The Basilica della Santissima Annunziata is a Renaissance-style, Catholic minor basilica in Florence, region of Tuscany, Italy. This is considered the mother church of the Servite Order. It is located at the northeastern side of the Piazza Santissima Annunziata near the city center.
Domenico di Michelino (1417–1491) was an Italian Renaissance painter who was born and died in Florence. His real name was Domenico di Francesco. The patronymic "di Michelino" was adopted in honour of his teacher, the cassone painter Michelino di Benedetto, by whom no works have been identified. Giorgio Vasari reports that Domenico was also a pupil of Fra Angelico, whose influence is reflected in many of Domenico's paintings along with that of Filippo Lippi and Pesellino.
Pietro Perugino, an Italian Renaissance painter of the Umbrian school, developed some of the qualities that found classic expression in the High Renaissance. Raphael became his most famous pupil.
Agostino Ciampelli was an Italian painter of the Baroque period. He trained with Santi di Tito in Florence, and painted in Rome under Clement VIII, including a Crucifixion for Santa Prassede and a Saint Giovanni Gualberto in its sacristy; Angels on the walls above the choirstalls in the apse of Santa Maria in Trastevere; frescoes of the Stoning of Saint Vitale in San Vitale and further frescoes in the little church of Santa Bibiena; and The Visitation in Sant Stefano di Pescia. At the Basilica of San Giovanni in Laterano, Ciampelli frescoed the walls of the canons' sacristy, the "Sala Clementina".
Lorenzo di Bicci was an Italian painter of the Florentine School considered to be one of the most important painters in Florence during the second half of the 14th century. He is believed to have learned his trade from his father, about whom little is known. Lorenzo’s style, as well as that of his contemporaries Jacopo di Cione and Niccolò di Pietro Gerini, was influenced by the artist Andrea di Cione. Lorenzo's paintings made use of bright colors and his compositions avoided complexity. The figures he painted tended to have round faces and were often expressionless. Another one of Lorenzo's distinctive characteristics was his precision of execution. He was known for exceptional talent in drawing, an ability that he put to use at the initial stages of his painting. Unlike many celebrated Florentine artists of this period, Lorenzo mostly received commissions from the country clergy and from the lower-middle-class Florentine guilds. His successors, Bicci di Lorenzo and Neri di Bicci, continued to serve these groups.
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.
The Madonna and Child with Saints, also known as the Pucci Altarpiece, is a painting by the Italian late Renaissance painter Jacopo Pontormo, executed in 1516. It is housed in the church of San Michele Visdomini in Florence.
San Giovanni Decollato is a Roman Catholic church in Rome, sited on via di San Giovanni Decollato in the Ripa rione, a narrow road named after the church. Its construction took most of the 16th century.
The Dei Altarpiece is an oil on panel painting by Rosso Fiorentino, commissioned in 1509 by the Dei family and completed in 1522. It is now in Florence's Galleria Palatina, whilst the Uffizi holds a preparatory drawing which may be the original idea for the work.
Supper at Emmaus is a 1525 oil on canvas painting by Pontormo and now in the Uffizi in Florence. It is one of the smallest works signed and dated by the artist, in this case on the abandoned scroll in the foreground.
Portrait of a Halberdier, The Halberdier or Man with a Halberd is a 1529-1530 or 1537 oil painting by Pontormo, originally painted on panel and later transferred to canvas. It is now in the Getty Museum in Los Angeles. A preparatory drawing now in Florence's Gabinetto dei Disegni e delle Stampe shows the figure in a more frontal and less contraposto pose.
Scene from Hospital Life is a monochrome fresco fragment by Pontormo, executed c. 1514, originally in Florence's Ospedale di San Matteo, from which it was removed in the 18th century when that building was converted into a museum. It is now in the city's Galleria dell'Accademia.
Madonna and Child with the Infant Saint John the Baptist is an oil on panel painting by Pontormo, now in the Uffizi, whose Gabinetto dei Disegni e delle Stampe also houses a preparatory drawing for the work. The two theories on its dating are 1534-1536 and Antonio Natali's theory of 1529–1530.
The Virgin and Child with Saint Anne and Four Saints is an oil painting on panel by Pontormo in the Louvre, Paris. References in Giorgio Vasari's Lives of the Artists are taken by some to date the work to 1528–1529, the years immediately after Pontormo painted the Capponi Chapel. More recent art historians argue that its style is close to works he produced between 1524 and 1526.
Madonna of the Book is a c.1540–1545 oil on panel painting by Pontormo, heavily influenced by Michelangelo and now in a private collection. It may be the work described in Lives of the Artists as a "canvas of Our Lady" found among drawings, cartoons and terracotta models in the painter's home after his death and which was then given to Piero Salviati by the painter's heirs.
The Boldrone Shrine is located at the corner of the Via di Boldrone and the Via dell'Osservatorio in the Quarto district of Florence. It was named after the monastery of San Giovanni Evangelista di Boldrone, which was itself named after the French "Boldrone" hermitage founded on that site in the 13th century.
Portrait of Maria Salviati is an oil on panel painting attributed to Pontormo, executed c. 1543–1544, in the Uffizi, Florence.
Madonna and Child with Saints, Madonna and Child Enthroned with the Infant St John the Baptist, St John the Evangelist and Saint Catherine of Alexandria or the San Giorgio Madonna is a 1593 oil on canvas painting by Annibale Carracci, originally in the Landini chapel in the church of San Giorgio in Poggiale, Bologna. During the 19th century the conservation conditions there worsened and it was moved to the Accademia di Belle Arti for restoration, before being moved to its current home in the then-new Pinacoteca Nazionale di Bologna.. It is signed and dated "ANNI CARR FE MDXCIII".
The Casalmaggiore Altarpiece is a 1540 oil on panel painting by Parmigianino, now in the Gemäldegalerie in Dresden, which acquired it from the Este collection in 1746.
The Cappella di San Luca, also called dei Pittori is a chapel found in the cloisters of the convent of Santissima Annunziata in Florence, Italy. It was built to serve as the burial chapel for members of the Accademia del Disegno, and was donated by the Servites to the Academy in a document from 1565. It contains a collection of terracota statues from a number of prominent Florentine Mannerist sculptors.
