration in Chinese, Korean and Vietnamese. The pieces are listed individually within Zorn's game pieces and were composed in 1986, 1988 and 1990 respectively.
Cobra is a double album featuring a live and studio performance of John Zorn's improvisational game piece, Cobra recorded in 1985 and 1986 and released on the Hathut label in 1987. Subsequent recordings of the piece were released on Knitting Factory, Avant and Zorn's own label Tzadik Records, ) in 2002.
Is That You? is the second album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1990 and features performances by Frisell, keyboardist Wayne Horvitz and drummer Joey Baron, who were all members of Naked City at this time.
Avant Records was a record label in Japan that specialized in avant-garde jazz, avant rock, and experimental music. The label released more than 80 albums between 1992 and 2004.
Miracle Mile is an album by American keyboardist and composer Wayne Horvitz's band The President recorded in 1992 and released on the Elektra/Nonesuch label.