Scene from Hospital Life is a monochrome fresco fragment by Pontormo, executed c. 1514, originally in Florence's Ospedale di San Matteo, from which it was removed in the 18th century when that building was converted into a museum. It is now in the city's Galleria dell'Accademia. [1]
It was previously attributed to Andrea del Sarto, but Carlo Gamba suggested its reattribution as an early work by Pontormo, supported by Bernard Berenson and now unanimously held among art critics. Its dating is based on other works from 1514 such as Andrea del Sarto's Birth of the Virgin in the Chiostro dei Voti. A sketch of two women by Pontormo now in Munich (14042r, cfr. Cox Rearick, n. 17) is argued by some to be for Pontormo's Visitation in the Chiostro dei Voti, but by Luciano Berti to be a preparatory drawing for Scene. [2]
Jacopo Carucci, usually known as Jacopo da Pontormo, Jacopo Pontormo, or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance. He is famous for his use of twining poses, coupled with ambiguous perspective; his figures often seem to float in an uncertain environment, unhampered by the forces of gravity.
The Basilica della Santissima Annunziata is a Renaissance-style, Catholic minor basilica in Florence, region of Tuscany, Italy. This is considered the mother church of the Servite Order. It is located at the northeastern side of the Piazza Santissima Annunziata near the city center.
Franciabigio was an Italian painter of the Florentine Renaissance. His true name may have been Francesco di Cristofano; he is also referred to as either Marcantonio Franciabigio or Francia Bigio.
Vertumnus and Pomona is a fresco decoration in the Medici country villa at Poggio a Caiano, executed c. 1519-1521 by Jacopo Pontormo. The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence.
Giovanni Battista Naldini (1535–1591) was an Italian painter in a late-Mannerist style, active in Florence.
Pier Francesco Foschi (1502–1567) was an Italian painter active in Florence in a Mannerist style. He was pupil of Andrea del Sarto and assisted Pontormo with his frescoes at Careggi in 1536. He completed 3 altarpieces, commissioned in 1540–1545 for the church of Santo Spirito in Florence: an Immaculate Conception, Resurrection, and a Transfiguration. Foschi was also influenced by Il Bronzino. One of his pupils was Alessandro Fei.
Holy Family is a Christian term for Jesus, the Virgin Mary and St. Joseph.
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.
Nativity of the Virgin is a fresco painting by Andrea del Sarto in the Chiostro dei Voti of Santissima Annunziata in Florence. It is signed and dated in 1514, though most of the work on it is thought to have been carried out in 1513.
Tribute to Caesar is a fresco measuring 502x536 cm by Andrea del Sarto and Alessandro Allori in the central hall of the villa medicea di Poggio a Caiano, Province of Prato, Italy. It dates to circa 1520, and 1582.
The Chiostro della Scalzo or is a cloister in Florence, Italy that originally led to a chapel once belonging to a religious company known as the Compagnia del diciplinati di San Giovanni Battista or della Passione di Cristo. The term "scalzo" makes reference to the barefoot brother who carried the Cross during its public processions.
Mystic Marriage of Saint Catherine of Alexandria is an oil on panel painting of the sacra conversazione genre by Andrea del Sarto, executed c. 1512–1513. It was acquired by the imperial gallery in Prague in 1749 and now is in the Gemäldegalerie in Dresden.
Assumption of the Virgin is a fresco by Rosso Fiorentino in the Chiostro dei Voti of the Basilica della Santissima Annunziata in Florence.
Villamagna Altarpiece is a 1521 oil on panel painting by Rosso Fiorentino, produced for Pieve dei Santi Giovanni Battista e Felicita, Villamagna's parish church, where it remained until the mid 1860s. It is now in the Diocesan Museum in Volterra. The artist's second commission in Volterra after Deposition, it is signed and dated in the lower left-hand corner. To the left of the Madonna and Child is John the Baptist in his camel-skin tunic and holding a cross, whilst to the left is Saint Bartholomew holding an open book and the knife used to flay him.
Adoration of the Magi is a c.1522-1523 oil on panel painting by Pontormo, produced for the antechamber of Giovan Maria Benitendi's palazzo in Florence and now in the Galleria Palatina in the same city.
Saint John the Baptist as a Boy is an oil on panel painting by Andrea del Sarto, executed c. 1525, now in the Palatine Gallery of the Palazzo Pitti in Florence.
Woman with a Basket of Spindles is an oil on panel painting, executed c. 1514–1515, now in the Uffizi in Florence. It is attributed to Pontormo or Andrea del Sarto. The work arrived in the Palazzo Pitti's gallery in 1773, as recorded in a note on the reverse, and in 1784 it was hanging in the Sala dell'Ermafrodito. It was last restored in 1996.
The San Ruffillo Madonna is a fresco fragment by Pontormo, executed c. 1514, originally in the San Ruffillo church in Florence.
Portrait of a Jeweler is an oil on panel painting by Pontormo, executed c. 1517–1518. It was acquired from the art dealer Everhard Jabach by Louis XIV in 1671 and is now in the Louvre in Paris.
The Madonna del Sacco is a fresco painting by Andrea del Sarto in the Chiostro Grande adjacent to the Basilica of Santissima Annunziata in Florence.