The Big House is a 1930 American pre-Code prison drama film directed by George Hill, released by Metro-Goldwyn-Mayer, and starring Chester Morris, Wallace Beery, Lewis Stone and Robert Montgomery. The story and dialogue were written by Frances Marion, who won the Academy Award for Best Writing Achievement. As one of the first prison movies, it inspired many others of this genre.
The Letter is a 1940 American crime film noir melodrama directed by William Wyler, and starring Bette Davis, Herbert Marshall and James Stephenson. The screenplay by Howard E. Koch is based on the 1927 play of the same name by W. Somerset Maugham derived from his own short story. The play was first filmed in 1929, by director Jean de Limur. The story was inspired by a real-life scandal involving the Eurasian wife of the headmaster of a school in Kuala Lumpur who was convicted in a murder trial after shooting dead a male friend in April 1911. She was pardoned by the local sultan after a public furor.
Margaret Livingston, sometimes credited as Marguerite Livingstone or Margaret Livingstone, was an American film actress and businesswoman during the silent film era. She is remembered today as "the Woman from the City" in F. W. Murnau's 1927 film Sunrise: A Song of Two Humans.
Sixteen Candles is a 1984 American coming-of-age teen comedy film starring Molly Ringwald, Michael Schoeffling, and Anthony Michael Hall. Written and directed by John Hughes in his directorial debut, it was the first in a string of films Hughes would direct, centering on teenage life. The film follows newly 16-year-old Samantha Baker (Ringwald), who deals with a seemingly unrequited crush on high school senior Jake Ryan (Schoeffling) while also being pursued by freshman Farmer Ted (Hall).
Manhattan Melodrama is a 1934 American pre-Code crime drama film, produced by MGM, directed by W. S. Van Dyke, and starring Clark Gable, William Powell, and Myrna Loy. The movie also provided one of Mickey Rooney's earliest film roles. The film is based on a story by Arthur Caesar, who won the Academy Award for Best Original Story. It was also the first of Myrna Loy and William Powell's fourteen screen pairings.
The Asphalt Jungle is a 1950 American heist film noir directed and co-written by John Huston, and starring Sterling Hayden and Louis Calhern, with Jean Hagen, James Whitmore, Sam Jaffe, John McIntire, and Marilyn Monroe in one of her earliest roles. Based on the 1949 novel by W. R. Burnett, it tells the story of a jewel robbery in a Midwestern city.
The Magician is a 1926 American silent fantasy horror film directed by Rex Ingram about a magician's efforts to acquire the blood of a maiden for his experiments to create life. It was adapted by Ingram from the 1908 novel The Magician by W. Somerset Maugham. It stars Alice Terry, Paul Wegener and Iván Petrovich. Critic Carlos Clarens wrote that it was "perhaps the most elusive of lost films." However, since the time Clarens wrote this, various prints of the film have surfaced. Some have screened at independent movie festivals from 1993 onwards, and the film has also been shown on Turner Classic Movies. It remained commercially unavailable until being released on DVD in the Warner Brothers Archive Collection in 2011.
Born to Kill is a 1947 RKO Pictures American film noir starring Lawrence Tierney, Claire Trevor and Walter Slezak with Esther Howard, Elisha Cook Jr., and Audrey Long in supporting roles. The film was director Robert Wise's first film noir production, preceding his later work on The Set-Up (1949) and The Captive City (1952).
Tension is a 1949 American crime film noir directed by John Berry, and written by Allen Rivkin, based on a story written by John D. Klorer. It stars Richard Basehart, Audrey Totter, Cyd Charisse and Barry Sullivan.
Stolen Face is a 1952 British film directed by Terence Fisher and starring Paul Henreid, Lizabeth Scott and André Morell. The screenplay was by Martin Berkeley and Richard Landau based on a story by Alexander Paal and Steven Vas.
Dangerous to Know is a 1938 American crime film directed by Robert Florey and starring Anna May Wong, Akim Tamiroff and Gail Patrick. The picture is based on British crime writer Edgar Wallace's hit 1930 play, On the Spot, which had been inspired by the career of Al Capone. Anna May Wong reprised her stage role from the New York production in the movie. The supporting cast features Lloyd Nolan and Anthony Quinn.
Possessed is a 1931 American pre-Code drama film directed by Clarence Brown, starring Joan Crawford and Clark Gable and released by Metro-Goldwyn-Mayer. The film is the story of Marian Martin, a factory worker who rises to the top as the mistress of a wealthy attorney. The screenplay by Lenore J. Coffee was adapted from the 1920 Broadway play The Mirage by Edgar Selwyn. Possessed was the third of eight film collaborations between Crawford and Gable.
Where East Is East is a 1929 American synchronized sound drama film starring Lon Chaney as an animal trapper in Laos. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The motion picture is Chaney's penultimate film without dialogue and the last of his collaborations with director Tod Browning. Metro-Goldwyn-Mayer used the Western Electric sound-on-film process to record the soundtrack for the film.
The Rainbow Man is a 1929 American pre-Code musical drama film. A copy of The Rainbow Man is preserved by the Library of Congress Packard Campus.
Samuel B. Hardy was an American stage and film actor who appeared in feature films during the silent and early sound eras.
The Courtship of Andy Hardy is a 1942 film, part of the Andy Hardy series. It gave an early role to Donna Reed although Mickey Rooney had lobbied for his then-wife Ava Gardner to have her part. Within a few months of the film's release, she filed for divorce.
Love's Whirlpool is a 1924 American silent crime drama film directed by Bruce Mitchell and starring James Kirkwood and Lila Lee.
Capital Punishment is a surviving 1925 American silent melodrama film directed by James P. Hogan and starring Clara Bow, Margaret Livingston, Mary Carr, and Elliott Dexter. It was produced by B. P. Schulberg and is now in the public domain. It was written and produced with the intent of challenging the viewing public question the use of capital punishment.
The Mad Room is a 1969 American horror drama film directed by Bernard Girard, and starring Stella Stevens, Shelley Winters, Skip Ward, Carole Cole, Severn Darden, Beverly Garland, Michael Burns, and Barbara Sammeth. It is a loose remake of the 1941 film Ladies in Retirement, which had been adapted from a 1940 play of the same title written by Reginald Denham and Edward Percy.
The Heart Punch is a 1932 American pre-Code melodrama film directed by B. Reeves Eason, and starring Lloyd Hughes, Marion Shilling and Mae Busch. It was one of the first films from Mayfair Pictures. The film's sets were designed by the art director Paul Palmentola.
