Fifteen Wives | |
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Directed by | Frank R. Strayer |
Written by | |
Produced by | Maury M. Cohen |
Starring | |
Cinematography | M.A. Anderson |
Edited by | Roland D. Reed |
Production company | Invincible Pictures |
Distributed by | Chesterfield Pictures |
Release date |
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Running time | 65 minutes |
Country | United States |
Language | English |
Fifteen Wives is a 1934 American mystery film directed by Frank R. Strayer and starring Conway Tearle, Natalie Moorhead and Raymond Hatton. [1]
After arriving from South America, a man is murdered at a New York hotel. When the police investigate, they discover he has fifteen wives.
Vanity Fair is a 1932 American pre-Code drama film directed by Chester M. Franklin and starring Myrna Loy, Conway Tearle and Anthony Bushell. The film is modernized adaptation of William Makepeace Thackeray's 1848 novel of the same name with the original Regency-era story reset in Twentieth Century Britain. Three years later Thackeray's novel was adapted again as Becky Sharp, the first three-strip technicolor film.
Old Wives for New is a 1918 American silent drama film directed by Cecil B. DeMille. It is based on the 1908 novel of the same title by David Graham Phillips.
Conway Tearle was an American stage actor who went on to perform in silent and early sound films.
Love Bound is a 1932 American Pre-Code mystery film directed by Robert F. Hill and starring Jack Mulhall, Natalie Moorhead, Clara Kimball Young. It is a second feature produced by the Poverty Row studio Peerless Pictures. The film is also known as Murder on the High Seas, the alternative title it was later reissued under.
The Great Divide is a 1925 American silent drama film directed by Reginald Barker and produced and distributed by MGM. The film stars Alice Terry, Conway Tearle, and Wallace Beery. It is based on the William Vaughn Moody play, being the second of three film adaptations. The play had been made famous on the 1906 Broadway stage with Margaret Anglin, Henry Miller, Laura Hope Crews, and a pre-Griffith Henry B. Walthall in the principal parts.
Virtuous Wives is a lost 1918 American silent drama film directed by George Loane Tucker, and stars Anita Stewart. Future gossip columnist Hedda Hopper co-starred. Based on the novel of the same name by Owen Johnson, the film was produced Anita Stewart's, production company. It was also the first film produced by Louis B. Mayer.
Morals for Women is a 1931 American pre-Code film produced and released by Tiffany Pictures, often considered a low budget studio. The film stars Bessie Love and Conway Tearle. It is preserved at the Library of Congress, has been released on DVD, and is in the public domain.
Day of Reckoning is a 1933 American pre-Code drama film starring Richard Dix, Madge Evans and Conway Tearle. It is based on a novel by Morris Lavine. When a man is sent to prison, his wife is romanced by another man.
Natalie Moorhead was an American film and stage actress of the 1920s and 1930s. She was known for distinctive platinum blond hair.
Her Mad Night is a 1932 American pre-Code crime film directed by E. Mason Hopper and starring Conway Tearle, Irene Rich and Mary Carlisle. It is also known by the title Held For Murder.
The King Murder is a 1932 American pre-Code mystery film directed by Richard Thorpe and starring Conway Tearle, Natalie Moorhead and Marceline Day.
The Judgement Book is a 1935 American Western film directed by Charles Hutchison and starring Conway Tearle, Bernadene Hayes and Howard Lang.
Drifting Souls is a 1932 American Pre-Code drama film directed by Louis King and starring Lois Wilson, Theodore von Eltz and Raymond Hatton.
School for Wives is a 1925 American silent drama film directed by Victor Halperin and starring Conway Tearle, Sigrid Holmquist, and Peggy Kelly. It provided an early role for the future star Brian Donlevy. Based on Leonard Merrick's 1907 melodramatic novel The House of Lynch, it was not well-received by critics.
Trails End is a 1935 American Western film directed by Albert Herman and starring Conway Tearle, Claudia Dell and Fred Kohler. It is based on a story by James Oliver Curwood. It was given a subsequent release by Astor Pictures following World War II.
Señor Jim is a 1936 American Western film directed by Jacques Jaccard and starring Conway Tearle, Barbara Bedford and Alberta Dugan.
Desert Guns is a 1936 American Western film directed by Charles Hutchison and starring Conway Tearle, Margaret Morris and William Gould.
Alias Mary Smith is a 1932 American mystery crime film directed by E. Mason Hopper and starring Blanche Mehaffey, John Darrow and Raymond Hatton. It was released by the independent company Mayfair Pictures.
Dancing Man is a 1934 American pre-Code mystery film directed by Albert Ray and starring Reginald Denny, Judith Allen and Edmund Breese. Allen was loaned out from Paramount Pictures where she was under contract.
Malay Nights is a 1932 American drama film directed by E. Mason Hopper and starring Johnny Mack Brown, Dorothy Burgess and Raymond Hatton. It was produced on Poverty Row as a second feature for release by Mayfair Pictures. It is also known by the alternative title Shadows of Singapore.