Adam Pounds (born November 25, 1954) is a British composer and conductor, mostly active in Cambridge.
Contents
- Biography
- Education
- Work and Musical Advocacy
- Compositions
- Style and Influences
- List of works
- Discography
- References
- External links
Adam Pounds (born November 25, 1954) is a British composer and conductor, mostly active in Cambridge.
Adam Pounds was born in Walthamstow, in London, to Edward Pounds and Annie Pounds (née Crisp). [1] He moved to Cambridge with his family in 1998. [2]
As a child, Pounds was a chorister at St Michael's Church, in Walthamstow. [2] Educated at William Morris High School, he was accepted to the London College of Music where he studied oboe, guitar, composition and conducting, the latter under Christopher Fry. His oboe quartet won the Lillian Hunt Memorial prize for composition. Pounds later took private composition lessons from Lennox Berkeley, to whom he had sent the prize-winning oboe quartet by way of introduction. [1] [3]
Pounds continued his studies at Goldsmiths' College, graduating with a BMus (Hons) degree. In 2002, Pounds began studying for a MEd at Trinity Hall, Cambridge, where his research focused on the decline of classical music provision in state schools. [1] [4] During his studies at Trinity Hall, Pounds joined the choir of Great St Mary's, the University Church. [2]
During his studies, Pounds worked as a music copyist for the BBC, preparing parts for major works by Harrison Birtwistle, William Alwyn and others, to be performed by the BBC Symphony Orchestra, continuing this work after leaving music college. He also worked for Crescendo, a jazz magazine, as an administrative assistant, and taught at Long Road Sixth Form College. [1] [2]
Pounds founded and conducted the Nelson Orchestra, Waltham Forest, in 1981. [1] [5] He subsequently founded the Academy of Great St. Mary's at the University Church in Cambridge, [6] where some of his later works have received their debut. [7] Pounds also conducts the Stapleford Choral Society. [8]
Between 2015 and 2021, then again from 2024, Pounds also served as the chairman of the Lennox Berkeley Society, [9] which encourages the performance, study, recording and broadcast of his former tutor's work. [10]
Along with his wife, Dinah, Pounds has co-founded the Romsey Music Project, producing an ongoing series of free and accessible concerts in Romsey Town where Dinah Pounds has served as a City Councillor since 2021, and as Deputy Mayor of Cambridge since 2024. [11] [12]
Pounds' early orchestral compositions include the Sinfonietta (1979) and the Gaelic Triptych (1983). His Festival Overture (1987) was commissioned by the Waltham Forest Arts Festival. [13] The Violin Concerto was first performed at the Stansted Festival in 1995. [14] Chamber works include three string quartets: No. 1 (1978); the one movement Second String Quartet (2003); [15] and the String Quartet No. 3, completed in 2022. There are also vocal works, such as the Shakespeare Sonnets for voice, flute and piano, the London Cantata, [13] and an opera, Syn (2005), based on Russell Thorndike's Dr Syn character. The opera has been performed at the Mumford Theatre, Cambridge.
The Martyrdom of Latimer was commissioned in 2009 to celebrate the tenth anniversary of the Ely Sinfonia. It explores the final days of the life of the cleric Hugh Latimer, his death at the stake and his martyrdom, using modal themes and liturgical ideas combined with strong rhythmic statements. It is written for a fairly large orchestra, employing four trumpet parts, with two of the players intended to be sited in a gallery. The piece was premiered in Ely Cathedral on 3 October 2009. [16]
The London Cantata, completed in 2017, returns to Pounds' city of birth, reflecting on the historical diversity of life in the capital, set to the words of Wilfred Owen, Amy Levy, George Eliot and William Wordsworth, among others. [13]
In 2018 Pounds continued composing a series of numbered symphonies, with Symphony No. 3 (2021) recorded in November 2022 by John Wilson and the Sinfonia of London, to whom it is dedicated. [17] Written in response to the COVID-19 lockdowns imposed in 2020 and 2021, Pounds states that the piece captures the ‘sadness, humour, determination and defiance’ which everyone faced at this time – not least musicians. [18] Its concert premiere took place in Great St Mary's Church in Cambridge on 28 September 2024, conducted by the composer. [19]
The Symphony No. 4 was also premiered in Cambridge on 10 December 2023, [7] followed by Pounds' Nocturne for Choir and Orchestra on 8 December 2024. [20]
Pounds' compositional style is in the symphonic tradition, and although he has used some so-called modern methods including serialism and minimalism, he has followed a line through composers such as Shostakovich, Hindemith, Vaughan Williams and Bartók. He also gained much from his time studying with Lennox Berkeley, who advised him to 'write only the notes you need'; during this time Pounds was able to refine his form and find direction. [3]
Pounds has drawn inspiration from his travels, writing his Gaelic Triptych after a holiday in the Scottish Highlands. Its second movement, subtitled Corgarff Castle , evokes a misty picture of a lonely and deserted garrison, while the third, subtitled Drumossie Moor, is a tribute to the Scots butchered in the Battle of Culloden, ending with an orchestration of an ancient bagpipe tune. Another programmatic work, Northern Picture, is a collage of dance, mysticism and combat, influenced by the Castlerigg stone circle. [1]
While Pounds' earlier work, Life Cycle, shares the same idea of programme, the inspiration is far more abstract, dwelling on life's journey. The fullness of life is represented by a strong minimalist section. His String Quartet No. 2, composed in 2003, contrasts war-like themes with images of reason and meditation. [1] Pounds describes that, although he had always been involved with the Church of England, he went through a "political and hot-headed" period; this piece was written as he was returning to religion. [2]
More recently, Pounds' Symphony No. 3 (2021) expresses the composer's various emotional reactions to the impact and psychological effects of the COVID-19 lockdowns. [17]
Regarding his time in the choir of Great St Mary's Church, Pounds has described his choral experience as beneficial to his work as a musician, explaining that "when you’re arranging instrumentation and conducting, it's important to understand choir and orchestra together". [2]
In addition to the poems set in the London Cantata, [13] Pounds' vocal works include settings of poems by William Blake, G. K. Chesterton and W. B. Yeats. [21] [22] [23]
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