Adam de Givenchi

Last updated

Adam de Givenchi (fl. 12301268) was a trouvère, probably from Givenchy and active in and around Arras. His surname is also spelled Givenci, Gevanche, or Gievenci.

Floruit, abbreviated fl., Latin for "he/she flourished", denotes a date or period during which a person was known to have been alive or active. In English, the word may also be used as a noun indicating the time when someone "flourished".

Trouvère, sometimes spelled trouveur[tʁuvœʁ], is the Northern French form of the langue d'oc (Occitan) word trobador. It refers to poet-composers who were roughly contemporary with and influenced by the troubadours but who composed their works in the northern dialects of France. The first known trouvère was Chrétien de Troyes and the trouvères continued to flourish until about 1300. Some 2130 trouvère poems have survived; of these, at least two-thirds have melodies.

Givenchy is a French luxury fashion and perfume house. It hosts the brand of haute couture clothing, accessories and Parfums Givenchy, perfumes and cosmetics. The house of Givenchy was founded in 1952 by designer Hubert de Givenchy and is a member of Chambre Syndicale de la Haute Couture et du Pret-a-Porter. It is owned by luxury conglomerate LVMH. Its current artistic director is Clare Waight Keller, who is the first woman to hold that position.

Contents

Adam appears in charters of May and July 1230 as a clerk of the Bishop of Arras. He was still serving in the household of the bishop in 1232. In 1243 he was named as a priest and chaplain to the bishop. [1] In 1245 he was the doyen of Lens.

Priest person authorized to lead the sacred rituals of a religion (for a minister use Q1423891)

A priest is a religious leader authorized to perform the sacred rituals of a religion, especially as a mediatory agent between humans and one or more deities. They also have the authority or power to administer religious rites; in particular, rites of sacrifice to, and propitiation of, a deity or deities. Their office or position is the priesthood, a term which also may apply to such persons collectively.

Chaplain Provider of pastoral care, often a minister of a religious tradition, attached to an institution

A chaplain is, traditionally, a cleric, or a lay representative of a religious tradition, attached to a secular institution such as a hospital, prison, military unit, school, labor union, business, police department, fire department, university, or private chapel.

Lens, Pas-de-Calais Subprefecture and commune in Hauts-de-France, France

Lens is a commune in the Pas-de-Calais department in northern France. It is one of the main towns of Hauts-de-France along with Lille, Valenciennes, Amiens, Roubaix, Tourcoing, Arras and Douai. The inhabitants are called Lensois.

In Arras he associated with the poets Simon d’Authie, Pierre de Corbie, Guillaume Le Vinier, [2] and Jehan Bretel. He wrote one jeu parti with each of the last two, and the composition with Guillaume (Amis Guillaume, ainc si sage ne vi) has several surviving melodies. Six other poems survive to his name, four with melodies. Two of these are chansons avec des refrains . All the songs are in AAB form and the melodies are simple.

Pierre de Corbie was an early trouvère from the Île-de-France. He is probably the same person as the magister Petrus de Corbeia who served as a canon at Notre Dame d'Arras between 1188 and 1195. All seven of his surviving songs are found in only a few sources; all the melodies are in bar form and several songs have been assigned different melodies by different sources:

Jehan Bretel (c.1210–1272) was a trouvère. Of his known oeuvre of probably 97 songs, 96 have survived. Judging by his contacts with other trouvères he was famous and popular. Seven works by other trouvères are dedicated to Bretel and he was for a time the "Prince" of the Puy d'Arras.

Songs with music

Notes

  1. "Adam de Givenchi". Cassell's Encyclopaedia of World Literature. 1. Funk and Wagnalls. 1954. p. 580.
  2. Polet, Jean-Claude (1992). Patrimoine littéraire européen: anthologie en langue française, Tome 11, Part 2. De Boeck Université. p. 178. ISBN   978-2-8041-1843-3.

Related Research Articles

Adam de la Halle French poet, composer and trouvère

Adam de la Halle, also known as Adam le Bossu was a French-born trouvère, poet and musician. Adam's literary and musical works include chansons and jeux-partis in the style of the trouvères; polyphonic rondel and motets in the style of early liturgical polyphony; and a musical play, "Jeu de Robin et Marion", which is considered the earliest surviving secular French play with music. He was a member of the Confrérie des jongleurs et bourgeois d'Arras.

Dame Maroie or Maroie de Dregnau de Lille was a trouvère from Arras, in Artois, France. She debates Dame Margot in a jeu parti, or debate song, "Je vous pri, dame Maroie." This song survives in two manuscripts, which each give separate and unrelated melodies. In two manuscripts she is credited with a fragment of a song, "Mout m'abelist quant je voi revenir." Dame Maroie is the addressee in a grand chant by Andrieu Contredit d'Arras. She was identified as the Maroie de Dregnau de Lille from whom a single strophe of a single chanson remains, "Mout m'abelist quant je voi revenir", along with its music.

Dame Margot was a trouvère from Arras, in Picardy, France. One extant work of hers is jeu parti, a debate song, in which she debates Dame Maroie. This song, "Je vous pri, dame Maroie," survives in two manuscripts, which each give separate and unrelated melodies. In another jeu parti she is a judge, opposing Jehan le Cuvelier d'Arras and Jehan Bretel. She is listed as a member of the Puy d'Arras.

Gautier de Dargies was a trouvère from Dargies. He was one of the most prolific of the early trouvères; possibly twenty-five of his lyrics survive, twenty-two with accompanying melodies, in sixteen separate chansonniers. He was a major influence on contemporary and later trouvères, and one of the most recorded of medieval vernacular composers. Seventeen chansons courtoises can be assigned indubitably to Gautier, fifteen with music, and three more are probably his, all with music. He imported the Occitan genre of the descort into Old French and left behind three descorts with their melodies. He also participated in two jeux partis, but only one with music. His theme everywhere was courtly love.

Thomas Herier, Erier, Erriers, or Erars was a Picard trouvère associated with the "Arras school".

Andrieu Contredit d'Arras (c.1200–1248) was a trouvère from Arras and active in the Puy d'Arras. "Contredit" is probably a nickname. He wrote mostly grand chants, but also a pastourelle, a lai, and a jeu-parti with Guillaume li Vinier.

Jaques le Vinier was a trouvère probably from the region around Arras and associated with the trouvères of that city. He was a member of the Puy d'Arras and wrote a jeu parti with Andrieu Contredit. His floruit dates are reconstructed on the basis of his reference to Jehan Bretel in his chanson d'amourDe loial amour. Besides chansons d'amour, Jaques also wrote chansons dedicated to the Virgin Mary. The main source preserving his work is the Vatican Chansonnier. Jaques wrote original melodies for his Marian songs, while most such works by other trouvères were contrafacta of pre-existing music. The plagal melodies, all in bar form, are simple, but include both isometric or heterometric tunes. Jaques's complete œuvre comprises:

Chardon de Croisilles or de Reims was an Old French trouvère and possibly an Occitan troubadour. He was probably from Croisilles, but perhaps Reims. He is associated with the school of trouvères in and around Arras. Chardon wrote four chansons d'amour, two jeux partis, and one partimen.

Robert de Castel (d'Arras) was a trouvère active in and around Arras in the late thirteenth century. He is mentioned in the Congés of Baude Fastoul, written in 1272, which place him Arras at that date. He is the addressee of the poem Robert du Chastel, biaus sire, a jeu parti by another trouvère of Arras, Jehan Bretel, which was judged by another Artesian, Gaidifer d'Avion.

Gaidifer (Gadifer) d'Avion was an Artesian trouvère from Avion. He entered the Church and was associated with the poets of the so-called "School of Arras".

Raoul de Soissons was a French nobleman, Crusader, and trouvère. He was the second son of Raoul le Bon, Count of Soissons, and became the Sire de Coeuvres in 1232. Raoul participated in three Crusades.

Jehan de Grieviler was an Artesian cleric and trouvère.

Guillaume d'Amiens or Guillaume le Peigneur was a trouvère and painter from Amiens. All his music is contained in one chansonnier (songbook) of Arras, now manuscript "Latin 1490" in the Bibliotheca Apostolica Vaticana. In it, the rubrics which accompany the songs identify Guillaume as a paigneur, "painter". He may even be the artist who added the large illumination which precedes his songs in the manuscript. The preservation of his works in a single book is an identical case to that of fellow trouvères Adam de la Halle and Jehannot de l'Escurel. The only reference to Guillaume outside of the chansonnier is in a list of taxpayers in Amiens in 1301, which mentions a "William the Painter".

Jehan le Cuvelier d'Arras was a trouvère associated with the so-called "school of Arras". He may be the same person as Johannes Cuvellarius from Bapaume, a suburb of Arras, who is mentioned in documents of 1258. He was the respondent in nine jeux partis and judge of six; he also composed six chansons courtoises. His six chansons are:

Colart le Boutellier was a well-connected trouvère from Arras. There are no references to him independent of his own and others' songs, found in the chansonniers. One of these depicts the known coat-of-arms used by the Boutillier family, one of the petty noble clans of Arras, and assigns it to Colart. Another manuscript does not show any arms for Colart and it can be surmised that he was in fact a member of one of the middle-class families of the same name that could then be found in Arras. He may have been a relative of Robert le Boutellier, who judged a jeu parti between Thomas Herier and Gillebert de Berneville.

Guillaume le Vinier was a cleric and trouvère, one of the most prolific composers in the genre. He has left compositions in all the major subgenres of trouvère poetry: chansons d'amour, jeux-partis, a lai, a descort, a chanson de mal mariée and a ballade. He wrote Marian songs and even an imaginary dialogue with a nightingale. His work can be dated with some precision: the poem "En tous tens" is quoted in the Roman de la violette, which was written around 1225.

Simon d'Authie or d'Autie was a lawyer, priest and Old French trouvère. He was from Authie, and died at Amiens. Up to eleven works are sometimes attributed to him, but only five are certain.

Perrin d'Angicourt was a trouvère associated with the group of poets active in and around Arras. His birthplace was most likely Achicourt, just south of Arras. His surviving oeuvre is large by the standards of the trouvères, and well-distributed in the chansonniers: thirty-five (35) of his songs survive, in some case in as many as eleven different manuscripts.

References