Adoration of the Magi is a c.1522-1523 oil on panel painting by Pontormo, produced for the antechamber of Giovan Maria Benitendi's palazzo in Florence and now in the Galleria Palatina in the same city. [1]
Adoration of the Magi is a c.1522-1523 oil on panel painting by Pontormo, produced for the antechamber of Giovan Maria Benitendi's palazzo in Florence and now in the Galleria Palatina in the same city. [1]
It was commissioned to be inserted into the room's wooden paneling, alongside works by other artists, in the manner of the slightly earlier Marriage Chamber in Florence's Palazzo Borgherini, to which Pontormo also contributed. The other works in the antechamber were Franciabigio's Bathsheba Bathing (Gemäldegalerie, Dresden) and Bacchiacca's Legend of the Dead King's Son (Gemäldegalerie, Dresden) and Baptism of Christ (Gemäldegalerie, Berlin), all surmounted by a larger work, Andrea del Sarto's Saint John the Baptist as a Boy (Galleria Palatina, Florence). [2]
The work's landscape, crowds and grotesques evoke contemporary North European prints by artists such as Lucas van Leyden and Dürer, then circulating as far as Florence and beyond. Unusually for an Adoration of the Magi, the work shows saint Anne (behind the Virgin Mary). She and the image of the Verzaia Monastery in the right background recall the annual procession from Orsanmichele to that monastery on Anne's feast day (26 July) in memory of the expulsion of the Duke of Athens.
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The Adoration of the Magi or Adoration of the Kings or Visitation of the Wise Men is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him. It is related in the Bible by Matthew 2:11: "On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path".
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Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.
The Madonna of the Basket or the Madonna della Cesta is a painting by Peter Paul Rubens, dated to around 1615. It is now held in the Galleria Palatina of the Palazzo Pitti in Florence. Between 1799 and 1815 it was confiscated by the French and assigned to the Dijon Museum of Fine Arts.
The Disputation on the Trinity is an oil-on-canvas painting by the Italian Renaissance artist Andrea del Sarto, created c. 1517, now in the Galleria Palatina in Florence.
The Mystical Nativity or Adoration in the Forest was painted by Fra Filippo Lippi around 1459 as the altarpiece for the Magi Chapel in the new Palazzo Medici in Florence. It is now in the Gemäldegalerie, Berlin, with a copy by another artist now hanging in the chapel. It is a highly individual depiction of the familiar scene of the Nativity of Jesus in art, placed in a mountainous forest setting, with debris from woodcutting all around, rather than the familiar stable in Bethlehem, and with the usual figures and animals around the mother and child replaced by others.
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The Virgin and Child with Saint Anne and Four Saints is an oil painting on panel by Pontormo in the Louvre, Paris. References in Giorgio Vasari's Lives of the Artists are taken by some to date the work to 1528–1529, the years immediately after Pontormo painted the Capponi Chapel. More recent art historians argue that its style is close to works he produced between 1524 and 1526.
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