Joseph Sold to Potiphar is an oil on panel painting by Pontormo, executed c. 1515, now in the National Gallery in London. [1] Like The Baker Tortured , Joseph in Egypt and Joseph's Brothers Ask Him For Help (all also in the National Gallery), it was originally painted for the Marriage Chamber of the Palazzo Borgherini. [2]
Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.
Jacopo Carucci or Carrucci, usually known as Jacopo (da) Pontormo or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance. He is famous for his use of twining poses, coupled with ambiguous perspective; his figures often seem to float in an uncertain environment, unhampered by the forces of gravity.
Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
The Descent from the Cross, or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion. In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th Station of the Cross, and is also the sixth of the Seven Sorrows of the Blessed Virgin Mary.
Giovanni Battista di Jacopo, known as Rosso Fiorentino, or Il Rosso, was an Italian Mannerist painter who worked in oil and fresco and belonged to the Florentine school.
Events from the year 1517 in art.
The Madonna and Child with Saints, also known as the Pucci Altarpiece, is a painting by the Italian late Renaissance painter Jacopo Pontormo, executed in 1516. It is housed in the church of San Michele Visdomini in Florence.
Shy Abady is an Israeli artist. Over the years, Abady created "biographical" series, which followed individual figures .Other series addressed historical-political themes .In some other series,, Abady examines the language of art itself and the aesthetic influences and relationships between Western-Christian art and Jewish-Israeli art. Abady's work has been shown in solo and group exhibitions in many galleries and museums in Israel and abroad.
Thomas Agnew & Sons is a fine arts dealer in London that began as a print and publishing partnership between Thomas Agnew and Vittore Zanetti in Manchester in 1817. Agnew ended the partnership by taking full control of the company in 1835. The firm opened its London gallery in 1860, where it soon established itself as a leading art dealership in Mayfair. Since then, Agnew's has held a pre-eminent position in the world of Old Master paintings. It also had a major role in the massive growth of a market for contemporary British art in the late 19th century. Agnew's closed in 2013. The brand name was sold privately and the gallery is now run by Lord Anthony Crichton-Stuart, a former head of Christie's Old Master paintings department, New York.
Rosemary Mayer (1943–2014), was an American visual artist who was closely associated with the feminist art movement and the conceptual art movement of the 1970s. She was a founding member of A.I.R. gallery, the first all-female artists cooperative gallery in the United States.
The Carmignano Visitation is a c.1528-1530 oil on panel painting of the Visitation by Pontormo, now in the propositura dei Santi Michele e Francesco in Carmignano, Italy.
Nativity of Saint John the Baptist is a 1526 oil on panel desco da parto painting by Pontormo, now in the Uffizi, where it has been since at least 1704. There is a copy in the Fogg Art Museum. Its status as an autograph work is accepted by most art critics, but was disputed by Philippe Costamagna.
Woman with a Basket of Spindles is an oil-on-panel painting, executed c. 1514–1515, now in the Uffizi in Florence. It is attributed to Pontormo or Andrea del Sarto. The work arrived in the Palazzo Pitti's gallery in 1773, as recorded in a note on the reverse, and in 1784 it was hanging in the Sala dell'Ermafrodito. It was last restored in 1996.
Joseph in Egypt is an oil painting on panel of c. 1518 by Pontormo, now in the National Gallery in London, which bought it in 1882. Like the same artist's Joseph's Brothers Beg for Help, Joseph Sold to Potiphar and Pharaoh with his Butler and Baker, it was originally part of the Marriage Chamber in the Palazzo Borgherini in Florence.
Pharaoh with his Butler and Baker is an oil on panel painting by Pontormo, executed c. 1515, now in the National Gallery, London. Like Joseph Sold to Potiphar, Joseph in Egypt and Joseph's Brothers Beg for Help, it was originally painted for the Marriage Chamber at the Palazzo Borgherini in Florence.
Joseph's Brothers Beg for Help or Joseph Reveals Himself to his Brothers is an oil on panel painting by Pontormo, executed c. 1515, now in the National Gallery in London. Like Joseph in Egypt, Joseph Sold to Potiphar and Pharaoh with his Butler and Baker, it is part of a series of works by the artist on the life of Joseph for the Marriage Chamber of the Palazzo Borgherini in Florence.
Madonna of the Book is a c.1540–1545 oil on panel painting by Pontormo, heavily influenced by Michelangelo and now in a private collection. It may be the work described in Lives of the Artists as a "canvas of Our Lady" found among drawings, cartoons and terracotta models in the painter's home after his death and which was then given to Piero Salviati by the painter's heirs.
Portrait of Maria Salviati is an oil on panel painting attributed to Pontormo, executed c. 1543–1544, in the Uffizi, Florence.
Portrait of Monsignor Della Casa is a c. 1541-1544 oil on panel by Pontormo, now in the National Gallery of Art in Washington, D.C. Previously identified as Niccolò Ardinghelli, it is now thought to show Giovanni della Casa, author of Galateo.
Portrait of a Musician is an oil painting on panel by Pontormo in the Uffizi. It is dated on stylistic grounds to c. 1518–1519; the art historian Luciano Berti places it in Pontormo's youthful phase alongside his Pucci Altarpiece, Saint John the Evangelist and Michael the Archangel.
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